The San Francisco Pen show is just around the corner for the HOTP crew! Here is a sneak peek of some of the things that will be at the pen show and what we are each looking forward to for 2017!
Pam: It’s odd to think that I met Franz at the registration desk of the SF pen show in 2015, 2 years ago! That said, my first full experience of the SF Pen Show was last year. With the knowledge from last year, I can say that I am really looking forward to:
Starting bright eyed and bushy tailed on Saturday morning! To start, I will be at the registration desk to greet you and very likely at the HOTP table soon after. Stop by to check out the amazing show exclusive stamps that Katherine has made! And the “Pay-It-Forward” loot!
I will also likely be making a majority of my pen purchases that day. I am most excited to get a “sea glass” pen from Troy at Brute Force Designs!! I hope to get the great Mike Masuyama to work on some of my pens.
Don’t forget the planner meet up! We will be meeting at 1pm on Saturday in Salon 4. The Pen Addict meet up is a must for me. It’s very surreal to see a face to go with the voice for me each time I meet THE Brad Dowdy (Downy). And finally, I will be ending the night by attending Susan Wirth’s Memorial.
Sunday is class day! I will be attending Nik Pang’s Copperplate class, the Hanko (Japanese seals) class by Rui Saito and a mystery class by the amazing Leigh Reyes. Oh, yes, Leigh Reyes will be at the SF Pen Show. May the fangirling commence. ::squeal!::
Itinerary aside, I am just really excited to meet pen friends, new and old, near and far. The pen show is a great time and place for me to nerd out with all things pens and stationary with nerds just like me. And at the end of the day/weekend, it’s just what it’s all about. See you all at the FUN pen show by the Bay!
Katherine: I’m mostly on the hunt for unusual pens and have been excited to hear that there will be a couple of European vendors that are new to the show AND Stylo Art will be there! My wallet quakes in fear. I’d love to pick up an Aurora Novum, but we’ll see if I can find one that fits in my budget. -____-
I’m also sharing a table with a couple friends from Pen Posse, where I’ll be selling washi tape and hand carved stamps. Keep an eye out for me in the lobby! 🙂
Franz: Whoa! It’s been a year already since the 2016 SF Pen Show and now I can hardly wait for next week! Year over year, the SF pen show seems to become much bigger and busier. I try my best to help out at the show with assisting at the registration desk. Pen Posse members try to take shifts in manning the desk to make sure that we help people get in the show, or direct them to classes and seminars. Being at the desk lets me see old friends when they arrive and make new friends as well.
This year, the pen show has more vendors attending that weren’t present in 2016. Some vendors off the top of my head: Shawn Newton (Newton Pens), Hugh and Karol (Kanilea Pen Co.), John Mottishaw (Classic Fountain Pens), Motoshi Kuzuno and wife, Shuko (Stylo Art Karuizawa), Claire Rice (WrittenInRice), Miroslav Tischler (Penkala Pens), and A LOT more!
Events that I’m looking forward for the weekend:
I will attend an actual live pen auction sponsored by the Pen Collectors of America (PCA) on Friday. I just don’t know if I can control myself from over-bidding on a few lots.
As Pam said, there’s a planner meetup on Saturday. I’m not a planner kinda person but I do use my Hobonichi Planner as a daily quotes, and gratitude journal. I’m curious to see what other people do.
Saturday afternoon, Pen World Magazine will hold a ceremony to announce this year’s Readers Choice award winners.
Of course after the show on Saturday, the Pen Addict Meetup is a thing to attend. I love getting to sit down and talk pens with the attendees and dealers. There are door prizes too! Last year, Pam won an ink bottle from Vanness Pens that is so awesome and I’m still secretly planning to steal…oops… ssshhh!
And yes, a memorial to the Queen of Ink Susan Wirth at 7:30pm Saturday.
On Sunday, I’m hoping to attend Leigh Reyes’ seminar in the morning and then John Mottishaw’s in the afternoon.
The San Francisco Pen Show for me has evolved into primarily a social gathering. I love seeing the different vintage and modern pens offered for sale and I may buy a pen, or two, or three! ;-P But what really floats my boat is seeing old friends, visiting with the pen show vendors, meeting Instagram friends in real life.
This year, we will have the Hand Over That Pen table to host the Pay-It-Forward initiative. The Penthusiast Oscar Rodriguez along with a lot of awesome pen people started this fantastic PIF table to provide beginners, and children who are attending the show with pen starter kits. It was a great success at the D.C. Pen Show a few weeks ago. There will also be a “Give a pen. Take a pen.” part wherein people can donate pens they no longer use and just want to donate instead of selling. People can also take a pen that they would want to own. This will be a little bit smaller than what they did at the recently held D.C. Pen Show but we believe it’s important to keep the ball rolling.
We would like to thank Mr. Detlef Bittner of Bittner Pens for letting us review this Montegrappa Game of Thrones Baratheon fountain pen. His family pen store is located in the beautiful town of Carmel, California, and is well known in the pen shows in the United States.
And as always, the opinions here are our own and we were not compensated (monetarily, or otherwise) for this review.
Hand Over That Pen, please!
Katherine: It’s a cool looking pen — though I was a littttle disappointed that there wasn’t more texture to the barrel, which makes it feel more mass produced and gimmicky to me. But really, I’m not sure what I expected, I think my standards may just be unreasonable here. Out of all the GoT pens, I like this one the most, which is a litttle disappointing, since the Baratheons aren’t a terribly interesting house to me.
Pam: Fan disclaimer: I am only on book 2 of the series so I have been holding out on watching the series in its entirety. Therefore, I have to say, this is a really good representation of the houses from the awesome fantasy series. My biggest gripe about the set of 4 is that I believe that they could have made a set of 5 to include the Tyrells because who doesn’t love an experienced, witty woman throwing some shade? (Think of an edgier Dowager Violet Crawley from Downton Abbey for those not familiar with the glorious shad-ability of Olenna Tyrell.)
House Baratheon is one of my least favorite, but I think of all the pens, the Baratheon pen is the best made and unique of the bunch. The clip is perfect representing the Baratheon stag. I find the other clips, Lannister’s Lion, Stark’s Wolf, and Targaryen’s Dragon, to be too triangular and similar in shape and less pleasing to the eye. The stag is the most unique and well done of all the clips in my opinion. There was so much potential for the dragon on the Targaryen’s pen for it to be more serpentine in shape or maybe even wings! The rest of the decor are similar among all the pens, with the exception of the colors to represent each house.
Thank you again Bittner Pens for allowing us to borrow this beauty!
Franz: So… let me just say it. I have not watched a single episode, segment, nor even a second of Game of Thrones. *cringe*. Nothing against the show but I just haven’t given it a chance yet. So my approach with this pen review is just all about the design, performance, and of course the Hand-le-ability of the Montegrappa GoT Baratheon. I think I will let the person who has the most knowledge of the pen’s theme handle the rest of what the pen represents. Right Pam? ;-P
Just by handling the pen, I loved its overall looks and the heavier weight is more what I prefer. The brushed cap finial, cap band, and section ties up the design of the pen as well. And that clip design. Wow. Love the clip!
