Review: Franklin-Christoph Model 66 (14k Medium Cursive Italic, Italian Ice)

Hand Over That Pen, please!

Katherine: This pen looks SO cool. Franz has the Italian Ice version (a special edition-ish material F-C makes some pens in) with a 14k gold Medium Masuyama CI. To me there are two elements to this pen — the Italian ice material and the shape. Realistically, both are pretty darned cool looking to me. I love the rounded shape of the 66 and the flat side means I don’t have to worry about it rolling away. I also love the Italian Ice material, the purple hues are subtle but give the material complexity. I think this is an unpopular opinion — but I like the Italian Ice more then I like the Antique Glass. Yep, I said it.

Pam:  Franklin-Christoph knows how to tease!  This material is pretty unique as its mysteries are revealed with some sunlight.  The clear to purple tint is like a wonderful little insider secret to those fortunate enough to have seen the pen in the sun.  The Original Ice, Italian Ice or Antique glass material greatly compliments the shape and aesthetics of the model 66.  The Original and Italian Ice reminds me of a frosty glass and icicles for the upcoming winter season, respectively.  The Antique Glass reminds me of the glass apothecary/pharmacy bottles of yore, filled with ingredients and medicines.  All three materials would really show off the beauty of sloshing ink if filled as an eye dropper.  The Model 66 is almost seamless when capped and post-able when it’s not, aka, practically perfect!  The flat surface lends unique design and provides the added bonus of an un-rolling feature.  I really appreciate the subtlety that F-C employs in branding their pens.  The etching is light and unobtrusive to the eye or touch, but in the right angle, easily found.  Honestly, with materials and design like this pen, F-C doesn’t need much overt advertisement.

Franz: The Franklin-Christoph Model 66 Stabilis has been a pen that I’ve always been intrigued with ever since I held them at pen shows. They use the Model 66 to allow their customers to test their available multiple nib choices. I got this Italian Ice Model 66 at the 2016 LA Pen Show and it fills my large hands very well. Under even indoor lighting, the pen really just looks like a clear material (as pictured above). But if the pen is under diffused semi-directional daylight, it has a very interesting purple tint to it. It is quite difficult to photograph the correct color of the tint and unfortunately my photos below are more blueish than what you see in person.

The F-C Model 66 may be inked up using a standard international ink cartridge, or converter. But if you detach the converter, it can also be used as an eyedropper filled pen. Just make sure to use a little bit of  100% silicone grease on the section-barrel threads, and the threads of the nib unit to prevent any leakage.

 

In the Hand: Franklin-Christoph Model 66 (posted) — from left to right: Katherine, Pam, and Franz
In the Hand: Franklin-Christoph Model 66 (unposted) — from left to right: Katherine, Pam, and Franz

The Business End

Katherine: The Model 66 takes #6 nibs — so it’s interchangeable with many nibs from F-C. This particular nib was a surprisingly fine, but still crisp medium CI by Mike Masuyama. It’s smooth, has a little bit of spring and was overall a delight to use. I think this particular nib is finer than most Medium CIs, since I have a hard time writing with most MCIs, but had no problems with this one. The only thing worth noting is that while I do enjoy the slight spring of the 14k nib more than the steel, it’s not worth the price difference to me. All my F-Cs have and have had (a couple have been rehomed) steel nibs.

Pam:  The medium cursive italic nib was wonderfully crisp and provided a well defined, crisp line.  It’s a joy to write with and really shines with the Franklin-Christoph Tenebris Purpuratum, a dark and well saturated black/purple ink.  This is one of the most pleasant CI nibs I have written with.  This is just a great lesson that you should have your nib tuned by Jim Rouse whenever you have the chance.

Franz: I asked Jim of Franklin-Christoph for a 14k medium cursive italic nib because their 14k is a little bit springier than the 18k. As Katherine mentioned, this medium CI is finer than the usual ones they have. Because I have a very light touch, I enjoyed the line width and variation this nib laid down. As long as I have it aligned to the sweet spot, it’s a smooth writer.

