Review: Edison Pearl (Striated Navy Stripe, Fine Nib)

 

 

Hand Over That Pen, please!

Katherine: Oooh stripes! And blue! And a hint of sparkle. And pointy ends! All the things I love in a pen. The shape is heavily reminiscent of the Nakaya Piccolo, and as with that pen, I love the clean lines and the small touches on this pen, like the gentle taper and conical ends. Franz’s example is particularly close to my heart because it’s both blue and striped, but I’m sure it comes in a variety of materials depending on one’s taste.

Pam:  The Edison Pearl is a great flagship pen and a great example of their work.  They take pride in their craftsmanship from nib to pen material.  They were one of the first companies that I was made aware of as a newbie fountain pen addict that broke the mold using beautiful and unique acrylics.  This particular material that Franz selected is absolutely stunning.  The blue and gray stripes is a great compliment to this simple shape.

Franz: Fountain Pen Day 2013. Yep. That’s what I call this pen because I got this from Edison Pen Co.‘s current inventory offering on FPD. I never held an Edison Pearl before but c’mon! With the shape and the blue… I mean, the material, how can one go wrong? =) The Edison Pearl is part of Brian and Andrea Gray’s Signature Line of pens and you purchase one either by checking out their Current Inventory, or emailing them and ordering a custom one for yourself.

In the Hand: Edison Pearl (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Edison Pearl (unposted) — from left to right: Franz, Katherine, and Pam

 

The Business End

Katherine: It’s a Jowo holder, but Brian Gray tunes the nibs quite nicely. Franz has this one paired with a smooth wet Fine nib, but think of all the other fun nibs it could house!

Pam: The fine nib is very smooth for its size and I find it touch glossy.  A great compliment to Brian Gray’s tuning work.  This is a great pen for those who would want to swap nibs.

Franz: Originally, this pen came with a medium 0.9mm cursive italic customized by Mr. Brian Gray and I love that nib. For this review, I just swapped it with a fine nib from another Edison Pen of mine. As with any well tuned nib, this fine is quite fine to write with. And I love how the nib (logo) within a nib looks!

 

Write It Up

Katherine: The Pearl is comfortable, but the “waist” on the section is a little deeper than I’d prefer. With narrower sections like this, my thumb tends to creep “forward” as I write, and eventually I end up in a Pam-like coma-grip (probably still not a vise-like).

Pam:  I find the width of the Pearl to be quite comfortable.  Alas, the threads fall right at where I would grip.  The threads are not too sharp, but I am reminded that they are there if I grip too hard. I don’t have too much contact with the waist of the section, and the section does widen to the width similar to the pen body.

Franz: Like Katherine, I found the section’s concave design a little too thin so I always gripped it by the threads. The Pearl may have a girthy barrel but the length is a little short when the cap is unposted. Unfortunately, the cap does not post securely and it makes it a bit too long. You can definitely see that in our hand comparisons above.

But nevertheless, using the Pearl unposted, I’ve written a couple of letters and lots of pages in my journal. The shorter length definitely gives me some fatigue but it’s fairly adequate for my bear paw.

 

EDC-ness

Katherine: The Pearl takes one and three fourths turns to uncap, and has a solid clip. Overall, no complaints from me on carrying this pen daily.

Pam:  This pen is a great pen to for regular carry with a small number of rotations to uncap and a professional looking clip.  I think this would be a very adventurous pen in the office!

Franz: I’ve used the Pearl for journaling, as well as in the office setting. The original 0.9mm cursive italic and the fine nib currently installed writes nicely on cheaper copier paper. My personal every day paper is Tomoe River and I enjoy the fine line for practicing some tiny writing.

 

Final Grip-ping Impressions

Katherine: Section aside, this pen is reminds me a lot of a Nakaya Piccolo, except in a much wider range of fun materials and lots of nib choices. Additionally, since the Pearl is part of Edison’s Signature line, it’s customizable — so you could get one at a Piccolo length, or a longer one if you have oversize hands. As with any customizable pen, it all comes down to your preferences — but as a base, the Pearl has great (to me!) shape and is very well made and immaculately finished.

Pam:  I love custom pen makers.  In a world where we obsess over the perfect shade of ink, the feel of nib and line widths; a customizable pen is ideal.  I would recommend this pen for those discerning individuals who enjoy building their own pen from a great maker.

Franz: The Edison Pearl is a fantastic example of Edison Pen’s quality of pen making. I’ve had this pen for five years now and even though it’s not a pen always inked up, I keep it in mind when rotating pens.