The Business End
Katherine: I enjoyed this nib — it was smooth, wet (and least when dipped, but I’m pretty sure I wrote enough to get over the initial super wetness of a dip) and prettily matching. However, I wouldn’t buy this pen for the nib, it was solid, but not unique. No surprise there.
Pam: Montegrappa did not skimp on the nib and did a wonderful job making it fit in with the Game of Thrones theme. I am pretty sure that all the nibs are the same design, with a sword in the center, but a different color to match the clip colorjng. Montegrappa did a great job with that detail.
I found the nib to write wonderfully. I can’t particularly comment on flow or saturation since we dipped the pens. The nib was smooth with little feedback and was very pleasant to write with.
Franz: Oh yeah, the Baratheon’s steel nib also has brushed background for the engraved sword. Such a pretty thing to look at. As for its writing performance, it wrote smoothly and didn’t skip at all. It was a well tuned nib out of the box.
Write It Up
Katherine: Overall this pen was well balanced and comfortable for me… BUT, I did notice the threads. They weren’t terrible, but I did notice they were there and was a little annoyed. Nothing major, but worth mentioning because I typically don’t notice sharp threads because I hold my pens pretty far forward. Despite my grip, I still noticed the threads on this pen.
Pam: I didn’t end up writing with this pen for the 20 minute time span because it just plain hurt to do so. The step is pretty sharp on this pen and pretty unforgiving with my iron fist grip. I ended up with indentations of the step along the skin between my pointer finger and thumb. Yes, I understand that I could just loosen my grip and that would ease some misery, but the step is sharp enough that I wouldn’t recommend this pen for those with “fisty grips,” particularly if it’s around the step.
Franz: The length and girth of the Baratheon was comforable for me either when it was posted or unposted. The only issue I had was that the brushed steel section made my fingers slip closer to the nib as I wrote with it. So writing with the cap posted afforded me to grip the pen higher above the threads and my fingers did not slip anymore.
Katherine: I didn’t carry this — but it seems very solidly made. The clip is solid and I’d be comfortable clipping the pen to a shirt pocket — but not springy enough for me to clip it to jeans.
Pam: Since the pen was borrowed, it stayed in the case until we were ready to write with it. The clip seems solid and able to clip onto fabrics well. The weight of the pen is considerable for this pen and I can see where it might drag down a shirt pocket. I don’t know if the clip will prevent it from slipping out. Also, given the pristine finish of the pen, I wouldn’t recommend it being thrown in a jeans pocket with your keys either. This pen would be great in a pen case on the go. Like a sword, this pen deserves a proper sheath. 😛
Franz: Since it is a pen on loan, we did not fill it up with ink and we didn’t get to use the pen at a work setting. However, as Katherine said, the clip works very nicely and clips on to my shirt pocket. The Baratheon has a cartridge/converter filling system so a full fill will last me a good 2-3 days if I would use it at work. Now something I love about the pen for its EDC-ness? The acme threads allow the cap to be unscrewed with just one turn. Love that quick deploy!
Final Grip-ping Impressions
Katherine: Ehhhh. I’m not big on franchise merchandise, and this pen was no exception. BUT, if you’re a GoT fan and you enjoy themed stuff, this pen could be perfect for you. It’s a well made, solid writer and seems like it can withstand the rigors of daily life (and hopefully your life is less stressful than any of the characters…).
Pam: I genuinely enjoyed this pen, not only due to the theme and the details involved in making these four into reality. The set of pens is a great collectors item for both fountain pen and Game of Thrones enthusiasts alike. Notably, these pens would be more of a “collectors” item for me than practical due to the price. At around $300 per pen, it’s a bit of an investment for one pen, let alone all four. That being said, the details and construction of the pen are fantastic and deserve to be rewarded. If you are in the perfect cross section of GoT and fountain pen fandoms (and your favorite house is represented with these four options), this is a great pen for you! You will get a quality writing instrument and wave your house banner high at the same time!
Franz: I truly appreciate the design of the Montegrappa GoT Baratheon pen sans the Game of Thrones knowledge. The Baratheon actually inspired me to take more pen photos than usual so please enjoy them below. The pen is comfortable for my use in terms of its dimensions, and nib performance. I just wish that metal sections did not make my fingers slip.
With an MSRP of $350, this might be a justifiable buy when you are a great fan of the show. For me, the price is just a little too high even if I do love the design and build of the pen. A pen’s value (or any other item), is both all relative, and subjective.
Once again, big thanks to Detlef Bittner of Bittner Pens for lending us this Montegrappa GoT Baratheon pen!
The Taccia pen company was very generous in letting us review their Spectrum pen line. Multiple units were provided so we were able to try out their steel and gold nibs. We very much appreciate this opportunity! And special thanks goes to Ron L. for connecting us with Ms. Shu-Jen.
As always, the opinions here are our own and we were not compensated (monetarily, or otherwise) for this review.
Hand Over That Pen, please!
Katherine: I’m not a big fan of the aesthetics of this pen. I think the colors are pretty, but the semi-opaqueness (you can see the converter, but it’s not really clear enough to be a demonstrator) just isn’t my thing. I think it looks messy. But, that’s the super, super subjective part of this review. On we go!
Pam: The Spectrum is a very modern feeling pen with both the shape and material. The material with the odd balance of translucence and opacity gives the pen a “space age” feel for me. I do really enjoy the different colors. Each of them are rich and very pleasant. My favorite is the teal, it reminds me of one of my favorite inks, Yama-dori.
Franz: Taccia has been a pen brand that I’ve seen around especially at pen shows I’ve attended but I haven’t had the chance to try their pens out until now. The colors of the Spectrum are quite pleasing to the eye and its translucency is striking for me. The shape of the pen kind of resembles a Parker 51 or a vintage Conway Stewart. And I second Pam’s opinion of the green pen matching Sailor Yama-Dori ink
The Business End
Katherine: The Taccia nibs are apparently made by Sailor. Interestingly, they look like Sailor nibs, but seem to be tuned differently (and it’s not necessarily a bad thing). The steel nibs are wetter than the comparable Sailor nib widths (though we were comparing against gold Sailor nibs) and have less of the signature Sailor feedback. It feels like a nib smack in the middle of Sailor feedback and fineness, and a western nib that’s a little smoother and wetter. Nice, but not the same as a Sailor nib, which is what I initially expected after being told they’re made by the same person. The gold nibs (Thank you for sending us the range, Taccia!) were even more western feeling, smoother and broader than the equivalent Taccia steel nib and Sailor gold nibs. What a difference tuning makes!
Pam: The non-Sailor Sailor nibs did not perform how I expected. I was expecting it to perform like the Sailor nibs that I love and adore. Instead, I felt that the steel nibs from Taccia was a big improvement of the Sailor steel nibs. I find the Sailor steel nibs to be really dry. The Taccia gold nibs provide slightly more feedback for me and also provide a wider line width. I prefer the Taccia steel nibs and the Sailor gold nibs for my writing style/purposes. Comparisons of the nibs and how they perform on Rhodia paper in the picture below.
Franz: Taccia sent us 8 pens to try out and compare their steel and gold nibs. This ranged from fine to their music nib size. They sent us their “Spectrum” of nibs! And yes, these nibs are made by Sailor for Taccia. We really appreciate being able to write with the different nibs. Aesthetically, I like the engraving on the steel nib as it gives a nice border to the Taccia brand.
