Katherine: Oooh stripes! And blue! And a hint of sparkle. And pointy ends! All the things I love in a pen. The shape is heavily reminiscent of the Nakaya Piccolo, and as with that pen, I love the clean lines and the small touches on this pen, like the gentle taper and conical ends. Franz’s example is particularly close to my heart because it’s both blue and striped, but I’m sure it comes in a variety of materials depending on one’s taste.
Pam: The Edison Pearl is a great flagship pen and a great example of their work. They take pride in their craftsmanship from nib to pen material. They were one of the first companies that I was made aware of as a newbie fountain pen addict that broke the mold using beautiful and unique acrylics. This particular material that Franz selected is absolutely stunning. The blue and gray stripes is a great compliment to this simple shape.
Franz: Fountain Pen Day 2013. Yep. That’s what I call this pen because I got this from Edison Pen Co.‘s current inventory offering on FPD. I never held an Edison Pearl before but c’mon! With the shape and the blue… I mean, the material, how can one go wrong? =) The Edison Pearl is part of Brian and Andrea Gray’s Signature Line of pens and you purchase one either by checking out their Current Inventory, or emailing them and ordering a custom one for yourself.
The Business End
Katherine: It’s a Jowo holder, but Brian Gray tunes the nibs quite nicely. Franz has this one paired with a smooth wet Fine nib, but think of all the other fun nibs it could house!
Pam: The fine nib is very smooth for its size and I find it touch glossy. A great compliment to Brian Gray’s tuning work. This is a great pen for those who would want to swap nibs.
Franz: Originally, this pen came with a medium 0.9mm cursive italic customized by Mr. Brian Gray and I love that nib. For this review, I just swapped it with a fine nib from another Edison Pen of mine. As with any well tuned nib, this fine is quite fine to write with. And I love how the nib (logo) within a nib looks!
Write It Up
Katherine: The Pearl is comfortable, but the “waist” on the section is a little deeper than I’d prefer. With narrower sections like this, my thumb tends to creep “forward” as I write, and eventually I end up in a Pam-like coma-grip (probably still not a vise-like).
Pam: I find the width of the Pearl to be quite comfortable. Alas, the threads fall right at where I would grip. The threads are not too sharp, but I am reminded that they are there if I grip too hard. I don’t have too much contact with the waist of the section, and the section does widen to the width similar to the pen body.
Franz: Like Katherine, I found the section’s concave design a little too thin so I always gripped it by the threads. The Pearl may have a girthy barrel but the length is a little short when the cap is unposted. Unfortunately, the cap does not post securely and it makes it a bit too long. You can definitely see that in our hand comparisons above.
But nevertheless, using the Pearl unposted, I’ve written a couple of letters and lots of pages in my journal. The shorter length definitely gives me some fatigue but it’s fairly adequate for my bear paw.
EDC-ness
Katherine: The Pearl takes one and three fourths turns to uncap, and has a solid clip. Overall, no complaints from me on carrying this pen daily.
Pam: This pen is a great pen to for regular carry with a small number of rotations to uncap and a professional looking clip. I think this would be a very adventurous pen in the office!
Franz: I’ve used the Pearl for journaling, as well as in the office setting. The original 0.9mm cursive italic and the fine nib currently installed writes nicely on cheaper copier paper. My personal every day paper is Tomoe River and I enjoy the fine line for practicing some tiny writing.
Final Grip-ping Impressions
Katherine: Section aside, this pen is reminds me a lot of a Nakaya Piccolo, except in a much wider range of fun materials and lots of nib choices. Additionally, since the Pearl is part of Edison’s Signature line, it’s customizable — so you could get one at a Piccolo length, or a longer one if you have oversize hands. As with any customizable pen, it all comes down to your preferences — but as a base, the Pearl has great (to me!) shape and is very well made and immaculately finished.