After the Pearl, I discovered and liked the longer pens that the Edison Pen Co. creates. The Huron and the Glenmont are pens that I currently favor more due to the length. Both have flat end designs. The Pearl seems to have a more unique shape among their line and perhaps I’d want one customized to be a little longer. Ahem…maybe next year? =)

 

 

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Platinum 3776, Franklin-Christoph Model 20, Edison Beaumont, *Edison Pearl*, Pelikan M405, Lamy 2000, and Lamy Safari
Posted pens from left to right: TWSBI Eco, Platinum 3776, Franklin-Christoph Model 20, Edison Beaumont, *Edison Pearl*, Pelikan M405, Lamy 2000, and Lamy Safari
Unposted pens from left to right: TWSBI Eco, Platinum 3776, Franklin-Christoph Model 20, Edison Beaumont, *Edison Pearl*, Pelikan M405, Lamy 2000, and Lamy Safari

 

Pen Photos (click to enlarge)

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Mini Review: Minted’s Signature Paper

It’s that time of the year again — holiday cards! I ordered this year’s batch of cards from Minted, so I thought I’d share a quick writing sample incase other folks were interested —

The paper seems to be coated, so many inks seem to sit on top of it, the exceptions are Pilot Blue Black (but feathered quite a bit when wet), Platinum Carbon Black (a little feathering, but much less) and Sailor inks, other than Sei-Boku.

Wetter pens seem to saturate the paper enough to get through the coating, but some do feather.

A tiny bit of feathering with PCB when it’s really wet, but it’s overall easily readable, and I wouldn’t hesitate about putting it in the mail when it’s wet and rainy. (I ordered post cards)

All in all, these aren’t fountain-pen friendly, but are tolerant if you’re willing to do a little experimentation and find a nib and ink that work for you. If you want to play it safe, Platinum Carbon Black delivers.

Have you ordered from another online card printer? Want to do a guest post, let us know!

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The Dogs of the SF Pen Show

It’s that time of the year again — major pen show hangover for the HOTP crew, the San Francisco Pen Show has ended and we sit around wondering why our wallets are so light and why our coworkers aren’t excited by our new pens…

In an effort to stave off some of the post-pen show despair, Katherine has compiled pictures of some of the fluffy friends who graced us with their presence last weekend. The hotel and show are dog friendly, and there were several this year!

This is Oliver, shopping at Sarj’s table. 
Odin (right) making friends with a mystery dog that is similarly fluffy.

 

And Mabel, finishing up some shopping at Straits Pen

 

Mabel even got a name tag!

 

This dog had a friend, but I only got one in the photo. As seen over the Musubi table.

 

And Moogle, mixing up some bespoke ink (it’ll go great on his white fur!)

 

Ralph needed some help… and Moogle was there for him!

Did you make any fluffy friends at the SF Show this year? If you have any photos of your pup at the SF show and would like them added — let us know in the comments!

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The Great Nakaya Size Comparison, Addendum I

The Nakaya Clinic at Aesthetic Bay brought us a new shape — the finless dorsal fin (ryogiri, thanks for the name Dan!). Thomas of Penucopia was was kind enough to lend us his for some photos.

Left to right: Piccolo, Long Piccolo, Naka-ai, Finless Dorsal Fin, Pelikan M800

The Long Piccolo is exclusive to Aesthetic Bay, and the Naka-Ai is exclusive to nibs.com

Left to right: Pelikan M800, Naka-ai, Long Piccolo, Piccolo, finless Dorsal Fin

The Pelikan was added in in case you have no other Nakaya to compare against. It’s what I had on hand, sorry.

Left to right: Pelikan M800, Naka-ai, Long Piccolo, Piccolo, finless Dorsal Fin

Unfortunately I don’t have a Dorsal Fin version 1 or 2 to compare against in photos. However, I was able to compare the two in person and it’s the same section on both. The big difference is the fins.

Sorry for the mediocre phone photo quality. The borrowed pens are on their way to their new home and it didn’t feel right to delay them for better photos.