I had the same experience as the ladies above in that the steel nibs seem to be much smoother and less feedback-y and I liked that. As for their line widths, they seem to be the same to me but the 14k gold nibs do offer a little more bounce so the line width can be thicker. Also, the music nibs are so fun to play with and I got to write on a letter with it!
Write It Up
Katherine: I journaled quite a bit with this pen. Overall, I found it comfortable, but a tad bit heavy, perhaps because of the metal section. I did notice that after extended writing sessions, my hand got tired feeling — but took quite a bit to reach this point, so I don’t think it’s an issue.
Pam: I really enjoy writing with the pen. I prefer to write with it unposted due to length. It’s a bit front weighted and it can tire the hand. I found the width of the pen to be quite comfortable. Overall, it does well and I have no real complaints about the pen during a lengthy writing session.
Franz: Let me tell you right now, I did not journal with the Spectrum unposted as it is too small lengthwise and the section is quite thin. And the lip where the cap meets the pen dug into my finger. So posted it is! And posted, I found this pen quite comfy as I grip it on the barrel above the threads. The cap gave the pen balance for me and I did not feel any hand cramps after almost twenty minutes of writing.
Katherine: The Taccia feels very well made and sturdy. It carried for a couple days at work and it was a champ — the clip is solid, no spitting into the cap & it’s solid enough that I’m not worried about the occasional fall. (Dear Taccia people who lent me this pen — I promise I didn’t drop it!)
Pam: I kept the pen in my Nock Sinclair for several days and it did wonderfully! It gave me no trouble whatsoever.
Franz: As I used the Spectrum at work with its medium steel nib, I found it wrote nicely on copier paper. For quick notes, I can write with the pen unposted so it was a nice experience. And my co-workers loved the color of the Forest Green too!
My one nit is that it takes two and 3/4 turns before it uncaps. Kinda too long for my constant need to use at work. It’s a good pen to just stay on my desk during the day and write when I get to sit down.
Final Grip-ping Impressions
Katherine: At about $150 for the steel nibs, the Spectrum feels expensive. That’s just a little cheaper than it’s gold nibbed Sailor cousins, or the Platinum 3776 at US MSRP (but 2x the 3776 at Japanese prices). The price is my biggest gripe about the pen. Other than that, I don’t love the aesthetic, but know many people who do, but the pen is a comfortable writer with interesting nibs. If you see one on sale and like the way they look, I wouldn’t hesitate to pick one up!
Pam: I really enjoyed playing with this pen. I don’t know if I love the pen for the price. For the $150 for the steel nib, I would consider getting a Sailor Pro Gear Slim and those come with a gold nib. That being said, I really like the performance of the Taccia steel nib and the aesthetics of the pen. If you are up for a modern aesthetic with a great steel nib and a splash of amazing color, this pen is for you.
Franz: The Spectrum is a fun, solidly built pen with stunning colors which for me brings value against the offered price. And then their steel nibs are fantastic writers out of the box.
The Taccia Spectrum is an awesome pen even if it is a bit small for my bear paw, I probably would get one for myself. I just need to decide between the Forest Green (which is a crowd favorite), or the Ocean Blue (because… blue!).
Thanks again to Taccia for lending (entrusting) us these pens and to our pen posse friend, Ron L. for being our liaison to Taccia.
Once again, we’d like to thank Mr. Detlef Bittner of Bittner Pens for lending us this ASC Pens Arlecchino 2 fountain pen for review. His family pen store is located in the beautiful town of Carmel, California, and is well known in the pen shows in the United States.
The opinions here are our own and we were not compensated (monetarily, or otherwise) for this review.
Hand Over That Pen, please!
Pam: The pen is a pretty and appealing shape. The material however is quite busy. For someone who really enjoys a lot of monochromatic pens, this is a bit of a shock to the system. The material is unique, and unorthodox in a pen. In summary, the shape and silhouette of the pen is wonderful, but the material is an acquired taste.
Katherine: I think the star of this pen is the Omas Arlecchino material. However, it’s just not my thing. It reminds me of pumpkin soup. Or the Filipino dessert commonly called “cathedral windows“. Or fall leaves that are turning. Anyway, reminds me a lot of things, mostly makes me hungry… but just isn’t my thing on a pen.
Claire: I really fell hard for this pen in the short time I had to write with it. I was quite surprised since this isn’t the sort of pen I would normally even bother to try. The barrel is a lot longer than what I normally find comfortable. I do find the material to be a bit busy for my taste but other than that I like the shape of this pen.
Franz: I first saw the ASC Arlecchino 2 pen at the 2017 LA Pen Show when a friend from the San Francisco Bay Pen Posse bought one and I was immediately intrigued with the unique finish of the pen. Actually, I’m loving the design of the pen and the celluloid material.
This material was part of the Omas stock bought by ASC Pens when the Omas Pen Company sadly shut down in 2016. According to ASC pens, they acquired just enough of this rod stock to create a limited edition of 100 pens to pay homage to the original pen called, the Arlecchino (Italian for harlequin).
The Business End
Pam: The nib itself is a great writer and performs well, as expected. The nib was very enjoyable as a writing experience. I did find the nib to be springy in the perfect Goldilocks kind of way.
Katherine: The nib on this pen is… okay. It’s a perfectly comfortable and usable writer, but it didn’t feel unique in any way, nor did it have much character to me. But, if you told me this was the only nib I could use for the rest of my life, I’d be a little annoyed, but I’d be okay with it. It’s inoffensive. (A glowing review, I know.)
Claire: I loved the feel of the nib and the overall writing experience of the pen was pleasant. The nib has a bit of bounce without being so soft or mushy. It’s not what I would reach for as a workhorse nib, but it’s great for a little extra pizzazz.
Franz: The Magic Flex nib is such a smooth writer and is quite springy which gives my writing some flair! The black ebonite feed kept up with my writing even when I flexed it a little.
Write It Up
Pam: The shape and size of the pen lends to great comfort for extended writing. Honestly, maybe it was the nib, or the light weight of the pen, but the pen didn’t leave an impression for me. It was a comfortable, well balanced pen, but no more, no less for me.
Katherine: This pen was pretty comfortable in the hand for a long period of time. The gentle taper of the body makes it a little more interesting than what I envision a “generic” pen to look like. This also (I think) makes it a better balanced pen.
Claire: I had trouble putting this pen down when writing with this pen. I was more than a little disappointed when I had to let Pam, Katherine and Franz have a chance to give it a spin. This pen is not like any of the pens in my collection and really was a lot of fun to write with. I had no trouble writing with this pen for pages on end. There was no trace of hand fatigue or pain even after a few pages.
Franz: I really enjoyed writing with the Arlecchino 2 as it is light and well balanced when unposted. Writing with the cap posted made it a little too lengthy and I found it unbalanced. (Yes. Shocking, I know!) My only small wish is for the section/barrel to be just a hair thicker to be perfect for my bear paw. But that’s just me.
Pam: This pen would be quite a show stopper in any pocket or as a notebook companion with the colorful material and sweet nib. The clip seems sturdy enough to be kept in shirt pockets.
