Opus 88 Koloro (Blue, Medium Nib)

Before anything else, a big shout out of appreciation to Goldspot Pens, and Tom for providing this Opus 88 Koloro fountain pen for review. Goldspot Pens is an online shop for pens, and stationery goods and they are an authorized retailer for diverse brands that we love!

Hand Over That Pen, please!

Katherine: Like many, this pen ain’t my thing aesthetically. I’m not a big fan of the solid matte blue paired with the shinier blue green — the two colors are too close for me (I also can’t stand denim on denim… or blue shirts with blue denim, but that’s besides the point). The demonstrator version looks neat though — but once again… this is all personal preference. 🙂

Pam:  The demonstrator version is very striking, however, I am relieved to see different colors for the Koloro.  All I see on Instagram is the demonstrator version! The slight translucency of the blue makes the material more interesting than a matte plastic.  That said, why not just maintain the same material throughout, like the demonstrator?  Lastly, the demonstrator version of the pen is pretty modern, and I wish the clip would reflect that.  But then again, I am heavily influenced by the Lamy 2000 clip.

Franz: The Koloro is an interesting looking pen. The acrylic parts of the barrel and cap has a cloudy transparency and allows me to see inside with a bit of light behind. The dark blue ebonite is quite spectacular to look at and hold (and smell). When you look closely, you’ll notice that there are black bits in the ebonite and gives it a sandblasted effect. And finally, the dome shape of the cap’s finial makes me smile for some reason. =)

In the Hand: Opus 88 Koloro (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Opus 88 Koloro (unposted) — from left to right: Franz, Katherine, and Pam

 

Pen Details

In the box: The Koloro is shipped in a box with foam cutouts. An eyedropper is supplied along with the needed instructions for filling and using the pen. The presentation is very nice.
The Koloro is mostly an acrylic pen with blue ebonite accents on the cap. and blind cap on the barrel.
A close up of the blue ebonite on the cap. The blue-green acrylic in the middle is translucent.

 

The Business End

Katherine: The pen takes a #5 Jowo nib, which is nice. The one that came with this pen is smooth and well adjusted out of the box. I love that this takes a #5 though, since it seems like it would be a good candidate for frankenpenning with a vintage flex nib and nibs that fit aren’t hard to find.

Pam:  At first, the nib felt really dry and was unpleasant to write with.  However, a special feature of the pen is the shut off valve.  After we opened up the valve and saturated the feed, it was a much more pleasant writer.  (Thank you Katherine & Franz!) The #5 Jowo nib performed consistently and as expected.

Franz: There is a taper to the section that makes the #5 nib size suitable however, a part of me wishes it came with a #6. That’s just me though. As for the writing experience, it was smooth as can be and wrote nicely.

I noticed that the medium nib on the Koloro seems finer than my usual medium Jowo nibs. So I took a loupe and compared it to my other medium #5 Jowo nib. The tipping was slightly smaller/finer than on my Franklin-Christoph Model 45. Of course, this is only from one Opus 88 nib unit but I can’t help but think that since these are Taiwanese pens, could it be that their nib line widths are more towards the Japanese size?

Franz’s writing sample on a Hippo Noto Pocket A5 notebook with 68 gsm Tomoe River cream paper.

 

Write It Up

Katherine: The section is maybe a smidge slimmer than perfect, but overall it’s a comfortable pen that’s well balanced in my hand (unposted). I found it comfortable for long writing sessions, but my one gripe is that once the feed runs dry (because I forgot to open the knob and wrote for a while) it takes a while for the ink to make its way down. When loosened, it’s great… when I forget, it can be a little annoying, though the pen does keep writing, just more dry.

Pam:  I had no problem with the width of the pen.  I found it to be pretty comfortable actually.  The threads and the mild step was a bit sharp for me and had some bite in the tender area where thumb meets palm. It wasn’t painful, but it was very noticable.  I had to loosen my grip and readjust multiple times during the prolonged writing session.

Franz: I wrote in my journal with the Koloro for a good chunk of time and I did not experience any fatigue. I do prefer writing with the cap posted but it’s perfectly usable even when unposted due to the length of the section. It was my first time to use a Japanese-style eyedropper and as long as the blind cap was unscrewed, the ink flows as it should.

 

EDC-ness

Katherine: Sorry, three cap turns is just too many. I take a lot of stop and go notes… and this just doesn’t work. Otherwise, the clip feels strong and is maybe a smidge tight, but seems secure and comfortable.

Pam:  I couldn’t use this pen at work since it took far too many turns to uncap to be a good EDC at work.  It is definitely a 2 hand operation.  If that’s not a hinderance for you, the clip did keep the pen secure in my pen case.

Franz: Like the ladies above, uncapping the Koloro took a while and with a work setting of having the need to constantly cap and uncap, definitely was an irritation. As long as one doesn’t have the need for quick deploy, the Koloro is a great pen to use on the daily. I actually liked using this pen while taking notes on a conference call. The build of the pen seems sturdy and can withstand being jostled around in a pocket or a bag. The eyedropper filling system allows the pen to have a little over 2 milliliters of ink for a lot of writing.

The photo below shows the Koloro’s ink chamber and eyedropper’s plunger rod slightly pulled back. The section does have an O-ring which prevents ink from leaking out.

 

Final Grip-ping Impressions

Katherine: I’m really excited that a modern maker has chosen to build a pen with the Japanese Eyedropper mechanism! This pen doesn’t do it for me aesthetically, but it’s solidly made and writes well — I can’t wait to see what else Opus 88 comes up with!

Pam:  The price is fair for what you get in this pen.  If you like the aesthetic, want a relatively novel eyedropper with shut off valve, and a reliable nib, you will be hard pressed to find a better alternative.  This pen is not for me mostly due to personal preferences, however, as an introduction to Opus 88, it’s a solid opening volley.  Bring it on Opus 88!

Franz: One thing I would say that’s a negative (for me) is because the Koloro’s barrel is acrylic, I don’t get the warm ebonite feel while writing. I only have a few ebonite pens but the warm feel is something that I’ve come to expect. That’s just my personal thing though.

The Koloro is a fantastic pen to use as it has a lot going for it (fairly large size, Japanese eyedropper filling system, different color choices) and as Pam mentioned, it’s at a fair price. It is a pen I find myself using a lot for my journal time whenever I do get the time.

 

Once again, thank you to Goldspot Pens for providing this pen for review. If you’re interested in the Koloro, check out the other options on their site, here.