Pam: I love custom pen makers. In a world where we obsess over the perfect shade of ink, the feel of nib and line widths; a customizable pen is ideal. I would recommend this pen for those discerning individuals who enjoy building their own pen from a great maker.
Franz: The Edison Pearl is a fantastic example of Edison Pen’s quality of pen making. I’ve had this pen for five years now and even though it’s not a pen always inked up, I keep it in mind when rotating pens.
After the Pearl, I discovered and liked the longer pens that the Edison Pen Co. creates. The Huron and the Glenmont are pens that I currently favor more due to the length. Both have flat end designs. The Pearl seems to have a more unique shape among their line and perhaps I’d want one customized to be a little longer. Ahem…maybe next year? =)
Katherine: I didn’t have a pen and ink pairing for June — I had 30! I kept up with the #30inks30days challenge on Instagram and had quite a lot of fun.I repurposed the (empty) June page from my 2017 Hobonichi to track my progress. I own more ink samples than I’d care to admit, and I had a lot of fun trying new ones and revisiting old favorites. I also own more pens than I can use regularly, and this gave me a chance to get some of them inked up and writing!
Pam: As luck would have it, ’tis the season to reveal an ink in my stash that I have been hoarding. It has patiently waited for a pen-mate. Thankfully, my minty dreams have come true with the Vanness edition of the Franklin Christoph Model 45 which is the perfect color match to Papier de Plume’s Lake Michigan Summer. The minty color sings of happy summer days as well as the soothing waters of a lake shore in both ink and pen.
I have typically avoided minty inks due to the a possible brightness that detracts from the readability of an ink. I don’t have any problem with this ink. It’s dark and well saturated to make reading a breeze. The comfort of the model 45 rivals that of my Pilot Prera which is practically a daily carry at work. Not only is the ink and pen pairing a dream come true for me; I can’t imagine a better color than the minty Vanness edition Model 45.
Franz: Hellooo BLUE-tiful! I have had this M800 Blue o’ blue for a while now and figured to ink it up just for practicing and improving my novice italic calligraphy skills. The Blue o’ blue (Blue over blue) was a Special Edition pen by Pelikan in 2010 and I was fortunate to have gotten this pen early in my collecting days. The translucency of this material never ceases to amaze me. #ilovebluepens
I also inked up the M800 Blue o’ blue to match with the Maruzen Athena Eternal Blue ink that I have been growing to like. The Eternal Blue ink has shading that mimics the Blue o’ blue’s material. The double broad italic nib is a fitting nib for this ink because it helps bring out the shading even more.
We want to thank Mr. Detlef Bittner of Bittner Pens for lending us this Wahl-Eversharp fountain pen for review. Detlef’s pen store is located in Carmel, California and he also travels to a lot of pen shows. When we return this pen, the HOTP crew may just decide to take a road trip and visit the pen store.
The opinions here are our own and we were not compensated (monetarily or otherwise) for this review.
We have also asked Claire (@writteninrice) to be our guest once again and review this pen with us. Thanks Claire!
Hand Over That Pen, please!
Katherine: This is a pretty cool looking pen, and the huge nib looks very cool. I really liked details on this pen — the complex blue material, the red ebonite feed and the classy use of gold and black trim. But, even at first glance, this is a huge pen! It stands out and is hard to miss.
Claire: This is a pen with gravitas that hearkens back to pens of a bygone era. The Wahl Eversharp Decoband is a large pen that’s an attention grabber. The nib on this pen is just lovely and I love the red ebonite feed. In fact, I couldn’t help but post a nib shot of this pen on Instagram the second I got it in my hands. I am not typically a fan of pens with gold hardware but for this pen, it works.
Pam: The Decoband is an acquired taste for me. It is undeniable that the blue material is beautiful and deep, that the red ebonite feed is awesome, and that nib is gorgeous. I am just not a fan of the shape and the overall aesthetic. Despite my reservations about the pen, it’s a beautiful pen that is very reminiscent of the fountain pen’s golden days.
