Continuing on my recap after Day 1 of Aesthetic Bay’s Nakaya Pen Clinic, here’s day 2:
I got to Aesthetic Bay at 10am, in preparation for an 11am appointment. The slots, predictability, ran late. Yoshida-san got to my pens at about 2:30. But, it was more than worth the wait. (Also waiting with fellow Nakaya fans is a lot of fun)
While waiting, I met several other Nakaya enthusiasts, oggled their collections, egged people on into buying their own Nakaya, talked about notebooks… etc etc. It turns out that I don’t get hungry as fast when standing around with a bunch of other rabid pen folks. Pen clinic adrenaline?
At the clinic, Yoshida-san and his assistant (I think her name is Sanae-san, but I’m not 100% sure) will tune or adjust any Nakaya or Platinum pen. However, they will not grind Platinum pens, only Nakaya. And some grinds take a while, so they don’t do them at the clinic, they need to be brought back to Japan and will be shipped back to their owner (someone asked for an Architect and that was the response, I’m not sure which other grinds fall into that category).
My first request was a stub on a BB nib. It’s a joy to watch Yoshida-san work, he uses no power tools — only traditional whetstones and some elbow grease. Additionally he has made a lot of his own tools — special feeds for grinding, a steamer with silicon blocks for warming feeds and a bunch of other things that we didn’t see in action.
My pen (the stub) compared with the music nib from their nib testing set. The two nibs put down similar-ish lines, but feel very different when writing. The BB stub is extremely smooth on both sides, possibly even smoother when used upside down. Sorcery.
After this Yoshida-san tuned and tweaked a couple nibs for me, and installed a wisteria roll stop on a kuro-tamenuri Decapod Mini for me. The first picture in this post is all the pens he worked on for me. (I guess people like me are why all the slots ran late…)
Nakaya also brought out this super cool yatate in the morning, a wooden single pen holder. It’s made of wood, with fabric cushioning on the inside and finished with urushi.
Unfortunately it also costs more than many entry level Nakaya… so I’m sticking to my Musubi two pen case (which is also far more practical). Speaking of Musubi,
I had a chance to oggle the new Musubi sizes — here they are compared against a Nakaya Piccolo. So cute!
Here’s a last photo of Yoshida-san, installing my rollstop, but more importantly, you can see his customized kettle for warming feeds. Steam comes up between the white silicon blocks and warms the feed, while the nibs never get scratched.
I don’t know when the next pen clinic will be, but if you love Nakaya as much as I do, I highly recommend going. Many thanks to Aesthetic Bay for putting this together and hosting!