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Aesthetic Bay Nakaya Clinic: Day 2

Continuing on my recap after Day 1 of Aesthetic Bay’s Nakaya Pen Clinic, here’s day 2:

I got to Aesthetic Bay at 10am, in preparation for an 11am appointment. The slots, predictability, ran late. Yoshida-san got to my pens at about 2:30. But, it was more than worth the wait. (Also waiting with fellow Nakaya fans is a lot of fun)

While waiting, I met several other Nakaya enthusiasts, oggled their collections, egged people on into buying their own Nakaya, talked about notebooks… etc etc. It turns out that I don’t get hungry as fast when standing around with a bunch of other rabid pen folks. Pen clinic adrenaline?

At the clinic, Yoshida-san and his assistant (I think her name is Sanae-san, but I’m not 100% sure) will tune or adjust any Nakaya or Platinum pen. However, they will not grind Platinum pens, only Nakaya. And some grinds take a while, so they don’t do them at the clinic, they need to be brought back to Japan and will be shipped back to their owner (someone asked for an Architect and that was the response, I’m not sure which other grinds fall into that category).

My first request was a stub on a BB nib. It’s a joy to watch Yoshida-san work, he uses no power tools — only traditional whetstones and some elbow grease. Additionally he has made a lot of his own tools — special feeds for grinding, a steamer with silicon blocks for warming feeds and a bunch of other things that we didn’t see in action.

My pen (the stub) compared with the music nib from their nib testing set. The two nibs put down similar-ish lines, but feel very different when writing. The BB stub is extremely smooth on both sides, possibly even smoother when used upside down. Sorcery.

After this Yoshida-san tuned and tweaked a couple nibs for me, and installed a wisteria roll stop on a kuro-tamenuri Decapod Mini for me. The first picture in this post is all the pens he worked on for me. (I guess people like me are why all the slots ran late…)

Nakaya also brought out this super cool yatate in the morning, a wooden single pen holder. It’s made of wood, with fabric cushioning on the inside and finished with urushi.

Unfortunately it also costs more than many entry level Nakaya… so I’m sticking to my Musubi two pen case (which is also far more practical). Speaking of Musubi,

I had a chance to oggle the new Musubi sizes — here they are compared against a Nakaya Piccolo. So cute!

Here’s a last photo of Yoshida-san, installing my rollstop, but more importantly, you can see his customized kettle for warming feeds. Steam comes up between the white silicon blocks and warms the feed, while the nibs never get scratched.

I don’t know when the next pen clinic will be, but if you love Nakaya as much as I do, I highly recommend going. Many thanks to Aesthetic Bay for putting this together and hosting!

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Aesthetic Bay Nakaya Clinic: Day 1

Hello again, it’s Katherine and I’ve gone rogue with the mediocre iPhone pictures. (Sorry)

I’m at the Nakaya Clinic hosted by Aesthetic Bay in Singapore. It’s a three day event where the Nakaya team (Yoshida-san, his assistant, and a translator) brings pens and offers time to get your Nakaya and Platinum nibs tuned and adjusted (by appointment). They are willing to do some grinds, but generally grinds take a lot of time so not all grinds are available. Additionally, each slot is 15 minutes long — so there isn’t a lot of time for multiple grinds, the focus is really on getting pens tuned.

Above is the tray of “fancier” pens — there are some really interesting urushi techniques in that case, how many can you identify?

New to this clinic is a new shape — a Dorsal Fin without the fin (on the right. The left pen is a Naka-ai for comparison). These are list at $800 USD for the tamenuris, and $900 for a variation of hairline.

They sold pretty quickly. (As Nakaya tend to do…)

And a selection of stoppers and nibs. They can be added to existing pens, or newly purchased ones! (For a fee, obviously)

When you buy a pen, they’ll tune and adjust it for you. The stand on the front left are their nib testers — each stock Nakaya nib is represented and available to try. Now I really want a music nib. Yikes.

My appointment is tomorrow still, so I’ll be back with updates on getting my pen(s) tuned and adjusted.

Lastly, I finished off the day with dinner with some of the Aesthetic Bay team and the Nakaya team (and a handful of other Nakaya fans!). Yoshida-san showed us some of his personal Nakaya pens… and my wish list just grew a whole lot longer.

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Colorverse Season 4: Able & Miss Baker + Hayabusa Ink Review

Before anything else, a big shout out of appreciation to Pen Chalet, for sending us inks to review! Pen Chalet was generous and sent us the inks at no charge, but we promise the review below is unbiased and our own uninfluenced* opinions.

* Except maybe by the food coma that followed our dinner gathering

For those unfamiliar with the Colorverse brand, each set contains two bottles, a big one (65ml)and a small (15ml) one. For this review we’re taking a look at two sets: Able + Miss Baker, and Hayabusa + Hayabusa Glistening. Able + Miss Baker is part of Colorverse’s Season 4 offering, Trailblazer in Space. Hayabusa is a Tokyo 2018 Special Edition.