 

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Lamy Safari, Edison Beaumont, Franklin-Christoph Model 20, *Opus 88 Koloro*, Platinum 3776, Lamy 2000, and Pelikan M805
Posted pens from left to right: TWSBI Eco, Lamy Safari, Edison Beaumont, Franklin-Christoph Model 20, *Opus 88 Koloro*, Platinum 3776, Lamy 2000, and Pelikan M805
Unposted pens from left to right: TWSBI Eco, Lamy Safari, Edison Beaumont, Franklin-Christoph Model 20, *Opus 88 Koloro*, Platinum 3776, Lamy 2000, and Pelikan M805

 

Pen Photos (click to enlarge)

We received this pen free of charge for the purposes of this review. We were not compensated monetarily for our review. Everything you’ve read here is our own opinions.

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June 2018 Pen & Ink Pairing

Katherine: I didn’t have a pen and ink pairing for June — I had 30! I kept up with the #30inks30days challenge on Instagram and had quite a lot of fun.I repurposed the (empty) June page from my 2017 Hobonichi to track my progress. I own more ink samples than I’d care to admit, and I had a lot of fun trying new ones and revisiting old favorites. I also own more pens than I can use regularly, and this gave me a chance to get some of them inked up and writing!

 

Pam: As luck would have it, ’tis the season to reveal an ink in my stash that I have been hoarding.  It has patiently waited for a pen-mate.  Thankfully, my minty dreams have come true with the Vanness edition of the Franklin Christoph Model 45 which is the perfect color match to Papier de Plume’s Lake Michigan Summer. The minty color sings of happy summer days as well as the soothing waters of a lake shore in both ink and pen.

I have typically avoided minty inks due to the a possible brightness that detracts from the readability of an ink.  I don’t have any problem with this ink.  It’s dark and well saturated to make reading a breeze. The comfort of the model 45 rivals that of my Pilot Prera which is practically a daily carry at work.  Not only is the ink and pen pairing a dream come true for me; I can’t imagine a better color than the minty Vanness edition Model 45.

 

Franz: Hellooo BLUE-tiful! I have had this M800 Blue o’ blue for a while now and figured to ink it up just for practicing and improving my novice italic calligraphy skills. The Blue o’ blue (Blue over blue) was a Special Edition pen by Pelikan in 2010 and I was fortunate to have gotten this pen early in my collecting days. The translucency of this material never ceases to amaze me. #ilovebluepens

I also inked up the M800 Blue o’ blue to match with the Maruzen Athena Eternal Blue ink that I have been growing to like. The Eternal Blue ink has shading that mimics the Blue o’ blue’s material. The double broad italic nib is a fitting nib for this ink because it helps bring out the shading even more.

 

Pam’s writing sample
Franz’s writing sample
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Benu Chameleon (Charming Chameleon, Medium Nib)

We want to thank Lisa and Mike Vanness of Vanness Incorporated for lending us this Benu Pen Chameleon fountain pen for review. And sorry it has taken a while Lisa! The Vanness family has had a pen shop in Little Rock, Arkansas since 1938 and is celebrating 80 years of being in business. Check their store out if you can. They also travel to pen shows in the United States and one of the shows that we will see them at is the upcoming San Francisco Pen Show in August.

The opinions in this review are always our own and we were not compensated (monetarily or otherwise) for this review.

 

Hand Over That Pen, please!

Katherine: This pen is… very purple. The unique shape of many of the Benu pens has intrigued me since I started to see them on Instagram. Many thanks to Vanness for lending us one so I could finally try one! And such a cool purple material too. Off the bat, I suspect the looks of this pen will be very polarizing — you either love it or you don’t. Personally, I like the galaxy-ish purple material and the unique shape. However, I couldn’t get the triangular sides to line up, which bugged me (I could also just be incompetent EDIT: Franz confirmed — I’m incompetent and it lines up for him).

Pam:  It’s a very unique pen in terms of aesthetics.  The material is “loud” to me but the shape is intriguing.  It’s not often that we get to see a triangular shape in the world of fountain pens.  I will admit that I am not particularly fond of the material as I find it very distracting and detracts from the cool shape of the pen.

Franz: Yep, this Benu Chameleon pen definitely has a distinctive design. It reminds me of the crystal that Superman used to create his Fortress of Solitude except that it’s blue and purple (blurple) and not a glowing green. Hmm… I hope that wasn’t too geeky of a reference. Hehehe… =P

 

In the Hand: Benu Chameleon (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Benu Chameleon (unposted) — from left to right: Franz, Katherine, and Pam

 

Details

Benu’s packaging is pretty nice and simple. The white box seems perfect for the colorful pens they make. An instruction booklet also comes with the package.
A close up of the Charming Chameleon’s finish.

 

The Business End

Katherine: It contains a Schmidt nib, which is perfectly usable, but not particularly memorable. It’s on the smaller side though — so I bet you might be able to swap a vintage nib into it (though I didn’t try, so proceed at your own risk!).

Pam:  I do find the Schmidt nib to be small relative to the rest of the pen.  It’s not ideal for my angle of writing with this particular set up.  It puts my hand closer to the paper than I would like it.  The Schmidt nib is a reliable nib, writing smoothly and well right out of the box.

Franz: This Chameleon has a medium steel nib and is smooth out of the box. The smaller #5 nib complements the taper of the barrel and section nicely. This nib wrote nicely as it should and I liked it. I believe Benu pens currently have F, M, and B as nib size choices.

As Katherine alluded to, you can “gently” pull out the nib and feed to swap a similarly sized nib. Please remember that any modification you make to any pen may void any warranty there may be.

 

Write It Up 

Katherine: When I uncapped it, I was initially worried about the size of the step from section to barrel, but the section is long enough and I hold my pen far enough forward that it wasn’t an issue at all. The section is on the narrower side, and the pen is on the heavier side, which generally isn’t a combination I love. This pen was no different — usable, but not a pen that feels perfect in hand.

Pam:  The triangular shape surprisingly doesn’t detract from the comfort during the writing experience, however, the step does for me.  It’s not very sharp, but that does depend on how heavily you grip the pen.  I was left with some indentations on my hands based on my typical grip.  I do think Benu created this pen for those with a traditional grip in mind.

The cap does post rather deeply and the material is light enough that it doesn’t add too significant of a weight to the back end of the pen.  Posting the pen may be beneficial for those with the larger hands.  I found it did upset my balance, especially since the nib is relatively small and it threw off my typical writing angle slightly.

Franz: I comfortably wrote with this pen unposted for a long time and it’s due to the longer than usual section. My grip ends up on the threads and they are not sharp at all. Posted, the Chameleon definitely becomes longer. And I really love the notches on the barrel to keep the cap in place. I surprisingly prefer writing with the Chameleon unposted.

Unposted, one can see the notch on the barrel for the cap to latch on to. The longer section allows for the step to be further back.
Posted, the cap covers about an inch of the barrel and is very secure.

 

EDC-ness

Katherine: Upside: it doesn’t roll. Downside: it doesn’t have a clip. It takes two turns to uncap, but they’re two wonderfully smooth turns.