Katherine: This was another loan from Bittner Pens — so once again, no real EDC usage. But, it seemed well made, and could hold up to every day use. It’s a solid pen that is a comfortable size both to use and to tuck into a pocket or notebook. And the clip feels solid enough to keep it firmly attached to a shirt pocket, if I had shirt pockets.
Claire: I didn’t have a chance to carry this pen with me for a few day, but I can see this being a daily writer in my arsenal. The diameter of the pen is just about perfect for long writing sessions which is ideal for me.
Franz: I was not able to fill this pen with ink and use at my workplace so no real world EDC report. But it’s important to note that it is piston-filled for a nice ink capacity, and the Arlecchino 2 is ready to write with just one twist of the cap.
And I believe my co-workers will see the colorful material and say, “What kinda pen is that?!”.
Final Grip-ping Impressions
Pam: I very much appreciate the beauty of the pen and reliable writing experience. That said, I can’t recommend this pen due to the price tag. Particularly for a pen that didn’t actually leave an impression with me. I prefer the writing experience of a Pelikan (ahem, Franz-fluence). The material is the only compelling reason to buy the pen for me. Luckily for my wallet, the material isn’t my style.
Katherine: This pen was perfectly usable — decent nib, good size, and comfortable in hand. However, it didn’t shine in any way for me. It was an okay, inoffensive pen, body material aside. In another material, it’s a pen I wouldn’t mind owning, but isn’t high on my list of must-acquire pens. In the Arlecchino material… I’d rather have a bowl of pumpkin soup. Maybe with some chives and a pinch of paprika to round out the colors.
Claire: Overall, I really like this pen. the only gripe I have with this pen is that the inside of the cap was not polished. For a pen at this price range, it seems a little bit sloppy to me. Other than this pen is lovely, though I wouldn’t feel comfortable paying MSRP on this pen. This brand has access to some of the hottest materials, and they are charging for those materials.
Franz: I love this pen! I love its shape, its material finish, its springy nib, and the history that it represents. However, I just can’t love its price tag. Yes. I know that it’s a limited edition of 100 pens, it’s celluloid, it’s a “flexy” nib, etc. Believe me, I understand why it costs the way it costs and also please know the fact that I “want” it. But my heart and mind says, “Hold on, not yet.” Perhaps it’s because I have a few other pens that I also want that has a lower price tag? I know that someday I’ll own the Arlecchino 2, but not yet.
If you want this LE pen and have no qualms about the price, grab it while it’s available. Reach out to Detlef of Bittner Pens.
Thank you for letting us review the Arlecchino 2 Detlef!
We want to thank Mr. Detlef Bittner of Bittner Pens for lending us this Wahl-Eversharp fountain pen for review. Detlef’s pen store is located in Carmel, California and he also travels to a lot of pen shows. When we return this pen, the HOTP crew may just decide to take a road trip and visit the pen store.
The opinions here are our own and we were not compensated (monetarily or otherwise) for this review.
We have also asked Claire (@writteninrice) to be our guest once again and review this pen with us. Thanks Claire!
Hand Over That Pen, please!
Katherine: This is a pretty cool looking pen, and the huge nib looks very cool. I really liked details on this pen — the complex blue material, the red ebonite feed and the classy use of gold and black trim. But, even at first glance, this is a huge pen! It stands out and is hard to miss.
Claire: This is a pen with gravitas that hearkens back to pens of a bygone era. The Wahl Eversharp Decoband is a large pen that’s an attention grabber. The nib on this pen is just lovely and I love the red ebonite feed. In fact, I couldn’t help but post a nib shot of this pen on Instagram the second I got it in my hands. I am not typically a fan of pens with gold hardware but for this pen, it works.
Pam: The Decoband is an acquired taste for me. It is undeniable that the blue material is beautiful and deep, that the red ebonite feed is awesome, and that nib is gorgeous. I am just not a fan of the shape and the overall aesthetic. Despite my reservations about the pen, it’s a beautiful pen that is very reminiscent of the fountain pen’s golden days.
Franz: Is this pen big enough or what? The Decoband is massively impressive and is probably the biggest pen that I’ve held in terms of length, girth, and weight. This is a revival of Wahl-Eversharp’s Gold Seal design in 1929. The proportion of the pen is very similar to the vintage one except for its larger scale. The Decoband fits quite perfectly in my bear paw…err… large hand and is quite comfortable for me to use.
The Amalfi Blue Pearl acrylic is such a stunning material and as Katherine pointed out, the black finials on the cap and the bottom of the barrel makes it a classic looking pen. The packaging is also impressive as the box big and shiny. They also supply the pen with Wahl-Eversharp’s ink bottle which is a nice touch.
The Business End
Katherine: The nib is huge and it writes quite nicely. It’s very smooth without being glassy, and has a nice softness to it. However, I didn’t think it was comparable to many of the “full” flex vintage nibs I’ve tried. The Decoband nib is smooth and wet, but line variation is not its strong suit. Perhaps a finer point would produce more line variation, but out of the box, this is more of a wet and medium writer.
Claire: As I mentioned earlier, the super flex nib on this pen is eye catching. I love the frosted detail noting the brand and specifics. In hand, the nib is a little on the squishy side. After primarily writing with hard nibs this was a bit disconcerting. Though, it didn’t take too long to get used to the experience and really start to enjoy the way this pen puts ink to paper. The super flex nib boasts arguably the best modern flex on the market. While it doesn’t have the snap back that I experienced with vintage flex nibs, it does provide an amazing amount of flex.
Pam: My favorite part of the pen is the nib and the red ebonite feed. It’s an absolute beauty. The nib is one of the smoothest and softest nibs I have tried. The line variation is not as great as a vintage flex, but arguably this nib is the best “modern flex” nib out there. I did find the nib to be quite wet, so I don’t see this my ideal for daily writing (don’t forget my writing pressure), but it would definitely give those who want your autograph a special flourish!
Franz: The Decoband is available in two nib options. First is the semi-flex extra fine nib, and second is the Superflex nib which is what was loaned to us. I typically do not write with flexible nibs and the only “flex” pen I own is a vintage Parker Televisor. The Superflex nib’s variation was remarkable to me. It definitely has a wet flow that even without pressure, the line is a medium width and when pressure is applied, it lays down a nice wide line. The Decoband’s feed is made of ebonite coated with red urushi lacquer and assists the generous ink flow of the nib.
In addition, I was able to try out the semi-flex extra fine nib from a friend at the 2017 LA Pen Show and I think that the semi-flex is more of an everyday writing nib for me. So you have two great nib choices for the Decoband.
Write It Up
Katherine: At first I thought this pen would be okay — but a couple minutes into writing with it I noticed my hand was more tired than normal, and starting to get a bit of cramping. Additionally, if I tried to use it posted… well, I wouldn’t. I’d probably poke myself in the eye. All in all, a pen I’d rather look at than use, which is unfortunate, but such are small hands.
Claire: This is a hefty pen that is more apt for larger hands than mine. I found that my hand started cramping up after just a few minutes of writing. Overall, the pen felt well balanced and of an appropriate heft for its size. Unfortunately, this pen is just too wide for me to use comfortably for long writing sessions.