Packaging

Inky Dispositions

Franz: Here goes our first ink review! =) For a period of time now, I’ve been intrigued with the ink bottles of Colorverse. Their bottle shape is very unique as well as their decision to ship two different size bottles and different ink colors. I also really love their outer space themes.

In this review, I only got to test the Able and the Hayabusa (non Glistening). Oh by the way, I kept referring to it as Habuyasa. Good thing I spelled it right in my sample below. Anyway, back to the ink review please.

Able: Color- mossy green; Saturation- low; Shading- high; Wetness- dry; Dry time- fast; Overall thoughts- The green color is very nice to look at however it is too light. The italic writing is from a wet, medium size Pelikan M800 nib but it doesn’t look like it below.

Hayabusa: Color- violet (more of in between violet and purple); Saturation- high; Shading- low; Wetness- medium to high; Dry time- medium; Overall thoughts- I’m loving this color! I don’t have too many purple inks but this definitely hits it for me. The difference in Hayabusa’s lubrication is noticeably different against the Able.

Ms. Baker: As I stated earlier, I was not able to test this ink but I was able to compare ink swatches and the two ladies’ writing samples. I would describe the color a light hot pink. I only own 3 pink inks (Monteverde Kindness Pink, Pilot Iroshizuku Tsutsuji, and Kosumosu) but they don’t match Ms. Baker at all.

I’m happy to have been able to try out inks from the Colorverse brand. I will look into getting more samples of their growing ink line up.

Colorverse Able on 52gsm Tomoe River paper in a Musubi diary notebook
Colorverse Hayabusa on 52gsm Tomoe River paper in a Musubi diary notebook

Katherine: First off, I think the Colorverse bottles and packaging are adorable. There are even little stickers! But, that Able label is misleading. It looks solidly grey, but as you can see in our swatches, is solidly green. Perhaps a muddy green, but definitely green.

Packaging aside, the inks are well behaved — flow well and wash out easily (I did splatter Able and Miss Baker on some clothing and my face before dinner over the weekend. It washed off easily and no one looked at me funny as I ate my fancy multicourse meal). My one gripe is that Able is really, really light in most nibs — even wetter ones like Pelikan nibs. The highlight of trying the three for me is that Hayabusa Glistening both sheens and shimmers — a purple ink with green sheen and gold shimmer, so much fun!

Overall, I really like Hayabusa (I’m a sucker for purple ink) and Miss Baker. I like the overall color of Able, but found it too light except when in a narrow wet nib (the FCI in my writing samples).

Paper: 52gsm Tomoe River in a Seven Seas Crossfield journal notebook

Pam:  My favorite color of the three is Colorverse Hayabusa. It’s a fantastic purple color.  It reminds me of the Montblanc Psychedelic Purple.  There are subtle differences between the two; Hayabusa is a cooler purple (more blue undertones) where as Psychedelic Purple is a warmer purple (with more red undertones.) Both have a subtle gold sheen, although, the sheen on Hayabusa can appear more green in certain lights.  I find Hayabusa to be a great purple ink that has great readability that behaves very well in pens.  Hayabusa was easily the most saturated of the inks and performed extremely well in F and EF nibs.  My architect nib is particularly dry so this saturated ink has more shading without losing it’s vibrancy.

Miss Baker was a pleasant surprise for me.  As someone who passed on Sailor Peche and sakura-inspired pink hues for ink, Miss Baker was surprisingly pleasant to behold.  I particularly liked it with the Sailor 21k F nib, which is the wettest of my three nibs.  My bias towards saturation is obvious, but I can’t deny that Miss Baker is capable of some great shading.  Unfortunately, I don’t see myself using Miss Baker often due to the softness of the color.  I am not sure if I would find a page of Miss Baker to be highly readable, or if it’s a color that would capture my attention in the margins in a sea of black print.

I will admit that I was expecting Able to be a gray ink, so my disappointment on this particular color may overshadow any positive qualities that this ink may have.  Able is NOT gray.  It’s a dull green-gray (more green).  It lacks vibrancy of a green like Montblanc Irish Green or even Bungubox Norwegian Wood or the interest of a green-variant like Ku-jaku or Bungbox Dandyism.  Able is just a blah-green.  If there is any gray in the ink, it just took away the vibrancy and readability of the ink.  It’s the least saturated ink of the three and is a pale ghost of it’s already zombied-green self in my EF and dry architect nibs.  If anything, I feel mislead by the packaging and disappointed by the color.