Pam:  The pen did well in my Nock Sinclair case for EDC-ness, however, it wasn’t user friendly for me at work being clipless.  On the flip side, it was quick to uncap and the nib performed admirably well on crappy office paper. The cap does post relatively securely for those quick notes.  My biggest hesitation with this being my EDC is that the material is also quite loud which made me hesitate bringing it out in the hospital setting.

Franz: In the workplace, I used the Chameleon either on the go stored in my shirt pocket or on my desk. I found that this pen is the sit-down-and-write kind due to the number of cap turns (2 and a quarter), as well as the facets that made sure the pen did not roll away. The medium nib wrote nicely on the copier paper and was all around nice.

This pen is also fun-ny because my coworkers thought I was holding a mascara tube or something. Technically, it applies color to a surface, right? ;-P

Chameleon sitting on one of its facets ready to pounce… er… write!

 

Final Grip-ping Impressions

Katherine: The unique shapes and materials are the big draw with this pen. If it’s not your thing, this isn’t the pen for you. But, if you’re like me and you’ve been curious about them for a while, it’s a bit of a relief to find out that while it isn’t the most comfortable and perfect pen for my hand, it’s definitely a usable and reliable writer. My one peeve is that the facets/sides don’t line up.

Pam:  Benu is willing to break tradition with unique materials and shapes.  This pen is best suited for those with a traditional tripod grip.  So if you are looking for a pen with a unique aesthetic and reliable nib, this might be the pen for you.  Based on the material and how it works out with my grip, this pen just isn’t for me.

Franz: Hey Katherine!!! The cap and barrel’s facets do line up. You just gotta give it a gentle twist. 😉 Overall, the Chameleon pen is a good size pen and the shape definitely stands out against other pen designs. What also captivates me is the “Charming” finish on this pen. Blue and purple are my two favorite colors and this is a great example of a blurple pen. I do like this pen a lot and if it is up your aesthetical alley, try it out!

Another shout out of appreciation to Lisa and Mike Vanness for the opportunity to review this Benu pen! The Chameleon pen in this finish and others can be found over at their site, www.vanness1938.com.

 

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Platinum 3776, Pilot Vanishing Point, Franklin-Christoph Model 31, *Benu Chameleon*, Edison Beaumont, Lamy 2000, and Lamy Safari
Posted pens from left to right: TWSBI Eco, Platinum 3776, Pilot Vanishing Point, Franklin-Christoph Model 31, *Benu Chameleon*, Edison Beaumont, Lamy 2000, and Lamy Safari
Unposted pens from left to right: TWSBI Eco, Platinum 3776, Pilot Vanishing Point, Franklin-Christoph Model 31, *Benu Chameleon*, Edison Beaumont, Lamy 2000, and Lamy Safari

 

Pen Photos (click to enlarge)

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May 2018 Pen & Ink Pairing

Katherine: I’m another year older and (supposedly) another year wiser this year… so I’ve chosen to celebrate with a Platinum 3776 Yamanaka, paired with Edelstein Olivine. I’ve loved the texture on the Yamanaka for a while, and was finally lucky enough to pick one up last month. It sat uninked for a couple weeks while I wanted to find it a wonderful partner (pretty uncommon for me, I usually ink things up immediately!). Franz brought over a bottle of Olivine and it seemed like a perfect match. The deep green reminds me of plants, and the textured transparent body of a terrarium — a perfect pairing for the middle of spring.

Here’s to another year of friendship, adventure and pens. (And maybe a few more plants)

Pam: I had struggled to find the perfect ink color for Pelikan’s Ocean Swirl. The teals were either too blue or too green. I originally attempted Organic Studio’s Walden but found the flow of the Ink to be too wet for an already broad EF.

My last attempt with Pilot Iroshizuku Ku-Jaku was a serendipitous hit. The Pelikan nib is wet enough that the ink color shines though and the line width is within the expected range of an EF. Also, like all well behaved inks, it is much faster drying with little concern for smearing in my Midori’s travelers notebook.

I am glad to return to my first inky loves in the last couple of months. Can’t wait to try more of the “oldies but goodies.” Are there any new ink brands that are comparable to the staples like Pilot and Sailor?

Franz: This month, I finally inked up my Franklin-Christoph Model 45 XLV Vanness Exclusive pen. The mint color of this pen really just appeals to me even if I know that it’s a small pen for my hand. But for the past couple of weeks, I’ve used the pen in conjunction with my Starbucks Philippines Weekly Planner and so far it’s a nice complement to it. I’m “trying” to be a bit more organized in scheduling tasks and events and by using this combo, it’s been enjoyable for me.

Since this is a Vanness Exclusive pen, I figured to ink with one of Lisa Vanness’ favorite colors, turquoise. The Sheaffer Skrip Peacock Blue is a nice vintage ink to complement this pen. I know for a fact that there are inks out there that would match the color of the pen however, this is a more personal ink to me for various personal reasons. Let’s just say that this ink is a homage to a couple people. One of those people used to say, “An italic gives you traction…”. And come on, who doesn’t like turquoise ink? Hmm? Hmm? ;-P

Writing Samples

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Review: Franklin-Christoph Pocket 20 (Brooks EPW, 14k Fine Cursive Italic)

In this review, we are once again joined by our friend, Roz. Thank you for sharing your thoughts on this pen Roz!

For this post, we are reviewing a color prototype finish of Franklin-Christoph’s Pocket 20 model. This pen was acquired at the 2016 San Francisco Pen Show and seems to be one of the first pens they made with the EPW (Emerald, Purple, White) acrylic created by Mr. Jonathon Brooks. These EPW and other Brooks acrylics are seemingly used by Franklin-Christoph to produce different models in a small batch fashion and is usually only sold at pen shows when available.

As mentioned before, we primarily produce reviews to reflect our different hand sized perspectives. We thank you for your continued readership!

 

Hand Over That Pen, please!

Katherine: The Pocket 20 is so cute! And this material is gorgeous. Overall, I prefer the look of its longer sibling, the Model 20, but the P20, especially in a nifty material like this is quite nice too. My one gripe, as with the Model 20 is that the engraved lines are a little weird to me — I’d prefer this pen if it didn’t have those and was just a smooth cylinder. But, the busier material on this pen does a good job of hiding them.

Pam: The material on this pen is outstanding. It has a lot of color, depth and patterning.  I believe that the material is from the now famed Jonathon Brooks.  His “blanks” are breathtaking.  The shape doesn’t take away from the material and really let you see it in all it’s glory.  I really enjoy the Pocket 20 for its unique shape and portability.

Franz: That Pocket 20 is small! It definitely is a “pocket” pen. I honestly love F-C’s bevel designs on their cap and barrel and the Pocket 20’s silhouette shows them very well. The carved rings leading to the beveled edges are just so cool.

