Review: Aurora Optima (365 Azzurra, Fine Nib)

 

Hand Over That Pen, please!

Katherine: I love the Optima’s aesthetic. I love the flat ends, a taper, but overall it’s short and kind of stubby. And I love stubby pens. Additionally, Aurora makes it in a range of gorgeous materials — including the limited edition pictured here. I’m partial to the gold and green, but have yet to find one at a price I’m comfortable with.

Pam: I really love the Optima’s shape and size.  Why you ask?  Because, to me, the Aurora Optima 365 is a gaudier Sailor Progear with the use of a wider, more ostentatious cap band.  I have hesitated in purchasing an Optima mostly due to the stock material used for the pen body and cap.  This limited edition material for the Optima made me eat my words.  It’s sooo pretty. The blues, teal and flecks of silver-white is pretty unique and fantastic.

Franz: Wow! That Azzurra is fantastic! Pam’s observation is correct that the Optima is similarly styled as the Sailor Pro Gear. However in the hand, the Optima is definitely larger and the section is longer. That Greek key cap band is quite nice to look at as well. I’ve observed that a lot of Italian pens use this design which is pretty cool especially on the vintage ones.

In the Hand: Aurora Optima (posted) – from left to right: Franz, Katherine, and Pam
In the Hand: Aurora Optima (unposted) – from left to right: Franz, Katherine, and Pam

 

A Bit of History

The Aurora pen company was established in 1919 in Turin, Italy. Pretty cool to know that they are nearing their 100th year anniversary!

Just like what we learned about the 88 model in our review, the Aurora Optima model has been a part of their model lineup since the 1930’s. The vintage model had the same flat ends kind of style and the greek key cap band as well. The vintage Optima however had the same celluloid material for the whole pen unlike the modern one which has black cap finials, section, and piston knob. Also, the vintage Optima had a vacuum-filler instead of the piston-filler in the modern one.

The Optima that we know nowadays was redesigned in 1992. The Optima is offered in different colors, materials, and limited edition options. As long as you like the shape and style of the pen, there’s gonna be an Optima pen just for you. The Azzurra 365 is a limited edition of 365 units and Franz snagged one when it came out in 2017 from Dan Smith, the Nibsmith. As of March 2018, Dan still has a couple of these in his inventory.

Beautiful Azzurra celluloid engraved with Aurora’s full company name: Fabbrica Italiana di Penne a Serbatoio – Aurora

 

The Business End

Katherine: I’ve been surprised by the Optima nibs I’ve tried — they’re somewhere between a Japanese and a Western nib. Plus they have a wonderful smidge of feedback, reminiscent to me of Sailor nibs. Now that I’ve typed this all out… the Optima nibs feel like a middle ground between a Sailor nib and a typical Western nib in terms of both line width and feedback vs smoothness.

Pam:  I have been able to try both an Aurora Optima’s EF and F nib.  I have found Aurora’s nibs to be very consistent in line width and feel. The EF is more similar to a Japanese EF.  The F nib is more consistent with a Western EF. The nib is quite wet but then again, the ink itself is also quite wet. I really enjoyed the super smooth writing experience.  Sheeny inks would really shine with this nib.

Franz: I really love the nib design of the Aurora Optima and the shape is a traditional fountain pen nib. Surprisingly, I didn’t ask for a medium/broad nib from Dan but a fine instead. I’m glad I did because the fine nib is definitely lovely to write with. As Katherine said, there is a pleasant feedback while writing that I like especially on smooth paper like my Rhodia meeting notebook. The 18-karat nib isn’t really flexy nor is it marketed as a flexible nib but with just a little pressure, it does give my signature a little flair.

Franz’ writing sample on a Rhodia Meeting Notebook

 

Write It Up

Katherine: I haven’t measured, but this pen feels like a heavier Pro Gear. Maybe a little bigger? But if it is, not by much. I found it comfortable (and quite enjoyable) to write with for long periods of time.