Pam: This pen was meant for bear paws as I found the pen to only be comfortable for a couple of minutes before my hand would notably tire. I don’t recommend using the pen posted for those with small hands as the pen is quite large and heavy. The pen is heftier than most on the market, likely due to the material used. The width is not a problem for me, but the pen is quite top heavy, given the length of the pen, particularly posted.
Franz: As I’ve said above, the pen fits my hand nicely and I was happy to write with it in my journal. In case you didn’t know, the pen’s internal mechanism is made of solid brass parts and the weight of the pen uncapped is about 40 grams. Compared to the Pelikan M805 that I use every day is about 20 grams uncapped. It is a heavy pen that after journaling for about ten minutes, my hand felt very fatigued. While this pen impresses me a lot, I would only use it to write quick notes, a short letter, or a nice signature. I wrote with this pen unposted because it is too long for me when the cap is posted.
Katherine: I sat down with this pen and wrote a few pages with it, but didn’t EDC it since it’s on loan from Bittner Pens (thank you again!) and didn’t want to risk any damage. However, based on the handful of pages I wrote with it, I wouldn’t consider it a candidate for EDC for a couple reasons: 1. it’s just too big, 2. nib is a little too wet, I’d have to wait for all my notes to dry before being able to close my notebook!
Claire: This is not a pen that springs to mind in association with the letters EDC. This would be a great pen for an office job that required occasional notes. I did not get a chance to carry this pen around to test it out for longer than playing with it for an evening at Katherine’s place.
Pam: Thank you Bittner Pens for your generous loan of the Decoband. That said, it lived in the original box unless we were testing it out. I would recommend this as a great EDC for a fancy desk to hold and carry. This pen is a bit large for the usual jacket or shirt pocket and given the weight, may not stay in the pocket for long if you were to bend over. Not to mention, this pen is best suited (in my opinion) for your autograph; what better pen to do that with than this beauty?
Franz: Because this Decoband is on loan, we only dipped the nib in ink and did not fill it. I was not able to use this pen in my office but I imagine that it would be a pen I’d keep on my desk and write with it only when seated. The Decoband is too big to fit securely in my shirt pocket although it would be okay for a jacket pocket.
The pen has a pneumatic filling system which is why there are solid brass parts inside. To fill the pen, unscrew and pull out the black knob, extend the metal sleeve, submerge the nib in the ink bottle, cover the hole on the knob, push the knob/metal sleeve down to the barrel, and uncover the hole. This action compresses the sac inside and when you let go of the hole, the pressure will draw ink in the pen. According to Wahl-Eversharp, the Decoband holds an ink capacity of 2.1ml. Now that’s appropriate for the amount of ink that it lays down from its superflex nib.
Final Grip-ping Impressions
Katherine: I’m pretty biased with this pen. It’s clearly not meant for people with smaller hands, which makes me a big meh on it. But, if I had a large handed friend I really liked and needed to get a pen for, this would be a contender. It’s a beautiful, classic looking pen with a nib full of character. However, at a price point of $800+, there’s no way I can justify a pen that’s so large my hand cramps for myself.
Claire: I love the blue material on this pen. Even though this pen is far too big for my hand it seems to be well balanced and well made pen. This pen has a the aesthetic of a vintage pen but also is quite large, which to me is an interesting combination. The superflex nib is the only modern pen that I’ve written with that is maybe a flexible as vintage flexible nibs straight out of the box. Overall, I think this is a lovely pen for a person with larger hands than myself.
Pam: The nib/feed of this pen is great for everyone. The pen itself however is much better suited for bear paw individuals (Hint, hint Franz!) and for those who really enjoy the vintage aesthetic. It’s a steep price so it’s not great for most wallets. However, I can say for this pen in particular, you pay for what you get. It’s a large, statement-esque, hefty pen, that has all the trappings of the fountain pen’s glory days. It’s obvious that Wahl Eversharp did not skimp on the Decoband. That said, it’s not an “every day carry” pen, it’s a “special occasion” pen. But for us fountain pen lovers, every day with a fountain pen is a special occasion!
Franz: I really like the Decoband because of its large dimensions and the awesome nib it is issued with. As a friend from the Pen Posse said, this is a “whale” of a pen for large handed people but as I say in most of our reviews, try it out for yourself when you can.
The Amalfi Blue Pearl acrylic version of the Decoband is a special edition color and will be limited in production. This is similar to the now sold out Lapis Blue. So if you want the Amalfi Blue, better contact Detlef of Bittner Pens, or Syd of Wahl-Eversharp right away. Hmmm….
Thank you Detlef for giving us the opportunity to review this awesome pen.
Katherine: The 146 (and its bigger sibling the 149) are the classic black cigar-shaped pen. The shape is boring to some, but timeless and classy to many others. Personally, I find the shape a bit boring, and while many buy the pen for the “prestige” that comes with such a recognizable brand, I found that unappealing. As I’ll discuss in later sections, I loved the innards of the pen, but I much prefer using pens that aren’t as obviously branded, especially at work. All in all though, the “look” of the 146 is inoffensive to me, if I didn’t have a self-imposed 15 pen limit, I’d likely still own one.
Pam: The 146 is a classic pen with a very classic shape. Typically, I would find the Montblanc 146 with gold trim to be another snoozer or write it off as “another typical pen.” I don’t usually like the cigar shape in a pen, like the Platinum 3776 or the Sailor 1911. That said, Montblanc created a very well proportioned cigar shape pen. It looks streamlined rather than chunky and sleek rather than boring. Maybe it’s the more dramatic taper at the end of the body and cap or it’s the custom ruthenium trim or I enjoyed writing with this pen so much that a “another typical pen” has much more appeal now.
Franz: The LeGrand 146 is such a nice, simple-looking pen. I love the timeless shape of the 146 and that may be the reason why a lot of pens have copied its appearance. The pointed ends are different from the usual pens I own.
So here’s a bit of historical information about this pen. In mid-1948, Montblanc came out with the Masterpiece/Meisterstück 140 Series and the three models introduced were the 142, 144, and the 146. All three were introduced as a piston-filler and until now, the 146 is offered as a piston-filler pen. Over time, the 144 changed to a cartridge/converter filler pen. The Meisterstück 140 Series was a refresh of the Meisterstück 130 Series introduced in the mid 1930’s.
According to Montblanc’s numbering system adopted in the 1930’s, 146 meant that 1 (part of the Meisterstück/Masterpiece line), 4 (piston filler system but it was a 3 in the 130 Series), and 6 (denotes the nib size).
*Please note that this historical information was taken from Mr. Andreas Lambrou’s “Fountain Pens of the World” book. If I have misquoted, or given incorrect information, please let me know. Thanks!
The Business End
Katherine: I love well-adjusted Montblanc nibs. I’ve used Franz’s (pictured in this review) and love the delightful CI that Dan Smith put on it. But I also, for a few months, owned my own 146 — an early 90s French specimen with an uncommon 18k nib. That was one of the most delightfully smooth (but not glassy) nibs I had ever used. Given my current experiences with MB nibs, I would never hesitate to recommend one to a friend, even out of the box.