Franz: Is this pen big enough or what? The Decoband is massively impressive and is probably the biggest pen that I’ve held in terms of length, girth, and weight. This is a revival of Wahl-Eversharp’s Gold Seal design in 1929. The proportion of the pen is very similar to the vintage one except for its larger scale. The Decoband fits quite perfectly in my bear paw…err… large hand and is quite comfortable for me to use.
The Amalfi Blue Pearl acrylic is such a stunning material and as Katherine pointed out, the black finials on the cap and the bottom of the barrel makes it a classic looking pen. The packaging is also impressive as the box big and shiny. They also supply the pen with Wahl-Eversharp’s ink bottle which is a nice touch.
The Business End
Katherine: The nib is huge and it writes quite nicely. It’s very smooth without being glassy, and has a nice softness to it. However, I didn’t think it was comparable to many of the “full” flex vintage nibs I’ve tried. The Decoband nib is smooth and wet, but line variation is not its strong suit. Perhaps a finer point would produce more line variation, but out of the box, this is more of a wet and medium writer.
Claire: As I mentioned earlier, the super flex nib on this pen is eye catching. I love the frosted detail noting the brand and specifics. In hand, the nib is a little on the squishy side. After primarily writing with hard nibs this was a bit disconcerting. Though, it didn’t take too long to get used to the experience and really start to enjoy the way this pen puts ink to paper. The super flex nib boasts arguably the best modern flex on the market. While it doesn’t have the snap back that I experienced with vintage flex nibs, it does provide an amazing amount of flex.
Pam: My favorite part of the pen is the nib and the red ebonite feed. It’s an absolute beauty. The nib is one of the smoothest and softest nibs I have tried. The line variation is not as great as a vintage flex, but arguably this nib is the best “modern flex” nib out there. I did find the nib to be quite wet, so I don’t see this my ideal for daily writing (don’t forget my writing pressure), but it would definitely give those who want your autograph a special flourish!
Franz: The Decoband is available in two nib options. First is the semi-flex extra fine nib, and second is the Superflex nib which is what was loaned to us. I typically do not write with flexible nibs and the only “flex” pen I own is a vintage Parker Televisor. The Superflex nib’s variation was remarkable to me. It definitely has a wet flow that even without pressure, the line is a medium width and when pressure is applied, it lays down a nice wide line. The Decoband’s feed is made of ebonite coated with red urushi lacquer and assists the generous ink flow of the nib.
In addition, I was able to try out the semi-flex extra fine nib from a friend at the 2017 LA Pen Show and I think that the semi-flex is more of an everyday writing nib for me. So you have two great nib choices for the Decoband.
Write It Up
Katherine: At first I thought this pen would be okay — but a couple minutes into writing with it I noticed my hand was more tired than normal, and starting to get a bit of cramping. Additionally, if I tried to use it posted… well, I wouldn’t. I’d probably poke myself in the eye. All in all, a pen I’d rather look at than use, which is unfortunate, but such are small hands.
Claire: This is a hefty pen that is more apt for larger hands than mine. I found that my hand started cramping up after just a few minutes of writing. Overall, the pen felt well balanced and of an appropriate heft for its size. Unfortunately, this pen is just too wide for me to use comfortably for long writing sessions.
Pam: This pen was meant for bear paws as I found the pen to only be comfortable for a couple of minutes before my hand would notably tire. I don’t recommend using the pen posted for those with small hands as the pen is quite large and heavy. The pen is heftier than most on the market, likely due to the material used. The width is not a problem for me, but the pen is quite top heavy, given the length of the pen, particularly posted.
Franz: As I’ve said above, the pen fits my hand nicely and I was happy to write with it in my journal. In case you didn’t know, the pen’s internal mechanism is made of solid brass parts and the weight of the pen uncapped is about 40 grams. Compared to the Pelikan M805 that I use every day is about 20 grams uncapped. It is a heavy pen that after journaling for about ten minutes, my hand felt very fatigued. While this pen impresses me a lot, I would only use it to write quick notes, a short letter, or a nice signature. I wrote with this pen unposted because it is too long for me when the cap is posted.