Pam:  It’s a comfortable size pen for a variety of hand sizes.  For smaller hands, it would be worth it to post the pen.  For smaller sized hands, unposted is slightly better balanced and comfortable.  My thumb wraps around the step and threads of the pen, but I hardly notice them.  The step and threads aren’t sharp and the step is minimal making for a wonderful “no imprints” writing experience in my iron fist grip.

Franz: Let me just say that writing in my journal with the Optima was such a joy. The Optima is quite light compared to my usual Pelikan M800 and I have not experienced any fatigue at all. Both modes posted and unposted were very comfortable for me. The cap posts deeply onto the barrel and doesn’t affect the balance at all. I’ve already mentioned this but what I really love about the Optima is the lengthy section since I do grip pens farther back than others as seen in the hand comparison photos above.

 

EDC-ness

Katherine: A solid pen that works quite well as an EDC. And the cap takes 1.3 turns to uncap, which is pretty darn fast. I holds up quite comfortably to a life of being used to jot down quick meetings.

Pam:  The pen is a great size capped.  It should fit into a decent number of pockets.  The clip is strong and tight.  It should have no problem slipping in and out of shirt pockets. It took a bit more finagling for my white coat pockets with the thicker material. I kept it in my Sinclair case for a majority of my time with it.

Franz: I’ve been using the Optima at my workplace for a couple weeks now and it’s such a nice everyday carry pen. The ball clip fastens to my shirt pocket very securely and uncapping is fairly quick with less than one and a half turn. The fine nib was nice to use on the copier paper in the office too.

Something pretty cool with Aurora’s piston filled pens like the 88 and the Optima is their hidden ink reservoir. If you are running out of ink, just fully extend the piston down and a little bit more ink will be available to use hopefully until you get back home to refill your pen.

The black stem behind the feed is where ink is fed through. The piston has a hole that will fit around the black stem.
Piston midway onto Stem: When the piston goes over the black stem, a couple drops of ink underneath will be displaced and fed up to the stem.
When the piston knob is extended, it is a reminder for you to refill the pen.

 

Final Grip-ping Impressions

Katherine: All in all, I really like the Optima. I like the shape, the nibs are fantastic and they are made in beautiful materials. But, I find the MSRP quite high for the pen so I’ve been quite conflicted about purchasing one. As Pam mentioned earlier in the review, also remind me a lot the Pro Gears, though I don’t think the aesthetic is better or worse — just very different.

Pam:  I really enjoyed my time with the pen.  I enjoyed the nib more. This particular material is exceptional.  I know the price of the Aurora Optima reflect the celluloid material used for the pen but that alone isn’t enough for me.  That being said, if you can enjoy a beautiful modern celluloid pen with a fantastic nib, I would highly recommend the Aurora Optima.

Franz: I don’t have a lot of Italian pens in my collection but so far, Aurora has been winning my heart over. The Aurora Optima has been a pen model I’ve liked a lot and the 365 Azzurra pushed me to get one. For large-sized hands, I can definitely recommend the Optima and as mentioned earlier, there are lots of finishes that one can choose from. I think with the experience of the two ladies above, the Optima is also a good pen for small and medium sized hands as well. Plus, it’s a piston-filler which holds a lot of ink perfect for daily use.

A little food for thought to end this review, Optima is derived from the word optimus which stands for “Best”. Hmmm… is it the best pen ever? For me, the Optima has jumped into my Top 5 since I got it late last year. Not necessarily my Number One pen (Pelikan still FTW) but it’s up there. Now of course, best pens are very subjective! =)

Pen Comparisons

Closed pens from left to right: TWSBI Eco, Lamy 2000, Platinum 3776, Sailor Pro Gear Classic, *Aurora Optima*, Pelikan M805, Franklin-Christoph Model 31, and Lamy Safari
Posted pens from left to right: TWSBI Eco, Lamy 2000, Platinum 3776, Sailor Pro Gear Classic, *Aurora Optima*, Pelikan M805, Franklin-Christoph Model 31, and Lamy Safari
Unposted pens from left to right: TWSBI Eco, Lamy 2000, Platinum 3776, Sailor Pro Gear Classic, *Aurora Optima*, Pelikan M805, Franklin-Christoph Model 31, and Lamy Safari

Pen Photos (click to enlarge)

5 Comments

Review: Aurora 88 (Fine Flex Nib)

Hand Over That Pen, please!