Pam: Montblanc nibs are juicy with some springy-ness to them, based on my time with them at the Montblanc store (which may be longer than I care to admit). I really enjoyed the Montblanc B and BB nibs as they created a stub-like line for me. Therefore, what other “improvement” could you make to a well done nib from Montblanc? Well, someone had the genius idea to send the pen to Dan Smith for a 0.4mm CI grind. I (not so) jokingly told Franz that the 0.4mm is the perfect CI width and I may be forever ruined for all other CI grinds. CI grinds tend to run a bit dry, but this nib is well tuned and provides a consistent, well saturated, beautifully crisp line. Again, ruined… I am, ruined (or forever spoiled.)
Franz: Springy nib… check! Cursive Italic… check! Juicy ink flow… check! Smooth sweet spot… check! Running out of checkboxes here! What can I say? It’s a beautifully tuned nib! Kudos to Dan Smith on this one. As for straight from the factory experience, I have used another 146 nib which was a stock medium and it was a smooth well tuned nib as well. So far, I’ve been pleased with the quality of Montblanc’s nibs.
Write It Up
(20-minute writing experience)
Katherine: The 146 is very comfortable for me — it has a good weight and is comfortable in hand, even when writing for extended periods of time. I prefer it unposted — when posted I find it a bit too top-heavy and my hand gets tired faster.
Pam: I have enjoyed the 146 both posted and unposted in the traditional tripod grip, preferably posted for me. The 146 can be a bit top heavy in my “iron grip.” Given the CI grind, I primarily used this pen in the tripod grip and had no issues with the width of the pen. The girth of the pen at the section is within the usual limits and comfortable to hold for an extended period of time.
Franz: I may have been waxing poetic about this pen but admittedly, the LeGrand 146 size is just a smidge small for my bear paw. Please don’t get me wrong for when the cap is posted, I wrote with it comfortably and I absolutely had no complaints. I loved journaling with it for about 10 minutes but when I unposted the cap, my grip adjusted towards the nib and the pen felt small and unpleasant. I actually felt my hand cramping after writing for five minutes. Please refer to the pen in hand photos above to see how awkwardly small the unposted 146 is in my hand.
So yeah, mixed results on this one for me and just like Pam, I prefer the 146 posted.
Katherine: This is weird to say since I EDC my Nakayas… but I didn’t like carrying around my 146. While the clip was good, it uncapped decently and was great to write with, I just wasn’t comfortable using a pen that everyone around me identified as “Katherine is using an expensive pen”. Funnily enough, Nakaya and Danitrio are much less recognizable to the layman than my 146 was.
Pam: This pen is a be a great EDC pen as it is a sturdy, well made pen with a secure clip and threaded cap. I didn’t carry this pen around daily as it’s not my pen to damage or lose, but also because would be distracting in my interactions with my colleagues and patients. I am not that comfortable in letting the world know/assume the “cost” of my beloved pen hobby. (Or maybe that’s the SF bay area hipster in me.) Montblanc is such an iconic brand that people will notice this pen very readily. Granted, it’s also a beautiful, classy pen with a very unique ruthenium trim.
Franz: I used the 146 at work and out and about on a weekend and I had no qualms of being able to use this pen as an Everyday Carry pen. The cap unscrews after about 1 and 1/4 turn. Pretty fast deployment there and on the flip-side, the pen never uncapped itself in my pocket. The ink capacity of this piston-filled pen allows one to just keep on writing for a period of time. The subtle ink window above the section threads definitely helped me figure out if I’d need to refill the pen or not. I didn’t really care about the “perceived prestige” that the white star on the cap instills or what other people would think because well, I just don’t. Haha! =) As long as it’s a functional pen with a look that appeals to me, I’ll keep on using it.
Final Grip-ping Impressions
Katherine: Overall, I really love writing with 146s — they’re comfortable, balanced and have great nibs. But I found that I was uncomfortable with the obvious and easily recognizable branding. The moment my boss said, “Oh! You’re using a Montblanc!” the idea of keeping a Montblanc around for normal use went out the window.
Pam: After spending time with the 146, I can see why this pen is such a popular flagship pen. It’s a great size pen that suits many hands, has a classic (albeit “boring”) aesthetic from a historical and iconic brand that backs up it’s name with great nibs and performance. This pen has taught me and made me question a lot about my own pen preferences in terms of shape, nibs and writing style.
I would recommend this pen to anyone looking for a solid performing pen and isn’t wary of being seen with such a recognizable (and expensive) pen. Not all settings are optimized for that. It would be a “must have pen” if it was not so cost prohibitive to have, therefore, it would make a great grail pen to fill the “quintessential classic” slot in any collection. So if you are like me and this a grail pen, I recommend the 146 as a “must try for yourself” pen.
Franz: The LeGrand 146 design is almost 70 years old and as I said in the beginning of this review, it is timeless. This is a nice pen to have in one’s collection quite frankly. If you are able to, please try to write with a 146 and see if it is a good pen for your hand. The nibs are great and it just writes. I really like it when the cap is posted as I detailed above. The only “con” I would say about this pen is that it’s quite pricey when brand new. However, a thorough search in the secondary market may provide one with a reasonable and more affordable price for the pen.
Just a little background on this specific pen. I saw this exact 146 in early 2015 on Dan Smith’s Instagram feed, @TheNibsmith (@fpgeeks back then). He said that he just finished grinding the 0.4mm cursive italic on it and wished he owned the pen. I dug up info from Dan and the original owner of this pen to find out how he got a ruthenium trim. I planned to send a pen to that person who did the custom ruthenium trim but I never got around to doing it. Fast forward to April 2016, I found this pen offered for sale and I pretty much jumped on it. Needless to say, I love this specific 146 not only for its writing capabilities but its history as well.
Hello friends! It has been almost two weeks since the 2016 SF Pen Show was held at the Sofitel SF Bay Hotel in Redwood City, California on August 26, 27, and 28, 2016. Oh what a great experience that was and I already miss it and cannot wait for next year.
I have never done any pen show recap/reports ever since I’ve been attending pen shows in 2014. So it took me a while to decide if I would do one this year, and if so, how would I present it? I was nudged by a couple friends to do so (y’all know who you are). And as suggested by a friend, present it in a chronological order. A fair warning though, I’m a photo-oriented person so this report will have a LOT of pictures and quite a long read. So I suggest you grab some popcorn or something. Haha!
This is the third year that the current show organizers have held the SF Pen Show. And each year, it has gotten better and better. I did have a unique multi-perspective of this show. I purchased a table to be a vendor, I am part of the SF Pen Posse, the local pen group who had a big part of volunteering to make this show a success, and the principal show organizers asked or “volun-told” me to assist with the coordinating of the paid classes, and free seminars. I’ve come to treat pen shows more as a social event focusing on seeing old friends, and creating new friends. And yes, as an attendee, seeing lots and lots of fountain pens is something I look forward to as well.
Thursday, August 25 – The Evening Before the Show
The SF Pen show organizers opens up the show ballroom the evening before to allow vendors to set up their table displays or just to let them know where their table will be. I arrived at the hotel around 6:30pm and saw the empty tables with just a few pen posse members hanging out. The show sold a lot of vendor tables this year. And I actually witnessed the hotel staff adding the very last table that was bought at the last minute.