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Write It Up

Katherine: Can I skip writing and just ogle this pen? No. Dang it. The Model 66 is comfortable for me — but a touch long. I personally think it looks a little ridiculous in my hand. And, if I post the pen… it feels like I’m writing with a a slightly too-long pen with a weight at the end. This pen is usable, but when writing, I prefer shorter pens. (The p66 is PERFECT for me. But that’s for another review…)

Pam:  Tiny hands handle pens alike!  I, too, found the Model 66 to be slightly too long, even unposted.  The length was more tolerable in the traditional tripod grip.  When the pen was posted, it felt unbalanced and top heavy, especially with my “iron fist” grip; it felt like the cap would fall off in this particular grip.  This is a great pen for those with hands/paws of the normal to larger persuasion or for those with smaller hands who don’t mind the added length.  For the tripod grip with the CI nib, I actually prefer the length of the FC model 45 or shorter pocket models.  However, the girth of the model 66 was pretty comfortable in any grip/fist formation.

Franz: I wrote with this pen unposted as I found its length very well balanced and posting the cap seemed unnecessary. The cap when posted seems wobbly at first and if I try to secure it, I have visions that the cap lip might crack. Don’t worry, I think it’s durable enough and it’s probably just me.

Anyway, I wrote in my journal for a good 20 minutes and my hand was quite comfortable using it. I grip the pen on the barrel right above where it meets the section. I found this very enjoyable and my thoughts just flowed as I journalled and also wrote the lyrics of a Bossa nova song.

EDC-ness

Katherine: Franklin-Christoph calls this a desk pen, and a desk pen it should be. It’s a fairly long clip-less pen with a cap that can roll away (even if the body doesn’t)… Not my favorite combination on strange meeting tables.

Pam:  I enjoy the pen for the specific setting of sitting-at-my-desk-with-a-hot-cup-of-tea/coffee-to-journal/memory keep.  Due to the lack of a clip and somewhat wobbly cap, I wouldn’t feel comfortable throwing this into my white coat.  Knowing me, I would scratch up the material if I accidentally threw it in with my keys or crack the beautiful material from throwing it around too much or lose the cap…

Franz: Yes. The Model 66 is a desk pen for sure but I still gave it a go and used it at work while not at my desk. I placed the pen in my jacket’s inner pocket to make it discrete. The length definitely made the pen stick out the pocket but it also allowed me to quickly grab it when I needed it. The cap unscrews with just half a turn and is quick to deploy. Half a turn! hehe..

The downside of using this clipless pen as an EDC pen is it’s more prone to roll away and fall if you set it down. And in that one day of using it at work, it almost fell once (yipes!). Also, because of it’s length, the pen sticks out of my shirt pocket unsecured which makes it prone to falling out while I’m moving around. As long as I transport the pen in a case to my office desk and use it there, it’s a great pen to use at work.

Final Grip-ping Impressions

Katherine: Ultimately, this pen isn’t for me. I love the way it looks, but found the length a tad unwieldy both for long writing sessions and as a work pen. I much prefer the size of the Pocket 66, which is very similar, but much shorter. The nib on this pen, as with every F-C nib I’ve tried, is superb. In the end… would I like to own this pen? Yes! It’s gorgeous. Would I use it? Probably not (so… I don’t own it).

Pam:  The Model 66 was probably the first design from Franklin-Christoph that caught my attention.  The Original Ice was the first material by Franklin-Christoph that had me stalking their website like a hyena on the Serengeti. Of course F-C has been teasing great material for the last 2 years and the Italian Ice is not exception.  All in all, this is a great pen that is not only functional, but absolutely beautiful and unique in both design and material.