Katherine: I prefer the aesthetic of the square-ended Optima. I thought this was a pretty boring (or perhaps classic?) looking pen, but in a quite unique shade of grey-purple-ish blue.

Pamela:  The Aurora Flex 88 has a beautiful blue gray material that is somewhat complimented by the yellow gold hardware.  I am curious if a rhodium trim would be a better compliment since the material has a pretty cool tone to it.  Shapewise, the pen is a simple cigar shape that does little to convey how special this pen is given all the hype to the “modern flex” pen.  The clip is a unique fluid design that doesn’t appeal to me, but does have a clean aesthetic to it.  My favorite part of the pen is the ink window.  Always a plus for me.

Franz: The Aurora 88 is a visually pleasing pen with a design that makes it timeless. Now this may mean boring for some people …cough… Katherine… cough… ;-P, but the rounded ends look elegant to me. The elongated and tapered barrel makes it a comfortable pen in my hand either posted or unposted.

Going back to the pen being timeless, the Aurora 88 design has been in existence since 1947. Albeit, the original 88 design was a bit thinner, had a slip cap, and a hooded nib. Unfortunately, I do not have any photos of a vintage Aurora 88 but an image search for “vintage Aurora 88” will display adequate photos of it. In the 1980’s however, the Aurora 88’s design was altered into what it is right now which is a thicker pen, twist cap, a full size nib, and incorporated with their hidden reservoir system.

Note: This pen history information was taken from Andreas Lambrou’s “Fountain Pens of the World” book.

In the Hand: Aurora 88 (posted) — from left to right: Franz, Katherine, and Pam
In the Hand: Aurora 88 (unposted) — from left to right: Franz, Katherine, and Pam

The Business End

Katherine: I was excited to try Aurora’s much talked about flex nib… but ultimately, I was disappointed. It’s a perfectly usable, and even enjoyable and interesting to use… but, to me, it didn’t live up to the hype. My Pilot 742 FA is significantly softer and offers me much more line variation, while being a fraction of the price. But, if you like the look of the pen, and like soft nibs, this is great — just not what I’d call “flex”.

Pamela: The is a unique shape which provides it the structure needed for this modern flex.  Since this pen was on loan from a friend at the SF Pen Posse, I didn’t feel comfortable pushing the limits of this pen.  That said, the “flex” is more of a middle ground; it is not as soft as a vintage flex, but softer than the Platinum soft fine nib.

Franz: I really like the shape of Aurora’s nibs especially this fine flex one. The tines are quite longer and cool looking. As for the flex nib and echoing my colleagues above, I feel that it really isn’t a match towards vintage flex nibs. There definitely is line variation but not what you would expect when it is called a flexible nib. I did experience some railroading but as long as I took it slow, it didn’t reoccur anymore.

Overall, Aurora’s nibs are great and I’ve had pleasant experiences with them from writing with other people’s pens. I personally own a factory italic nib that writes quite juicy and sharp. Without any pressure on this fine flex nib, it wrote very smoothly with a fine line.

Write It Up

Katherine: The Aurora 88 is comfortable and enjoyable to write with for long periods. It’s quite light, which I find comfortable and usable for long durations.

Pamela:  The 88 is has a very light material, almost too light for me.  However, the girth of the pen is very comfortable to use as it cruises over the pages.  For this particular nib, I held the pen in a tripod grip.  (Yes, even in the tripod, I still grip the pen too tight…).  The length of the pen is pretty comfortable both posted and unposted.  The material is light enough that posting the pen doesn’t add too much weight or unbalance the pen.

Franz: I enjoyed my journal time with the Aurora 88. I wrote comfortably with the cap posted for about ten minutes, and then unposted for another ten. I do prefer the cap posted on the pen for the extra length but I did not experience any fatigue even when the pen was unposted. Now that’s a rare thing and it’s one of the biggest selling points of the 88 for me.