Overall, I found all the Colorverse inks to be wet in flow and really easy to clean out.  I will definitely be adding some Colorverse inks to my collection in the near future. Thank you again Pen Chalet!  My order will be in your queue soon!

Paper: Filofax notebook.
Paper: (insert here, wait for Pam)
Paper: (insert here). A comparison of different purples side by side. Lavender Purple is much redder.

Ink Circles and Comparisons

Paper: Rhodia 80g Dot Pad. Able is definitely not grey, but is a pretty unique light muddy green. Able is a bright pink, but not similar to anything we had on hand. Katherine suspects it might be close to J Herbin’s Bouquet D’ Antan.

Paper: Rhodia 80g Dot Pad. Hayabusa’s closest match is Waterman Tender Purple, they even have the same greenish sheen.

And for the shimmer fiends, here’s a close up of Hayabusa Glistening. Unfortunately I couldn’t get the sheen and shimmer to show in any writing samples.

We received these inks free of charge for the purposes of this review. We were not compensated monetarily for our review. Everything you’ve read here is our own opinions.

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Opus 88 Koloro (Blue, Medium Nib)

Before anything else, a big shout out of appreciation to Goldspot Pens, and Tom for providing this Opus 88 Koloro fountain pen for review. Goldspot Pens is an online shop for pens, and stationery goods and they are an authorized retailer for diverse brands that we love!

Hand Over That Pen, please!

Katherine: Like many, this pen ain’t my thing aesthetically. I’m not a big fan of the solid matte blue paired with the shinier blue green — the two colors are too close for me (I also can’t stand denim on denim… or blue shirts with blue denim, but that’s besides the point). The demonstrator version looks neat though — but once again… this is all personal preference. 🙂

Pam:  The demonstrator version is very striking, however, I am relieved to see different colors for the Koloro.  All I see on Instagram is the demonstrator version! The slight translucency of the blue makes the material more interesting than a matte plastic.  That said, why not just maintain the same material throughout, like the demonstrator?  Lastly, the demonstrator version of the pen is pretty modern, and I wish the clip would reflect that.  But then again, I am heavily influenced by the Lamy 2000 clip.

Franz: The Koloro is an interesting looking pen. The acrylic parts of the barrel and cap has a cloudy transparency and allows me to see inside with a bit of light behind. The dark blue ebonite is quite spectacular to look at and hold (and smell). When you look closely, you’ll notice that there are black bits in the ebonite and gives it a sandblasted effect. And finally, the dome shape of the cap’s finial makes me smile for some reason. =)

In the Hand: Opus 88 Koloro (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Opus 88 Koloro (unposted) — from left to right: Franz, Katherine, and Pam

 

Pen Details

In the box: The Koloro is shipped in a box with foam cutouts. An eyedropper is supplied along with the needed instructions for filling and using the pen. The presentation is very nice.
The Koloro is mostly an acrylic pen with blue ebonite accents on the cap. and blind cap on the barrel.
A close up of the blue ebonite on the cap. The blue-green acrylic in the middle is translucent.

 

The Business End

Katherine: The pen takes a #5 Jowo nib, which is nice. The one that came with this pen is smooth and well adjusted out of the box. I love that this takes a #5 though, since it seems like it would be a good candidate for frankenpenning with a vintage flex nib and nibs that fit aren’t hard to find.

Pam:  At first, the nib felt really dry and was unpleasant to write with.  However, a special feature of the pen is the shut off valve.  After we opened up the valve and saturated the feed, it was a much more pleasant writer.  (Thank you Katherine & Franz!) The #5 Jowo nib performed consistently and as expected.

Franz: There is a taper to the section that makes the #5 nib size suitable however, a part of me wishes it came with a #6. That’s just me though. As for the writing experience, it was smooth as can be and wrote nicely.

I noticed that the medium nib on the Koloro seems finer than my usual medium Jowo nibs. So I took a loupe and compared it to my other medium #5 Jowo nib. The tipping was slightly smaller/finer than on my Franklin-Christoph Model 45. Of course, this is only from one Opus 88 nib unit but I can’t help but think that since these are Taiwanese pens, could it be that their nib line widths are more towards the Japanese size?