As for the pen’s EPW acrylic finish? What else can I say that the ladies haven’t mentioned yet? A fabulous shimmery nebula? I have to admit, I frequently caught myself admiring the beautiful finish and at times distracted me from my writing time. Hehehe… =)

Roz: I have to say, as someone who shies away from the shiny and glittery, the Franklin-Christoph Pocket 20 does a pretty good job balancing a subtle glimmer while still having distinct flecks of shine in its pen. It’s more a galaxy sparkle versus a disco ball.

In the Hand: Franklin-Christoph Pocket 20 (posted) — from left to right: Franz, Katherine, Pam, and Roz
In the Hand: Franklin-Christoph Pocket 20 (unposted) — from left to right: Franz, Katherine, Pam, and Roz

 

The Business End

Katherine: I love the F-C Masuyama FCIs. And this one was no different. A wonderful balance between smoothness and line variation — this is the nib that first got me thinking about line variation and how much fun it could be. Everyone should try this nib at least once.

Pam:  I am really partial to cursive italics for their crisp line variation.  The fine cursive italic is a well tuned nib with the right amount of ink on paper.  I agree with Katherine that this nib is worth trying for yourself, particularly with a gold nib.  I am a firm believer in steel nibs (particularly in my newly dubbed “tiger grip”) however, this is an example in which having a “springier” material is beneficial to the line created and the writing experience.

Franz: I must mention that recessed nib/section designs float my boat. The Pocket 20 and its bigger brother, Model 20 Marietta, have the same design and fits a #6 nib size. This fine cursive italic was tuned perfectly with beautiful line variation. I definitely enjoyed writing with it.

Roz: The nib on the Pocket 20 took me a while to get used to. Even though I find it maybe too scratchy for me to write comfortably, the lines are very sharp and crisp.

Franz’ writing sample on a Rhodia Meeting Notebook

 

Write It Up

Katherine: I find the Model 20 quite comfortable, and the Pocket 20 is no different. It’s shorter, but because the Model 20 is so light, the Pocket 20 feels very similar. The big upside is I can imagine eyedropper filling a P20, but not a Model 20 (I’d just NEVER write it dry) — and eyedroppering could give it a little more heft, if that’s what you’re looking for. Personally though, I enjoy the way it feels like a light extension of my hand.

Pam: I prefer both the look and the feel of the Pocket 20 compared to the original model 20.  Due to the slip cap, I find the pen to be really comfortable.  Even more comfortable than the pocket 66 due to the lack of a step and threads. I think the only other F-C pen that I find comparably comfortable is the model 45.  So if you like the model 45, the Pocket 20 is a winner.

Franz: I wrote with the Pocket 20 posted for about 15 minutes and I love that it posts deeply and provides a balanced weight. It weighs almost next to nothing and I did not feel fatigued at all. There’s pretty much no step between the section and the barrel and I gripped the pen comfortably. Unposted mode for the bear paw? It’s a short pen for comfort and I’ll just take another half a second to post the cap for longer writing sessions.

Roz: Super light! The Pocket 20 was so light I almost lost track of how long I would be writing. I did need some adjustment time getting used to the engraved rings near the start of the pen’s grip, but it wasn’t any deal breaker – just something my thumb had to get used to.

 

EDC-ness

Katherine: No clip! This pen loves running away… but it does do great tucked into my zip hobonichi case or dropped into a pocket. The slip cap is super convenient for notes on the go — but I did notice that there were a few instances where I didn’t cap the pen tightly enough and almost put an inky disaster into my pocket. After a couple scares, I got much better at capping it tightly — but it’s still something I worry about.

Pam:  It’s difficult to justify adding a clip to the pen because the material and lines of the pen already is a complete package visually.  However, on a utilitarian point of view, a clip would greatly enhance the EDC-ness of the pen.  I kept losing the pen to the bottom of my white coat pocket and always feared getting ink all over the section and nib from all the jostling.  Definitely kept the pen in a case after half a shift.

Franz: In my workplace, the Pocket 20 is a decent Every Day Carry pen. No twisting of the cap needed so it was quick to open and sign my name, or take a phone number down. The fine cursive italic wrote nicely on the copier paper we use and gave line variation to differentiate from my co-workers’ gel pen writing. As for carry-ability, just like Pam I found the pen always lying down in the bottom of my pocket and had to fish it out often because of the lack of a clip. Franklin-Christoph does provide the option of purchasing the pen with or without a clip so no biggie.

Filling system options? Unfortunately, the short length of the pen does not allow a converter to fit so you are limited to either inserting a short international cartridge, or eyedropper filled for more ink options as long as you apply silicon grease on the appropriate areas. Although, you can do what I did and empty out a cartridge and syringe fill it with any of your favorite fountain pen inks. =)

Roz: I’m not confident enough to carry a pen with no clip in anything but my lovely Nock case, but I really enjoyed using this pen throughout the work day. I spend a lot of time stuck on a keyboard, so it’s nice to take a break from typing position and pick up a light pen and go to town!

EPW material close up of the cap and barrel

 

Final Grip-ping Impressions

Katherine: If this was my only pen, would I use it and love doing so? Yeah. Do I own one? Nope. Where’s the disconnect? Welllll — It’s a perfectly solid and reasonable pen, but the aesthetic doesn’t stand out to me. It’s a pen that gets the job done and I enjoy writing with (I do own two FC+MM FCIs) but given all the pen choices out there (even just from Franklin-Christoph!) I like other pens more.

Pam:  I really miss the beautiful utilitarian-ness of the Pocket 20. Honestly, the slip cap and clip (should there be one), makes this pen a great pen for quick and easy deployment.  It’s not as great for “rough” play like a Kaweco Sport due to the lack of threads to cap the pen, but it’s the perfect pen for my specific use case at work.  If you are in the market for a beautiful pen that is really convenient to use for quick note taking without rough and tumbles throughout the day, this pen is for you.  Bonus, there are enough materials this pen is made in to match any person or setting.

Franz: The Pocket 20 is a neat pen to have and if pocket pens are your jam, you gotta have one of these. For my pen habit, this wouldn’t be a pen I’d always have in my pocket due to the smaller size however, I would keep it inked up and kept in my daily bag for portability and emergency use.

Roz: I admit I started off unsure about the look, the nib, and the grip of the Pocket 20. However, at the end of my time with the Franklin-Christoph, I must say this pen really grew on me. It was a pleasant pen to write with and I enjoyed having a chance to really try the Pocket 20 out!