Katherine’s comparison of modern flex nibs (on Tomoe River)

 

Franz’ writing sample on Rhodia Dot Pad

EDC-ness (Every Day Carry)

Katherine: This was a loan from a friend in the San Francisco Pen Posse — so no EDC-ing for me. But, it has all the makings of being a great EDC pen: A solid and strong clip for pockets (though probably not thick denim), and it uncaps quickly, but not too quickly (one and a quarter turns).

Pamela: Since this pen is on loan, I didn’t trial this pen on the road at work. Instead, the pen is a good size for a daily carry with a strong clip for suit pockets.  I wouldn’t recommend throwing this pen into a pair of jeans as the material will probably get pretty scratched up.  With the relatively unsubstantial weight, it may also be forgotten in a deep pocket somewhere.

Franz: I used the Aurora 88 at my workplace for a good two days and it was a splendid pen for my work setting. The quick deploy of one and a quarter turns made it convenient for me, as well as the fine width of the nib. As I signed my name, I applied a little bit of pressure and the slight flex gave my signature a bit of flair that I enjoyed very much.

The Aurora 88 has a piston-filler system that carries a good amount of ink and is perfect for an everyday use pen. You can see the ink level quite clearly via the ink window. When you’re running out of ink, fully extend the piston towards the section to activate the hidden reservoir to be able to write a little bit longer. That is a pretty neat feature.

The Aurora 88’s ink window is quite clear.

Final Grip-ping Impressions

Katherine: I have no complaints about this pen, other than the marketing and expectations set by the “flex” label. I’d call this “soft”. That aside, it’s a smooth, comfortable nib that is capable of some line variation (more than a Platinum 3776 SF, but less than a Pilot 742), in a solid and classic body. But, as with many pens in the $500+ category… whether or not it’s worth that price tag is a pretty subjective mater. To me, it’s not, but there aren’t many options for nibs like this, and if you don’t like black Pilots, this is the most line variation I’ve seen from a modern pen.

Pamela:  I am torn in my final recommendation for this pen.  On one hand, the pen and nib is a modern feat in trying to emulate the infamous vintage flex.  On the other hand, there are still vintage flex nibs and pens out there for a substantially smaller price tag.  I applaud Aurora for adding more flex and softness to the modern nib options and for those individuals who have the funds and the willingness to support such an endeavor, I would highly recommend this pen to them.  For those who lack the funds but still want to try a flex pen, I would recommend taking the time to research vintage pens and flex nibs, and finding a good deal via the Pen Addict slack, reddit or your local pen show.

Franz: It’s interesting how the two ladies above and myself have about the same sentiments on the Aurora 88. The pen itself is very nice to write with and my larger hand was not even a bit uncomfortable/fatigued. If you like the shape of this pen like I do, you may currently acquire one below the $500 price point with the round nibs (Extra Fine, Fine, Medium, and Broad). Now if you want the Fine Flex nib option, you’ll be paying a premium since the flex nib is only available in their limited edition releases. I mean, that’s quite a chunk of money knowing that you can obtain a decent vintage flexible nib for a lot less money. But then of course, the limited edition colors are quite nice as well. The blue finish of this Aurora 88 is very enticing to a blue pen lover like me.

As for my final thoughts on the Aurora 88, I like it. A LOT. This is definitely on my list of pens to one day own and add to my growing Italian pen collection.

Thank you Michael for lending us your Aurora 88 Flex pen. You’ve been very generous my friend. See you at the Pen Posse meetups soon!

Pen Comparisons

Closed pens from left to right: Parker 75, Edison Beaumont, Platinum 3776, Visconti Homosapiens, *Aurora 88*, Lamy 2000, Pelikan M805, and Lamy Safari
Posted pens from left to right: Parker 75, Edison Beaumont, Platinum 3776, Visconti Homosapiens, *Aurora 88*, Lamy 2000, Pelikan M805, and Lamy Safari
Unposted pens from left to right: Parker 75, Edison Beaumont, Platinum 3776, Visconti Homosapiens, *Aurora 88*, Lamy 2000, Pelikan M805, and Lamy Safari

 

Pen Photos (click to enlarge)

 

3 Comments