Franz’s writing sample on a Hippo Noto Pocket A5 notebook with 68 gsm Tomoe River cream paper.

 

Write It Up

Katherine: The section is maybe a smidge slimmer than perfect, but overall it’s a comfortable pen that’s well balanced in my hand (unposted). I found it comfortable for long writing sessions, but my one gripe is that once the feed runs dry (because I forgot to open the knob and wrote for a while) it takes a while for the ink to make its way down. When loosened, it’s great… when I forget, it can be a little annoying, though the pen does keep writing, just more dry.

Pam:  I had no problem with the width of the pen.  I found it to be pretty comfortable actually.  The threads and the mild step was a bit sharp for me and had some bite in the tender area where thumb meets palm. It wasn’t painful, but it was very noticable.  I had to loosen my grip and readjust multiple times during the prolonged writing session.

Franz: I wrote in my journal with the Koloro for a good chunk of time and I did not experience any fatigue. I do prefer writing with the cap posted but it’s perfectly usable even when unposted due to the length of the section. It was my first time to use a Japanese-style eyedropper and as long as the blind cap was unscrewed, the ink flows as it should.

 

EDC-ness

Katherine: Sorry, three cap turns is just too many. I take a lot of stop and go notes… and this just doesn’t work. Otherwise, the clip feels strong and is maybe a smidge tight, but seems secure and comfortable.

Pam:  I couldn’t use this pen at work since it took far too many turns to uncap to be a good EDC at work.  It is definitely a 2 hand operation.  If that’s not a hinderance for you, the clip did keep the pen secure in my pen case.

Franz: Like the ladies above, uncapping the Koloro took a while and with a work setting of having the need to constantly cap and uncap, definitely was an irritation. As long as one doesn’t have the need for quick deploy, the Koloro is a great pen to use on the daily. I actually liked using this pen while taking notes on a conference call. The build of the pen seems sturdy and can withstand being jostled around in a pocket or a bag. The eyedropper filling system allows the pen to have a little over 2 milliliters of ink for a lot of writing.

The photo below shows the Koloro’s ink chamber and eyedropper’s plunger rod slightly pulled back. The section does have an O-ring which prevents ink from leaking out.

 

Final Grip-ping Impressions

Katherine: I’m really excited that a modern maker has chosen to build a pen with the Japanese Eyedropper mechanism! This pen doesn’t do it for me aesthetically, but it’s solidly made and writes well — I can’t wait to see what else Opus 88 comes up with!

Pam:  The price is fair for what you get in this pen.  If you like the aesthetic, want a relatively novel eyedropper with shut off valve, and a reliable nib, you will be hard pressed to find a better alternative.  This pen is not for me mostly due to personal preferences, however, as an introduction to Opus 88, it’s a solid opening volley.  Bring it on Opus 88!

Franz: One thing I would say that’s a negative (for me) is because the Koloro’s barrel is acrylic, I don’t get the warm ebonite feel while writing. I only have a few ebonite pens but the warm feel is something that I’ve come to expect. That’s just my personal thing though.

The Koloro is a fantastic pen to use as it has a lot going for it (fairly large size, Japanese eyedropper filling system, different color choices) and as Pam mentioned, it’s at a fair price. It is a pen I find myself using a lot for my journal time whenever I do get the time.

 

Once again, thank you to Goldspot Pens for providing this pen for review. If you’re interested in the Koloro, check out the other options on their site, here.

 

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Lamy Safari, Edison Beaumont, Franklin-Christoph Model 20, *Opus 88 Koloro*, Platinum 3776, Lamy 2000, and Pelikan M805
Posted pens from left to right: TWSBI Eco, Lamy Safari, Edison Beaumont, Franklin-Christoph Model 20, *Opus 88 Koloro*, Platinum 3776, Lamy 2000, and Pelikan M805
Unposted pens from left to right: TWSBI Eco, Lamy Safari, Edison Beaumont, Franklin-Christoph Model 20, *Opus 88 Koloro*, Platinum 3776, Lamy 2000, and Pelikan M805

 

Pen Photos (click to enlarge)

We received this pen free of charge for the purposes of this review. We were not compensated monetarily for our review. Everything you’ve read here is our own opinions.

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June 2018 Pen & Ink Pairing

Katherine: I didn’t have a pen and ink pairing for June — I had 30! I kept up with the #30inks30days challenge on Instagram and had quite a lot of fun.I repurposed the (empty) June page from my 2017 Hobonichi to track my progress. I own more ink samples than I’d care to admit, and I had a lot of fun trying new ones and revisiting old favorites. I also own more pens than I can use regularly, and this gave me a chance to get some of them inked up and writing!