As this pen and the Ice materials by F-C remind me of the winter season, I find myself wanting to add the pocket 66 to my wishlist for Santa (aka boyfriend) rather than the full model 66.  The pocket 66 is more my size.  (Actually, almost all of the Franklin-Christoph’s pocket models are more my size…)  One of the largest draws for me is also the material, in which I prefer the Original Ice.  Hint hint “Santa…”

Franz: As seen in the pen comparison photos, the Franklin-Christoph Model 66 Stabilis is quite a long pen with substantial girth as well. If you like larger pens, this may be for you. For small, and medium hands, try it out first for you might feel the same way as my colleagues do and opt for the pocket sized one. As for the Italian Ice finish I love it and I’m happy I got it.

I will most probably end up designating this pen for work and leave it on my desk each day. This way I’ll always have a fountain pen at work. Thanks for reading our review of this pen!

 

Pen Comparisons

Closed pens from left to right: Pilot Metropolitan, Pelikan M200, Parker 75, *Franklin-Christoph Model 66*, Pelikan M800, and Lamy Safari
Posted pens from left to right: Pilot Metropolitan, Pelikan M200, Parker 75, *Franklin-Christoph Model 66*, Pelikan M800, and Lamy Safari
Unposted pens from left to right: Pilot Metropolitan, Pelikan M200, Parker 75, *Franklin-Christoph Model 66*, Pelikan M800, and Lamy Safari

 

Pen Photos (click to enlarge)

 

 

 

1 Comment

Review: Lamy 2000 (Makrolon)

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Hand Over That Pen, please!

Katherine: This pen looks pretty cool. I like the brushed finish of the Makrolon and the hooded nib. I also really like how the pen has an ink window, but it’s pretty subtle. AND it has a slip cap, +10 points for Gryffindor.

Franz: The Lamy 2000 is such a great looking pen that is also an awesome writer. The first feature that attracted me to this pen is the almost invisible line that separates the piston knob and barrel. I love that it looks so solid from afar. And Katherine is right about the brushed finish. It just gives a nice feel to the hand.

Uncapped, there is a contrast between the section and the barrel. I definitely love this feature. Once you cap the Lamy 2000, there is a satisfying click that lets you know it’s secure.

Pam: The Lamy 2000 is the Dr. Who of pens.  It is such a classic with it’s minimalist design that the pen appears ageless.  You would never guess that the Lamy 2000 is celebrating it’s 50th anniversary this year! With the clean lines, brushed finish and contrast between the metal and Makrolon, this pen also looks like it belongs in the future.  Like Dr. Who, it also has a cult following, is always in style and has a special place in my nerdy heart.

In the Hand: Lamy 2000 (posted) — from left to right: Katherine, Pam and Franz

 

In the Hand: Lamy 2000 (unposted) — from left to right — Franz, Pam & Katherine (we like to mix up the ordering!)

 

The Business End

Katherine: I’ve tried Lamy 2000s in the past and I’ve never been a fan. I find the Lamy nib way too smooth. I feel like I’m writing with a glass chopstick — but this is totally personal preference, this just isn’t my favorite nib. The Extra Fine nib is a little less smooth, especially on some papers with more texture like Midori’s MD paper. On super-smooth Tomoe River paper though, writing with this nib gives me a weird sense of nails-against-glass feeling. Also, this EF is nothing like a Japanese EF, which I prefer, but it’s usable. 

Franz: When I got my Lamy 2000, it was a medium nib. A smooth, juicy, and springy medium nib out of the box and I liked it for what it was. I wrote on a Rhodia Webnotebook for journaling and I found the nib just gliding on the paper. Initially, it does take a conscious effort to make sure that I am holding the pen correctly. If I rotate the pen too much, it may not write as smoothly as it’s supposed to. After continued writing, you do get used to how to grip it and how much rotation you get away with.

I speak of the nib in the past tense because at the first pen show I attended which was the 2014 LA Pen Show, it was made into a cursive italic by Mr. Mike Masuyama. I didn’t just like the nib anymore, I loved it. I find that it’s quite a versatile pen as I use it on Tomoe River paper, Rhodia notepads, my Hobonichi planner, and cheap copy paper from work.