 

Small/Pocket Pen Comparisons

Closed pens from left to right: Peilkan 140, Wahl-Evershap Skyline, Sailor Pro Gear Slim, Pilot Prera, *Franklin-Christoph Pocket 20*, Franklin-Christoph Model 45, Kaweco Sport, and Pelikan M300
Posted pens from left to right: Peilkan 140, Wahl-Evershap Skyline, Sailor Pro Gear Slim, Pilot Prera, *Franklin-Christoph Pocket 20*, Franklin-Christoph Model 45, Kaweco Sport, and Pelikan M300
Unposted pens from left to right: Peilkan 140, Wahl-Evershap Skyline, Sailor Pro Gear Slim, Pilot Prera, *Franklin-Christoph Pocket 20*, Franklin-Christoph Model 45, Kaweco Sport, and Pelikan M300

 

Pen Comparisons

Closed pens from left to right: Pilot Vanishing Point, TWSBI Eco, Edison Beaumont, Franklin-Christoph Model 20, *Franklin-Christoph Pocket 20*, Lamy 2000, Lamy Safari, Pelikan M805
Posted pens from left to right: Pilot Vanishing Point, TWSBI Eco, Edison Beaumont, Franklin-Christoph Model 20, *Franklin-Christoph Pocket 20*, Lamy 2000, Lamy Safari, Pelikan M805
Unposted pens from left to right: Pilot Vanishing Point, TWSBI Eco, Edison Beaumont, Franklin-Christoph Model 20, *Franklin-Christoph Pocket 20*, Lamy 2000, Lamy Safari, Pelikan M805

 

Pen Photos (click to enlarge)

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Pen & Ink Pairing: April 2018

Katherine: It’s late in the month and I’m looking back thinking “What have I written with the most this month?” and the winner, hands down, is this funky combination of a Pelikan with a custom urushi finish by Bokumondoh and a Straits Pen custom ink. Honestly, the Pelikan (originally a M200) holds so much ink that I’m getting a little sick of this purple-ish blue. It’s a lovely color… but after staring at it week after week, I’m ready for something new (good thing May is just around the corner!).

Before we hop into my birthday month, here are some quick thoughts on April’s pen and ink —

First, the pen. I sent this M200 to Bokumondoh despite her warnings that this particular finish ends up pretty thick. I love the beige and black polka dots, and the sparkle of the raden. It came back about a month later, and the finish is, as promised, quite thick — but the serendipitous thing is that now I can use my M200 as a slip cap. Game changer! I can still thread the cap if I need to, but the barrel is now thick enough that I use it as a slip cap 90% of the time.

Second, the ink. This is a custom ink that the folks over at Straits Pen cooked up — it’s a wonderful shade of purple-blue that flows well and dries reasonably quickly. I hope to see it in production soon. Perhaps at the SF Pen Show?

Katherine’s Writing Sample

 

Pam: Thank you Anderson Pens for your ink match up giveaway.  I was a lucky winner of the Pilot Iroshizuku Tsuya-Kusa, a new blue (for me.)  I will admit that I have been lax in my admiration of the Pilot Iroshizuku inks as of late, however I plan on rectifying that.  Starting with pairing this beautiful cornflower blue ink with the Brute Force Design Writer in Sea Glass.  The beautiful and deep blue of Tsuya-kusa is deeper and more nuanced than a turquoise or sky blue.  (That’s right, I said it.  I like it better than Iroshizuku Kon-Peki.)  It’s also a warmer blue with more red tones based on my amateur comparison.

Creator in Chief behind Brute Force Design, Troy, is a wonderful artist in pairing metals and woods in his signature pen designs.  I chose a lighter version of the Writer model due to the beautiful transparency and seafoam green tint of the material. The nib of choice for Brute Force is a Bock nib.  The one I have here is really wet and very well displays the color and depth of Tsuya-kusu to the fullest extent.

Bring on the spring/summer, world!  My inked pens, allergy meds and I are ready for you.

Pam’s Writing Sample

 

Franz: For the month of April, I thought of inking up my Ryan Krusac Legend L-16 with the limited edition Montlbanc Antoine de Saint-Exupéry ink. I haven’t used the L-16 ever since our review of the pen and I also inked it for two main reasons. First reason is to mark the pen’s first year anniversary with me since I got it at the Atlanta Pen Show in April 2017. Second, the broad cursive italic is very nice to practice my italic calligraphy writing. I’ve been using this pen to write some quotes and post them on instagram. If you’re interested, you may check out #FTDquotes tag on Instagram. =)

As for the MB Saint-Exupéry ink, this was my first time inking a pen with it and the burgundy color is quite rich and has purplish tones. I don’t have many burgundy inks and I find this ink to possess some beautiful shading, and the broad nib brings out the saturation very well. There is no sheen that I can see in the writing which is fine and the flow is very wet. Even if the ink does not match the cocobolo finish of the pen, the ink color complements it well.

What pens and inks have you written with lately this month?

Franz’ Writing Sample

 

Pen Closeups (click to enlarge)

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Review: Pilot Custom 823

Hand Over That Pen, please!

Katherine: This is a serious looking pen. But not too serious. All three finishes (amber, smoke and clear) are demonstrators, but the amber and smoke aren’t obviously so. As usual, the cigar shape isn’t my favorite, but I like the way the translucent amber and smoke materials look with ink sloshing around. My long time gripe with the clear one was that the cap liner (on all three, but most obvious on the black) is black… and very obvious. BUT, I’ve recently discovered that it’s not hard to remove the cap liner — a fat eraser (like one of the ones on those easy grip chubby kids pencils) can easily pull it out. Then it looks oh-so-much cleaner! If this pen came in the 912’s styling (flat ends, rhodium trim), it would be a must-own for me, instead I very much enjoy it, but I’m not in love with the way it looks.

Pam:  Le sigh.  It’s another cigar shape pen.  Its saving grace is due to the demonstrator quality of them.  The clip is… not aesthetically pleasing to me. I really enjoy the black and transparent material.  Per usual, I am more fond of rhodium trim, however I don’t think that trim is available in the 823 model.  Oh, what I would give for a ruthenium trim on the clear/transparent model.  I will admit that the vanity in me prevent me picking up this pen.  (Spoiler alert:  I regret not picking up this pen sooner.)

Franz: Now I feel out of place. I love cigar shaped pens but the Pilot Custom 823 is more torpedo shaped, no? Hihihi… Either way, I love the 823’s shape and for some reason, that smoke finish is a winner for me! The 823’s size is substantial in the hand but at the same time it’s not too big, if that makes sense.

Just like what we learned in our review of the Pilot Custom 912, Pilot assigned a lot of their pen model names according to the company’s year when they were introduced. Namiki/Pilot was founded in 1918 and they are celebrating their 100th anniversary this year as well. So for the Pilot Custom 823, the first two digits (82) mean that the pen was released in Pilot’s 82nd year, 2000. The third digit represents the manufacturer suggested retail price in 10,000 Japanese Yen, ¥30,000.