 

Pam: As luck would have it, ’tis the season to reveal an ink in my stash that I have been hoarding.  It has patiently waited for a pen-mate.  Thankfully, my minty dreams have come true with the Vanness edition of the Franklin Christoph Model 45 which is the perfect color match to Papier de Plume’s Lake Michigan Summer. The minty color sings of happy summer days as well as the soothing waters of a lake shore in both ink and pen.

I have typically avoided minty inks due to the a possible brightness that detracts from the readability of an ink.  I don’t have any problem with this ink.  It’s dark and well saturated to make reading a breeze. The comfort of the model 45 rivals that of my Pilot Prera which is practically a daily carry at work.  Not only is the ink and pen pairing a dream come true for me; I can’t imagine a better color than the minty Vanness edition Model 45.

 

Franz: Hellooo BLUE-tiful! I have had this M800 Blue o’ blue for a while now and figured to ink it up just for practicing and improving my novice italic calligraphy skills. The Blue o’ blue (Blue over blue) was a Special Edition pen by Pelikan in 2010 and I was fortunate to have gotten this pen early in my collecting days. The translucency of this material never ceases to amaze me. #ilovebluepens

I also inked up the M800 Blue o’ blue to match with the Maruzen Athena Eternal Blue ink that I have been growing to like. The Eternal Blue ink has shading that mimics the Blue o’ blue’s material. The double broad italic nib is a fitting nib for this ink because it helps bring out the shading even more.

 

Pam’s writing sample
Franz’s writing sample
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Benu Chameleon (Charming Chameleon, Medium Nib)

We want to thank Lisa and Mike Vanness of Vanness Incorporated for lending us this Benu Pen Chameleon fountain pen for review. And sorry it has taken a while Lisa! The Vanness family has had a pen shop in Little Rock, Arkansas since 1938 and is celebrating 80 years of being in business. Check their store out if you can. They also travel to pen shows in the United States and one of the shows that we will see them at is the upcoming San Francisco Pen Show in August.

The opinions in this review are always our own and we were not compensated (monetarily or otherwise) for this review.

 

Hand Over That Pen, please!

Katherine: This pen is… very purple. The unique shape of many of the Benu pens has intrigued me since I started to see them on Instagram. Many thanks to Vanness for lending us one so I could finally try one! And such a cool purple material too. Off the bat, I suspect the looks of this pen will be very polarizing — you either love it or you don’t. Personally, I like the galaxy-ish purple material and the unique shape. However, I couldn’t get the triangular sides to line up, which bugged me (I could also just be incompetent EDIT: Franz confirmed — I’m incompetent and it lines up for him).

Pam:  It’s a very unique pen in terms of aesthetics.  The material is “loud” to me but the shape is intriguing.  It’s not often that we get to see a triangular shape in the world of fountain pens.  I will admit that I am not particularly fond of the material as I find it very distracting and detracts from the cool shape of the pen.

Franz: Yep, this Benu Chameleon pen definitely has a distinctive design. It reminds me of the crystal that Superman used to create his Fortress of Solitude except that it’s blue and purple (blurple) and not a glowing green. Hmm… I hope that wasn’t too geeky of a reference. Hehehe… =P

 

In the Hand: Benu Chameleon (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Benu Chameleon (unposted) — from left to right: Franz, Katherine, and Pam

 

Details

Benu’s packaging is pretty nice and simple. The white box seems perfect for the colorful pens they make. An instruction booklet also comes with the package.
A close up of the Charming Chameleon’s finish.

 

The Business End

Katherine: It contains a Schmidt nib, which is perfectly usable, but not particularly memorable. It’s on the smaller side though — so I bet you might be able to swap a vintage nib into it (though I didn’t try, so proceed at your own risk!).

Pam:  I do find the Schmidt nib to be small relative to the rest of the pen.  It’s not ideal for my angle of writing with this particular set up.  It puts my hand closer to the paper than I would like it.  The Schmidt nib is a reliable nib, writing smoothly and well right out of the box.

Franz: This Chameleon has a medium steel nib and is smooth out of the box. The smaller #5 nib complements the taper of the barrel and section nicely. This nib wrote nicely as it should and I liked it. I believe Benu pens currently have F, M, and B as nib size choices.