The show organizers also held a reception/mixer for dealers, and special friends that evening. It was great to mingle and meet up with old friends. After the reception, a few friends from Southern California and myself just hung out at the hotel bar.
Friday, August 26 – First Day of the Show
The big day has arrived! The San Francisco Pen Show opened for Dealers and All-Access Pass holders at 7:00am. The general public was let in later that day at 1:00pm.
I arrived at the hotel around 7:30am and the ballroom already had a good number of attendees. After doing some of my registration desk/seminar coordinator responsibilities, I immediately went to Mike Masuyama’s table where he was already helping people with their nibs. I got to say hello and speak with Mike and his wife Emiko for a bit and got a number to be in line for nib work. I was number 19 and this was only at 8:00am. More on my nib-work with Mike later on the day.
Next stop for me was at Franklin-Christoph’s table. I was curious to see what prototype pens they brought to the show and also I was asked by a friend from Nevada to purchase a specific pen from them. Guess who I found at the F-C table? It’s Katherine! She was already being helped by Jim Rouse with her nib choice. She was at the hotel right before the show opened.
Afterwards, I needed to go back to the registration desk since Master Penman Michael Sull’s Basic Spencerian class was about to start. This class was sold out a couple weeks before the show with a few people on a wait-list. Mr. Sull had another class later in the afternoon called Advanced Spencerian and that was well attended too.
Pen repair classes were also held by brother and sister, Joel Hamilton and Sherrell Tyree. There were three sessions: Basic pen repair, Vacumatic, and Snorkel/Touchdown.
While classes were in session, I got a chance to walk around the ballroom, chat with dealers and attendees, and take a few photos. At this point, I was really just scoping out what interesting pens would find me. ;-P
One of the first couple people I said hello to were Matt Armstrong of The Pen Habit blog, Brad Dowdy of The Pen Addict blog, and Lisa Vanness of Vanness 1938. Matt and Brad were there to help Lisa and Mike out at their table.
In the middle of the ballroom were the tables for the 14 Ink Testing Stations that contained 686 pens with 686 different fountain pen inks free for people to write with and see how the color looks. The SF Pen Posse donated ink samples and volunteers inked up each station before the show. Each station has 49 fountain pens.
First time pen show vendor, Troy Clark of Brute Force Design was there with all smiles. He drove all the way from Seattle and was one of the people I got to chat with last night as well. He gave me a nice pocket notebook. What a nice gesture. Thanks Troy!
Toys From The Attic returned to the SF Pen Show and they were right beside Franklin-Christoph. I first met Mario at the 2014 LA pen show and I look forward to seeing him at shows. He’s brought some beautiful pens with him.
I moseyed on over to the back wall where the Wahl-Eversharp table was and said hello to Syd Saperstein and his wife Judi. It’s always a pleasure to see them at pen shows. The Wahl-Eversharp pen company is the show’s principal sponsor and Syd is one of the three show organizers.
Since I was focusing on vintage pens this year, I got a chance to ask him about the vintage Wahl-Eversharp Gold Seal, and Doric pens. I learned a lot from him even if it was just for a quick moment. A customer walked up and asked him questions as well.
Right beside the Wahl-Eversharp table was another pen show trademark. It was Susan Wirth’s table. Susan and her team travels to almost every pen show in the United States. She loves writing with an italic nib (like myself), and almost all her pens for sale are inked up for everyone to try before they buy.
Wandering around more in the ballroom and I found Bill Weakley’s table full of beautiful Namiki, Parker, Paul Rossi, and Pelikan pens. I first met him at the 2015 LA Pen Show. I’m so glad he attended this year’s SF Show. He had a lot of pens that I wanted but were definitely over my budget. Haha!
Then I saw Stuart Hawkinson and Jim Leonard whom I met at last year’s show. These are two guys who love restoring pens and like to share their experience.
Headed over to Ryan Krusac’s table and admired his new line of Legend L-14. Also his limited Dangers of the Deep pens were quite tempting. I’m glad he got to attend the SF pen show this year and he brought along his wife, Julia. He was at the 2014 SF pen show but was unable to attend last year.
Revisited the ink testing stations and now it’s getting busy.
Dan Smith arrived later in the afternoon from Iowa and he had an online signup sheet. One of his first customers was Joey Feldman from Los Angeles. It was a treat to see these guys at the show.
My Dad, Bert, visited the show in the afternoon and just wanted to see what was going on at pen shows.
While you’re at the Ink Testing Stations, it’s also a perfect opportunity to start conversations and make new friends. This was a brainchild of Ricky Chau, and the Ink Master, Loren S. since the 2015 SF Pen Show.
As it was getting close to the end of the first day, I was finally called for my turn at Masuyama-san’s table. I had my vintage Skyline’s medium nib ground into a smooth cursive italic. I also had my Pelikan M800 double broad (BB) nib tuned as it was skippy and had the baby’s bottom issue. I’ve had my nibs tuned and ground by this man for the past 3 years and he knows exactly how I want my nibs. I rarely give the pen back after he’s done with it the first round.
It’s also always a delight chatting with Mike and his wife, Emiko. Talked about their trips to Japan and other pen shows.
Pen Addict Meetup – After Show Event
Right after the show closed at 7:00pm, there was a Pen Addict meetup event hosted by Brad Dowdy, the Pen Addict himself, and Lisa Vanness. It was an effort to get together with the people you’ve seen around the show during the day and just plainly talk pens, paper, inks, etc. The event itself was free, and you didn’t have to attend the pen show to get in.
As you walk in, Brad handed out raffle tickets for some awesome giveaway prizes. They had some snacks as well. Alcohol was also served and available for purchase.
It was great to meet and chat with like-minded people. Around 8:00pm, Brad started the raffle and gave away awesome prizes. I do not recall each and every prize given away but here goes nothing: 2 Nock Co. cases, Lamy Dark Lilac ink, notebooks, empty Akkerman glass bottle, Joey Feldman poster artwork, notebook engraved with Joey Feldman’s artwork, and a one-and-only Pilot Iroshizuku ink bottle engraved with the show’s hashtag, #SFPenShow2016.
As the Pen Addict meetup ended, a few of the Pen Posse peeps left the hotel for dinner at Amici’s Pizzeria in Redwood Shores. Needless to say, we were all famished and enjoyed some salad, pizza, chicken wings, and more pen conversations.
After dinner, we went back to the hotel bar and just relaxed. What a fantastic first day of the show. I went home shortly afterwards.
Saturday, August 27 – Second Day of the Show
Another exciting pen show day! For this day, the show once again opens for dealers and All-Access pass holders at 7:00am. And the general public will be let in at 10:00am. I arrived at the hotel around 8:30am so I definitely missed the breakfast provided for the dealers and All-Access pass holders. But no matter, I had a breakfast sandwich and Cold Brew coffee right before heading to the hotel.
I have to highlight the SF Pen Posse volunteers who signed up to man the registration and seminar desk from Friday all through Sunday. Without their generosity of time and effort, I’m not sure how the show would’ve turned out.