In the Hand: Pilot Custom 823 (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Pilot Custom 823 (unposted) — from left to right: Franz, Katherine, and Pam

 

The Business End

Katherine: Yay for Pilot #15 nibs! I really enjoy them. The medium on this pen was no different — a wonderful balance of smooth and wet, but not overly so in either direction. I’ve also had the pleasure of using a handful of other nib sizes on 823s and have been quite happy with all of them. Personally, I own a #15 FA, and love the bounce (the #10 I own is softer/flexier) and smooth writing it gives me.

Pam:  Franz was kind enough to allow me to borrow a 823 with a fine nib.  What a nib!!! It’s honestly everything one could love about a Pilot nib.  Granted, my experience with Pilot is limited to a few select pens (Elite, Myu, m90, Murex, Volex) and I typically use the Pilot Prera and Vanishing Point at work.  What was quite different about this particular nib is the size; it’s so big!! It’s also a great “upgrade” in both size, material and performance.

Franz: The 823’s nibs are very pleasant to write with. No adjustments were necessary to provide a great writing experience. However, among the three, the broad nib was modified by Mr. Dan Smith into a juicy stub. The medium and fine nibs had a good flow as well. The 823 nibs definitely have the bounce to give that flair in your writing.

Writing sample on Nanami Cross Field A5 Journal

Write It Up

Katherine: I thought the 823 was overhyped until I borrowed one from Franz for this review. As I wrote with it (and stared at it, trying to settle my feelings on its aesthetic) I realized why it’s such a popular pen… It’s a solid workhorse of a pen that writes wonderfully and feels solid and comfortable in the hand. It’s not too big, not too small, not too smooth, not too feedbacky… Somehow it’s a fantastic balance on so many axes (plural of axis, not that I’m balancing pens on wood chopping implements). I guess it’s implied, but I had a great time writing with it — though I did forget to loosen the knob the first time and was momentarily vexed as I wrote the feed dry.

Pam:  I didn’t just write with this pen for an extended period of time.  I “borrowed” this pen from Franz for an extended period of time.  It’s has just enough stiffness and give from the material and size to make the writing experience tactically enjoyable for me.  I found the pen to be very well balanced unposted.  It’s a bit tall for me posted.  The ink in the chamber is a bit mesmerizing.

The nib was Pilot smooth with little/no feedback.  The nib performed surprisingly better than I expected on cheap office paper.  It didn’t feather as much as usual.  Ink used was Pilot Iroshizuku Ku-Jaku. The pen and ink combo shined in both my Midori insert and Hobonichi (Tomoe River paper).

The writing experience of this nib is quite unique to this nib/pen.  I am a bit addicted to the particular writing experience that this pen provides.  I would highly recommend trying this pen out yourself.  Just remember, the first taste is free. ;P

Franz: The biggest thing that I love about the Pilot 823 is that there isn’t a step between the barrel and section and that the threads aren’t sharp. When the cap is posted it is plenty long for my large hand but like Pam, I prefer to write with the pen unposted because the weight is more balanced. So with fingers on the threads, the unposted length is very comfy for me.

EDC-ness

Katherine: Solid clip, 1.75 turns to uncap and an ink capacity that lasts pages and pages and pages. And it low-key looks so your boss doesn’t wonder why you’re writing with a glitter stick. But some oooh and aah when your teammates notice the ink sloshing around inside.

Pam: I loved this pen at work.  It was less than two turns to get you writing and as previously stated, the F nib does a pretty good job on office paper.  The clip was just enough to easily slip in and out of a my white coat pocket with little issues.  The ink capacity of this pen is fantastic and by far exceeds my other EDCs for work.  For quick note taking, the VP is the height of convenience.  However, for end of the day wrapping up “thought gathering” and where you have an extended note-taking session, I kept reaching for the 823.  I may be adding another Pilot to my pocket for work at the rate we are going.

Franz: The 823 is a great companion for use at work and when I’m out and about. The fine and/or medium nib was great for the copier paper in the office and it just wrote well. The ball clip is sturdy and fits onto my shirt pocket as well as my jeans pocket. The biggest advantage of the 823 is its ink capacity. When you operate the vacuum filler (pictured below), the pen gets about 75% filled up. There is a maneuver you can do to fill the pen 100% of ink which is about 2.5ml. Dan Smith shows this in his video review of the Pilot Custom 823 here.

As Katherine described earlier, the 823 does have a shut-off valve (second picture below) and you need to unscrew the knob to make sure the ink flows freely onto the reservoir and feed. Gotta make sure that it is unscrewed or else you’ll find the nib writing dry after a page or two of journaling (trust me, I know). The shut-off valve helps contain the ink when you are flying, or if you are shipping the pen filled with ink. I received my 823 filled with ink in the mail from my friend and aside from ink spots in the cap, no other ink was wasted.

Vacuum plunger knob pulled all the way back ready for inking
The plunger knob is unscrewed and the shut-off valve is open for ink to flow onto the reservoir/feed

 

Final Grip-ping Impressions

Katherine: The 823 is a solid pen. It’s not my favorite aesthetically, but I’m more than willing to forgive it that for how well balanced of a pen and nib it is. However, at $250-300 new, it’s not a pen I’m in a hurry to acquire (well, also because I arguably have more than enough pens…) but I do one day want to own one with an FA nib. I’m sure this will upset someone, but the 823 reminds me a lot of another pen I love, the Pelikan M800 — solid workhorse pens with an ink capacity for days and a clean professional vibe (assuming you aren’t sporting a maki-e M800 or something). If you like cigar shaped pens and gold trim, I don’t think you can go wrong with the 823.

Pam:  #PenAddictProTip I agree with Brad. As in you should try the 823 for yourself.  I believe that this pen is in the “everyone should try it or own it” category, like the Lamy 2000.  You may not like it, but it’s a pen that is so easily and quickly reference for what it brings to the table:  a LARGE gold nib, piston filler, a classic shape with a modern twist and a fantastic writing experience.  It is well deserving of the “pens you should know” pantheon. The price maybe a sticking point, but I have had such a great writing experience with this pen that if you enjoy it as much as I did, it may well justify the price for you.

Franz: Well, if you haven’t noticed yet, the Pilot Custom 823 is a definite win among the three of us. It is a decently sized pen with great balance and is a great fit for small to large handed writers. Currently in the United States, only the Amber finish is available. I really wish that the Smoke and the Clear finishes would be made available in the market. You may purchase the two finishes from Japan sources if you are patient and knowledgeable enough to do so. I was lucky enough to secure my Pilot Custom 823 in Smoke from the secondary market.

You can call it a cigar-shaped, or a torpedo-shaped pen, it doesn’t matter as long as you try one. It’s a fantastic pen for me and I’m happy I own one.