As Katherine alluded to, you can “gently” pull out the nib and feed to swap a similarly sized nib. Please remember that any modification you make to any pen may void any warranty there may be.

 

Write It Up 

Katherine: When I uncapped it, I was initially worried about the size of the step from section to barrel, but the section is long enough and I hold my pen far enough forward that it wasn’t an issue at all. The section is on the narrower side, and the pen is on the heavier side, which generally isn’t a combination I love. This pen was no different — usable, but not a pen that feels perfect in hand.

Pam:  The triangular shape surprisingly doesn’t detract from the comfort during the writing experience, however, the step does for me.  It’s not very sharp, but that does depend on how heavily you grip the pen.  I was left with some indentations on my hands based on my typical grip.  I do think Benu created this pen for those with a traditional grip in mind.

The cap does post rather deeply and the material is light enough that it doesn’t add too significant of a weight to the back end of the pen.  Posting the pen may be beneficial for those with the larger hands.  I found it did upset my balance, especially since the nib is relatively small and it threw off my typical writing angle slightly.

Franz: I comfortably wrote with this pen unposted for a long time and it’s due to the longer than usual section. My grip ends up on the threads and they are not sharp at all. Posted, the Chameleon definitely becomes longer. And I really love the notches on the barrel to keep the cap in place. I surprisingly prefer writing with the Chameleon unposted.

Unposted, one can see the notch on the barrel for the cap to latch on to. The longer section allows for the step to be further back.
Posted, the cap covers about an inch of the barrel and is very secure.

 

EDC-ness

Katherine: Upside: it doesn’t roll. Downside: it doesn’t have a clip. It takes two turns to uncap, but they’re two wonderfully smooth turns.

Pam:  The pen did well in my Nock Sinclair case for EDC-ness, however, it wasn’t user friendly for me at work being clipless.  On the flip side, it was quick to uncap and the nib performed admirably well on crappy office paper. The cap does post relatively securely for those quick notes.  My biggest hesitation with this being my EDC is that the material is also quite loud which made me hesitate bringing it out in the hospital setting.

Franz: In the workplace, I used the Chameleon either on the go stored in my shirt pocket or on my desk. I found that this pen is the sit-down-and-write kind due to the number of cap turns (2 and a quarter), as well as the facets that made sure the pen did not roll away. The medium nib wrote nicely on the copier paper and was all around nice.

This pen is also fun-ny because my coworkers thought I was holding a mascara tube or something. Technically, it applies color to a surface, right? ;-P

Chameleon sitting on one of its facets ready to pounce… er… write!

 

Final Grip-ping Impressions

Katherine: The unique shapes and materials are the big draw with this pen. If it’s not your thing, this isn’t the pen for you. But, if you’re like me and you’ve been curious about them for a while, it’s a bit of a relief to find out that while it isn’t the most comfortable and perfect pen for my hand, it’s definitely a usable and reliable writer. My one peeve is that the facets/sides don’t line up.

Pam:  Benu is willing to break tradition with unique materials and shapes.  This pen is best suited for those with a traditional tripod grip.  So if you are looking for a pen with a unique aesthetic and reliable nib, this might be the pen for you.  Based on the material and how it works out with my grip, this pen just isn’t for me.

Franz: Hey Katherine!!! The cap and barrel’s facets do line up. You just gotta give it a gentle twist. 😉 Overall, the Chameleon pen is a good size pen and the shape definitely stands out against other pen designs. What also captivates me is the “Charming” finish on this pen. Blue and purple are my two favorite colors and this is a great example of a blurple pen. I do like this pen a lot and if it is up your aesthetical alley, try it out!

Another shout out of appreciation to Lisa and Mike Vanness for the opportunity to review this Benu pen! The Chameleon pen in this finish and others can be found over at their site, www.vanness1938.com.

 

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Platinum 3776, Pilot Vanishing Point, Franklin-Christoph Model 31, *Benu Chameleon*, Edison Beaumont, Lamy 2000, and Lamy Safari
Posted pens from left to right: TWSBI Eco, Platinum 3776, Pilot Vanishing Point, Franklin-Christoph Model 31, *Benu Chameleon*, Edison Beaumont, Lamy 2000, and Lamy Safari
Unposted pens from left to right: TWSBI Eco, Platinum 3776, Pilot Vanishing Point, Franklin-Christoph Model 31, *Benu Chameleon*, Edison Beaumont, Lamy 2000, and Lamy Safari

 

Pen Photos (click to enlarge)

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