Across the registration desk in the foyer was Steve Curnow’s table. This was a popular first stop for show attendees. Steve had a wide selection of notebooks, journals, and pens for sale. He also had a very limited edition San Francisco design journals at the show.
In the beginning of this report, I did mention that I was a vendor as well. Well the whole day Friday, my table was unused and empty. On Saturday, Edna, my Mom, arrived at the show and was selling some handmade earrings, and necklaces. Also, I let my friend from the Pen Posse, Fred, sell his SF Pen Show shirts at my table. I intended to sell pens but I just didn’t have the time to sit at my table so I just laid out three pens in the middle with price tags. Katherine also placed her wooden pen blocks she made a few months ago for sale.
Tania at the Franklin-Christoph table had a free moment and we took a hand-comparison selfie. We’ve known each other online for a couple years now and we’ve always joked about our hand size difference.
I walked around the ballroom once again but this time, I reached the other side of the room which was dubbed, Anderson Alley. Brian and Lisa Anderson returned this year and enlisted the help of Jason, and Ana. They brought a lot of items from their store in Appleton, Wisconsin. I always find it a treat to get to chat with the Andersons during the shows.
I then saw one of the most knowledgeable pen person that I know. In fact, he has written quite a few books on pens including Fountain Pens of the World, and Fountain Pens of Japan. It’s none other than Mr. Andreas “Andy” Lambrou of Lambrou Pens (formerly Classic Pens). His pen selection is quite exquisite and he collaborates with very artistic people like Mr. Paul Rossi, and Mr. Ryan Krusac, and others.
More wandering around…
I got to speak with Cliff Harrington about vintage pens. Cliff always has very rare (and can be pricey) pens. And he also has a wealth of pen knowledge to learn from. As I stopped by, I learned more about Waterman pens, Wahl-Eversharp pens, and Carters pen. He showed me a nice and rare Waterman Ideal Doll pen. As far as I know, there were only two of these pens at the SF pen show.
I found myself back at the Wahl-Eversharp table admiring the modern Decoband Gold Seal Oversized pens. And I had to take a photo of both Syd, and Judi.
The NibSmith still hard at work at his table. I actually signed up for his Saturday schedule on his website but because it got busy at the registration desk, I had to give up my spot for other people to have the opportunity and time to sit with him.
I stepped out of the ballroom to make sure all registrants got to attend Amanda McKay’s Kick A$$ Snail Mail class, www.letterletter.com.
This class was the most attended and it was full with 30 people in the class. I’m one of the people that just sticks a stamp on an envelope, address it, and send it out. So I found this class quite helpful when I had a chance to sit in a little bit and learn from Amanda. There were a lot of questions asked with regards to Amanda experience on how the US Postal Service handled her well-designed envelopes.
Planner Meetup – Mid-Show Special Event
Right after Amanda’s Snail Mail class was the planner meetup hosted by a few SF Pen Posse members. This is something new for the SF pen show and it was intended to be an informal hangout for people to learn about the different planner notebooks, strategies on how to use planners effectively (or ineffectively), and also to share stickers, stamps, and washi tape. This meetup was well attended. Three tables were occupied and lots of conversation happened. Tiffany from the Pen Posse gave me a roll of washi tape with a fountain pen design. Thanks Tiffany!
Quickly scoped out Joey Feldman as he was painting his poster artwork for people who bought at the Vanness table.
Back in the ballroom, door prizes were being raffled off. Including a very nice Pelikan M205 in Transparent Blue sponsored by Dan Smith, The Nibsmith.
On Saturday, the show ended at 7:00pm. I had the pleasure of having dinner with my Mom, Andy Lambrou, and his associate Margie. We immediately left the hotel and proceeded to the city of San Mateo where the Vietnamese restaurant named Ben Tre was located. I brought Andy to this place last year and he wanted to come back. Needless to say, we had an enjoyable and relaxed dinner.
The Royal Deuces – After Show Live Band Event
From the restaurant, we went back to the hotel and enjoyed the music of the Royal Deuces band. This is their third time to perform at the SF Pen Show. A lot of fun was had at this after-show event!
When the band was done, conversations still went on. Nikola Pang was there and was writing people’s names to give out. He wrote my name down and gave the card to me. Thanks Nik!
After some time, the room slowly emptied out and I went home.
Sunday, August 28 – Third and Final Day of the Show
Time flew by quick! There was an overall feeling of happiness and a bit of sadness because we knew that this special event would be coming to an end.
I arrived right before 10:00am when the show opened to the general public. After helping out at the registration desk for a bit, I did my rounds of the show once again.
I bid my friends Mary and Jon goodbye as they had a long drive to Southern California. It’s always a delight to see them at the LA and SF pen show.
Rick Propas, The PENguin, always brings a beautiful array of german pens. Namely Pelikan and Montblanc.
There were more door prizes raffled off. One of them was a TWSBI pen sponsored by Sunny Koh of Straits Pens.
Wandering around the room, I found Dale Beebe’s table of Pentooling.com. He had lots of pen repair tools and fully restored pens for sale.
Right beside Dale Beebe was Teri Morris’ table, Peyton Street Pens. They’re located in Santa Cruz, California and is a part of the SF Pen Posse as well.
Sunny Koh of Straits Pens was a show sponsor and is also a frequent visitor of the SF Pen Posse. He brought pens , lots of Pelikan, Pilot, and limited edition inks from Japanese pen shops. Straits Pens also has an exclusive Noodlers ink called, Pacific Dawn at the Golden Gate which was launched at the SF pen show.
Walked away from the show to have a cup of coffee at the hotel bar with my friend Frank before he left.
After Frank left, I went back to the ballroom to see more people and help pack up for the show. I saw Ana getting a pen tuned by Jim at the Franklin-Christoph table. #lastminutepurchases
And that’s the last day of the pen show folks. It’s 4:47pm and the doors close at 5:00pm.
Post Pen Show Activity
As the show closed at 5:00pm, a few pen posse peeps took responsibility of the ink testing stations. After all, the ink testing frenzy isn’t over and it will continue to be used at pen posse meet ups in the next coming weeks. #inkcrazypeople
We met up at Amici’s Pizzeria once again for dinner and discussed the events of the show including details for next year.
Back at the Sofitel hotel after dinner and just hung out with pen-minded folks. Terrific time to keep on having conversations and do some show-and-tell of what they acquired from the show.
Pen shows are such a fun event to attend. Most especially when it’s local in your area. The 2016 San Francisco Pen Show was such an enjoyable weekend filled with beautiful pens, lovely inks, terrific special events, and most especially, generous and kind people. It was magnificent to see old friends get-together and see each other once again and I appreciate the chance to form new friendships. I look forward to this show every year.
A HUGE Thank You to Ricky, Todd, and Syd for continuing to organize this show. In addition, to all of the people who have contributed to its success, I thank you as well. To the awesome SF Pen Posse, thank you for all the effort and the volunteer work. Without you guys and gals, well, it wouldn’t have been as fun.
Well, until next time. Thank you for sticking to the end of this long report. I hope it wasn’t dragging and also that your snack was enough.
If you attended the SF Pen Show, feel free to leave a comment for any of your thoughts about the show and also what you bought!
“Pen shows are about the people and the stories between each other. The pens start the story and the people get closer.”