Pen Comparisons

Closed pens from left to right: Parker 75, TWSBI Eco, Pilot Vanishing Point, Sailor 1911 Large, *Pilot Custom 823*, Pelikan M805, Lamy 2000, and Lamy Safari
Posted pens from left to right: Parker 75, TWSBI Eco, Pilot Vanishing Point, Sailor 1911 Large, *Pilot Custom 823*, Pelikan M805, Lamy 2000, and Lamy Safari
Unposted pens from left to right: Parker 75, TWSBI Eco, Pilot Vanishing Point, Sailor 1911 Large, *Pilot Custom 823*, Pelikan M805, Lamy 2000, and Lamy Safari

 

Pen Photos (click to enlarge)

Amber

Clear

Smoke

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Pen and Ink Pairing: March 2018 (Vintage Edition)

Katherine: It’s been a busy month, and I haven’t spent as much time playing with pens as I would have hoped. I’ve found that for the last couple weeks, my constant companion has been a Parker 51 Special filled with Diamine Blue Orient. The Parker 51 (review to come!) sports black ishime stripes, courtesy of Bokumondoh. I love the feel of the ishime and the visual variance that it gives an otherwise kind of boring looking pen (sorry!). Diamine Blue Orient is a limited edition ink created for FPN Philippine’s 10 year anniversary — I assume it’s honoring the beautiful oceans surrounding the islands.

 

Pam:  I have been on a bit of a vintage bender recently.  Nik Pang introduced me to this understated brown Waterman that is a lever filler last month.  I have also been finding out in my ink-splorations what brands of ink I prefer as I keep getting through all the samples.  I inked up the Waterman with my favorite green, Montblanc Irish Green.  The nib is akin to a Japanese F and writes beautifully.  I chose a drier ink to highlight how fine the nib is.

On a side note, has any noticed inconsistent flows in heavily saturated inks?  Or is that just me?

 

Franz: My pen for the month of March may be a vintage pen but it was a new acquisition from the LA pen show in February. My friend Jon S. knew about my apprehension about Sheaffer pens because most of the ones I come across are short and thin pens. So he showed me the Sheaffer 8C flat top pen which was from the 1920’s. And man, I loved it! He restored the pen himself and it’s in great condition as well. I’ve been using this pen at work almost everyday ever since I got it. The 8C fills my hand very well even when unposted so the bear paw is happy. =)

And of course I had to pair it with my favorite ink, the Pelikan 4001 Turquoise. Even if the nib is a fine width, it shows the ink color very very well. In some parts of the writing, some sheen comes through as well. There’s just something about turquoise inks that floats my boat.

 

Seems like the three of us have been writing with vintage pens lately. What pens have you been writing with?

 

Writing Samples and Detail Photos

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Review: Aurora Optima (365 Azzurra, Fine Nib)

 

Hand Over That Pen, please!

Katherine: I love the Optima’s aesthetic. I love the flat ends, a taper, but overall it’s short and kind of stubby. And I love stubby pens. Additionally, Aurora makes it in a range of gorgeous materials — including the limited edition pictured here. I’m partial to the gold and green, but have yet to find one at a price I’m comfortable with.

Pam: I really love the Optima’s shape and size.  Why you ask?  Because, to me, the Aurora Optima 365 is a gaudier Sailor Progear with the use of a wider, more ostentatious cap band.  I have hesitated in purchasing an Optima mostly due to the stock material used for the pen body and cap.  This limited edition material for the Optima made me eat my words.  It’s sooo pretty. The blues, teal and flecks of silver-white is pretty unique and fantastic.

Franz: Wow! That Azzurra is fantastic! Pam’s observation is correct that the Optima is similarly styled as the Sailor Pro Gear. However in the hand, the Optima is definitely larger and the section is longer. That Greek key cap band is quite nice to look at as well. I’ve observed that a lot of Italian pens use this design which is pretty cool especially on the vintage ones.

In the Hand: Aurora Optima (posted) – from left to right: Franz, Katherine, and Pam
In the Hand: Aurora Optima (unposted) – from left to right: Franz, Katherine, and Pam

 

A Bit of History

The Aurora pen company was established in 1919 in Turin, Italy. Pretty cool to know that they are nearing their 100th year anniversary!

Just like what we learned about the 88 model in our review, the Aurora Optima model has been a part of their model lineup since the 1930’s. The vintage model had the same flat ends kind of style and the greek key cap band as well. The vintage Optima however had the same celluloid material for the whole pen unlike the modern one which has black cap finials, section, and piston knob. Also, the vintage Optima had a vacuum-filler instead of the piston-filler in the modern one.

The Optima that we know nowadays was redesigned in 1992. The Optima is offered in different colors, materials, and limited edition options. As long as you like the shape and style of the pen, there’s gonna be an Optima pen just for you. The Azzurra 365 is a limited edition of 365 units and Franz snagged one when it came out in 2017 from Dan Smith, the Nibsmith. As of March 2018, Dan still has a couple of these in his inventory.

Beautiful Azzurra celluloid engraved with Aurora’s full company name: Fabbrica Italiana di Penne a Serbatoio – Aurora

 

The Business End

Katherine: I’ve been surprised by the Optima nibs I’ve tried — they’re somewhere between a Japanese and a Western nib. Plus they have a wonderful smidge of feedback, reminiscent to me of Sailor nibs. Now that I’ve typed this all out… the Optima nibs feel like a middle ground between a Sailor nib and a typical Western nib in terms of both line width and feedback vs smoothness.

Pam:  I have been able to try both an Aurora Optima’s EF and F nib.  I have found Aurora’s nibs to be very consistent in line width and feel. The EF is more similar to a Japanese EF.  The F nib is more consistent with a Western EF. The nib is quite wet but then again, the ink itself is also quite wet. I really enjoyed the super smooth writing experience.  Sheeny inks would really shine with this nib.

Franz: I really love the nib design of the Aurora Optima and the shape is a traditional fountain pen nib. Surprisingly, I didn’t ask for a medium/broad nib from Dan but a fine instead. I’m glad I did because the fine nib is definitely lovely to write with. As Katherine said, there is a pleasant feedback while writing that I like especially on smooth paper like my Rhodia meeting notebook. The 18-karat nib isn’t really flexy nor is it marketed as a flexible nib but with just a little pressure, it does give my signature a little flair.

Franz’ writing sample on a Rhodia Meeting Notebook

 

Write It Up

Katherine: I haven’t measured, but this pen feels like a heavier Pro Gear. Maybe a little bigger? But if it is, not by much. I found it comfortable (and quite enjoyable) to write with for long periods of time.

Pam:  It’s a comfortable size pen for a variety of hand sizes.  For smaller hands, it would be worth it to post the pen.  For smaller sized hands, unposted is slightly better balanced and comfortable.  My thumb wraps around the step and threads of the pen, but I hardly notice them.  The step and threads aren’t sharp and the step is minimal making for a wonderful “no imprints” writing experience in my iron fist grip.