EDC-ness
Katherine: I sat down with this pen and wrote a few pages with it, but didn’t EDC it since it’s on loan from Bittner Pens (thank you again!) and didn’t want to risk any damage. However, based on the handful of pages I wrote with it, I wouldn’t consider it a candidate for EDC for a couple reasons: 1. it’s just too big, 2. nib is a little too wet, I’d have to wait for all my notes to dry before being able to close my notebook!
Claire: This is not a pen that springs to mind in association with the letters EDC. This would be a great pen for an office job that required occasional notes. I did not get a chance to carry this pen around to test it out for longer than playing with it for an evening at Katherine’s place.
Pam: Thank you Bittner Pens for your generous loan of the Decoband. That said, it lived in the original box unless we were testing it out. I would recommend this as a great EDC for a fancy desk to hold and carry. This pen is a bit large for the usual jacket or shirt pocket and given the weight, may not stay in the pocket for long if you were to bend over. Not to mention, this pen is best suited (in my opinion) for your autograph; what better pen to do that with than this beauty?
Franz: Because this Decoband is on loan, we only dipped the nib in ink and did not fill it. I was not able to use this pen in my office but I imagine that it would be a pen I’d keep on my desk and write with it only when seated. The Decoband is too big to fit securely in my shirt pocket although it would be okay for a jacket pocket.
The pen has a pneumatic filling system which is why there are solid brass parts inside. To fill the pen, unscrew and pull out the black knob, extend the metal sleeve, submerge the nib in the ink bottle, cover the hole on the knob, push the knob/metal sleeve down to the barrel, and uncover the hole. This action compresses the sac inside and when you let go of the hole, the pressure will draw ink in the pen. According to Wahl-Eversharp, the Decoband holds an ink capacity of 2.1ml. Now that’s appropriate for the amount of ink that it lays down from its superflex nib.
Final Grip-ping Impressions
Katherine: I’m pretty biased with this pen. It’s clearly not meant for people with smaller hands, which makes me a big meh on it. But, if I had a large handed friend I really liked and needed to get a pen for, this would be a contender. It’s a beautiful, classic looking pen with a nib full of character. However, at a price point of $800+, there’s no way I can justify a pen that’s so large my hand cramps for myself.
Claire: I love the blue material on this pen. Even though this pen is far too big for my hand it seems to be well balanced and well made pen. This pen has a the aesthetic of a vintage pen but also is quite large, which to me is an interesting combination. The superflex nib is the only modern pen that I’ve written with that is maybe a flexible as vintage flexible nibs straight out of the box. Overall, I think this is a lovely pen for a person with larger hands than myself.
Pam: The nib/feed of this pen is great for everyone. The pen itself however is much better suited for bear paw individuals (Hint, hint Franz!) and for those who really enjoy the vintage aesthetic. It’s a steep price so it’s not great for most wallets. However, I can say for this pen in particular, you pay for what you get. It’s a large, statement-esque, hefty pen, that has all the trappings of the fountain pen’s glory days. It’s obvious that Wahl Eversharp did not skimp on the Decoband. That said, it’s not an “every day carry” pen, it’s a “special occasion” pen. But for us fountain pen lovers, every day with a fountain pen is a special occasion!
Franz: I really like the Decoband because of its large dimensions and the awesome nib it is issued with. As a friend from the Pen Posse said, this is a “whale” of a pen for large handed people but as I say in most of our reviews, try it out for yourself when you can.
The Amalfi Blue Pearl acrylic version of the Decoband is a special edition color and will be limited in production. This is similar to the now sold out Lapis Blue. So if you want the Amalfi Blue, better contact Detlef of Bittner Pens, or Syd of Wahl-Eversharp right away. Hmmm….
Thank you Detlef for giving us the opportunity to review this awesome pen.