Franz: Let me just say that writing in my journal with the Optima was such a joy. The Optima is quite light compared to my usual Pelikan M800 and I have not experienced any fatigue at all. Both modes posted and unposted were very comfortable for me. The cap posts deeply onto the barrel and doesn’t affect the balance at all. I’ve already mentioned this but what I really love about the Optima is the lengthy section since I do grip pens farther back than others as seen in the hand comparison photos above.

 

EDC-ness

Katherine: A solid pen that works quite well as an EDC. And the cap takes 1.3 turns to uncap, which is pretty darn fast. I holds up quite comfortably to a life of being used to jot down quick meetings.

Pam:  The pen is a great size capped.  It should fit into a decent number of pockets.  The clip is strong and tight.  It should have no problem slipping in and out of shirt pockets. It took a bit more finagling for my white coat pockets with the thicker material. I kept it in my Sinclair case for a majority of my time with it.

Franz: I’ve been using the Optima at my workplace for a couple weeks now and it’s such a nice everyday carry pen. The ball clip fastens to my shirt pocket very securely and uncapping is fairly quick with less than one and a half turn. The fine nib was nice to use on the copier paper in the office too.

Something pretty cool with Aurora’s piston filled pens like the 88 and the Optima is their hidden ink reservoir. If you are running out of ink, just fully extend the piston down and a little bit more ink will be available to use hopefully until you get back home to refill your pen.

The black stem behind the feed is where ink is fed through. The piston has a hole that will fit around the black stem.
Piston midway onto Stem: When the piston goes over the black stem, a couple drops of ink underneath will be displaced and fed up to the stem.
When the piston knob is extended, it is a reminder for you to refill the pen.

 

Final Grip-ping Impressions

Katherine: All in all, I really like the Optima. I like the shape, the nibs are fantastic and they are made in beautiful materials. But, I find the MSRP quite high for the pen so I’ve been quite conflicted about purchasing one. As Pam mentioned earlier in the review, also remind me a lot the Pro Gears, though I don’t think the aesthetic is better or worse — just very different.

Pam:  I really enjoyed my time with the pen.  I enjoyed the nib more. This particular material is exceptional.  I know the price of the Aurora Optima reflect the celluloid material used for the pen but that alone isn’t enough for me.  That being said, if you can enjoy a beautiful modern celluloid pen with a fantastic nib, I would highly recommend the Aurora Optima.

Franz: I don’t have a lot of Italian pens in my collection but so far, Aurora has been winning my heart over. The Aurora Optima has been a pen model I’ve liked a lot and the 365 Azzurra pushed me to get one. For large-sized hands, I can definitely recommend the Optima and as mentioned earlier, there are lots of finishes that one can choose from. I think with the experience of the two ladies above, the Optima is also a good pen for small and medium sized hands as well. Plus, it’s a piston-filler which holds a lot of ink perfect for daily use.

A little food for thought to end this review, Optima is derived from the word optimus which stands for “Best”. Hmmm… is it the best pen ever? For me, the Optima has jumped into my Top 5 since I got it late last year. Not necessarily my Number One pen (Pelikan still FTW) but it’s up there. Now of course, best pens are very subjective! =)

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Lamy 2000, Platinum 3776, Sailor Pro Gear Classic, *Aurora Optima*, Pelikan M805, Franklin-Christoph Model 31, and Lamy Safari
Posted pens from left to right: TWSBI Eco, Lamy 2000, Platinum 3776, Sailor Pro Gear Classic, *Aurora Optima*, Pelikan M805, Franklin-Christoph Model 31, and Lamy Safari
Unposted pens from left to right: TWSBI Eco, Lamy 2000, Platinum 3776, Sailor Pro Gear Classic, *Aurora Optima*, Pelikan M805, Franklin-Christoph Model 31, and Lamy Safari

Pen Photos (click to enlarge)

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Pen & Ink Pairing: Feb ’18

Katherine: My pairing for this month is a Danitrio Hakkaku in some sort of red urushi (I’m guessing it’s aka-tamenuri, but I don’t know what Danitrio actually calls it) and Kyo-no-oto (06) Adzuki-iro. Clearly red because Valentines day and Chinese New Years! Not because I got a new ink and put it in a pen that matches…

I’ve had this Hakkaku for a little bit now, but I never found it a perfect ink pairing, but now I have and I’m really enjoying it. The Adzuki-iro is a wonderful dark red without too much orange or purple and it pairs wonderfully with the deep red Hakkaku’s urushi. I’m not Pam, so I don’t think I can declare this a “one true pairing,” but we’ll see if I keep these two together over time. (Maybe I’ll report back next year when red is the thematically appropriate color of the season again…)

 

Pam:  I am not a fan of Valentines Day, but February does have alot to do with love and a great reminder to appreciate those that you love.  Therefore, it would seem fitting that I show an appreciation for one of my favorite literary figures, Sherlock Holmes.  I obtained the lined vintage celluloid pen from John Albert of Romulus pens and named it Sherlock in the process of designing the pen with him.  The black and gray lines reminded me of the now infamous Belstaff coat that is donned by the most recent reincarnation of Sherlock, Benedict Cumberbatch in the BBC series.  I searched for a while before I found my perfect pairing of ink.  Montblanc Lavender Purple is very reminiscent of the purple scarf Cumberbatch-Sherlock is fond of wearing.  As I told my fellow pen bloggers, I heart Cumberbatch-Sherlock as much as Katherine loves faceted pens. What better time of year to express my love in pen form than this month? Thanks John for such  an amazing pen!

 

Franz: It’s a blue pen… shocking! =) It has been said before that February is the month of love and well, #iLoveBluePens! So for this month, I chose to ink up and feature this Parker Vacumatic Maxima in Azure Blue Pearl. According to the date code, this Vacumatic was made in the last quarter of 1941. I’ve seriously been getting deeper into the vintage pen realm and loving it. Honestly, any fountain pen lover must own at least one Parker Vacumatic. I’m sure you’ll enjoy the feel of it as well as the coolness of the vacuum pump filler. For about 15 years, Parker produced the Vacumatic in a handful of different sizes for almost every hand size. Having the bear-paw among the 3 of us, the Maxima (the largest) size fits my hand well even with the cap unposted.

Paired with this beautiful blue pen is the limited edition Montblanc Meisterstück Blue Hour/Twilight Blue ink. I love how the pen matches the blue color of the ink when you lay it down on paper and then as it dries, it changes to a blue-green color. I learned about this ink about 3 years ago from reading Azizah’s review on her site: Gourmet Pens-Montblanc Blue Hour.

So a cool blue pen, paired up with a cool blue ink. What else can I ask for? Oh, wait… more blue pens! ;-P

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