In contrast with Katherine’s experience, the performance of the Lamy 2000’s nib is one of the reasons why I like this pen.

Pam: For someone who loves/prefers Japanese extra fine and fine nibs, I was resigned to the fact that the Lamy EF would be “too broad” for me.  I have never been so happy to be WRONG about this nib.  The nib is unique in it’s shape.  Unlike most nibs where the tipping is round, the tipping on the Lamy 2000 is almost triangular.  Maybe it’s just me, but that gives a very specific characteristic to the lines created by this pen.  With the way I hold my Lamy 2000, I feel like I get a “stub-like” line variation in my handwriting.  (Or maybe that is my imagination.)

My Lamy 2000 is constantly inked up with Sailor Yama-Dori and performs well on all papers.  It glides over Tomoe River paper and Rhodia and has some texture when I write on cheap copy paper at work.  The nib is springy and responsive enough that you can see the sheen of Yama-Dori come through. Depending on my writing pressure, the nib will even be wet enough to cause the ink to sheen on cheap copy paper. There are few pens that perform as admirably on copy paper as the Lamy 2000.  I prefer to use this pen, and it’s “broader” EF nib for editing and auditing while at work.

Katherine’s EF nib and her writing sample — on Maruman Mnemosyne
Franz’s medium cursive italic nib
Pam’s writing sample of her extra fine nib

 

Write It Up

(20-minute writing experience)

Katherine: Once I’ve got the grip right, it’s a comfortable pen. I use it unposted and, feedback aside, I found it very comfortable. It’s a light pen, so it’s easy to forget that the pen is there. On smoother paper though, the smoothness bugs me. I’d be happy journaling with this pen if my journal wasn’t Tomoe River paper.

Franz: I post the cap and grip the pen a little far back up. My index finger seems to always land right on the “ears” that keep the cap in place. This actually gives me a reference as to how much  I’ve rotated the pen.

Needless to say, the 20-minute writing experience was fun and relaxing. As the pen wrote, my thoughts flowed.

Pam: I really can’t get a decent “tripod” or “traditional” grip on the Lamy 2000, so I had a hard time using Franz’s Lamy with a cursive italic grind. With my “iron grip,” or fist like grip, the width of the pen being wider than most other pens is more comfortable for longer writing sessions.  The non-FP equivalent of this pen is like the Dr. Grip pens where the width is part of the comfort. I prefer to write with the pen posted.  The slightly added weight is just enough for me to enjoy the weight of the pen in hand and prevent me from losing the cap while at work.

The Lamy 2000 is great for quick notes at work, but the pen shines with lengthier writing times.  I get entranced with the lines from the EF nib and the sheen from Yama-Dori.  (Or perhaps I am easily entertained.)  I prefer the pen/ink combo with Tomoe River paper.  I typically find myself looking for an excuse to write with this pen or I find myself missing the writing experience if I don’t use this pen for a journaling session at least once a week.  

 

        EDC-ness

Katherine: Writing experience aside, I really enjoy this pen as a work pen. I love that it is a clean, classic looking pen that my coworkers don’t bat an eye at. And, the snap cap makes it very convenient for jotting down quick notes.

Franz: I love this pen’s ease of use. Snap cap for fast deployment, spring clip for the shirt pocket, and the awesome nib to write whatever is required. This is definitely a pen I’d use everyday at work. On my days off, I seem to always clip this in my shirt pocket and have it as a knockabout pen.

Pam:  To echo Katherine and Franz, the pen is VERY work friendly.  The clip is great whether it is clipped to the pocket of my white coat or clipped to my hobonichi cover.  It’s not the tightest of clips, but that’s perfectly alright with me given my use case.  The Lamy 2000’s clip is secure and will glide in and out of pockets.

This was also the pen I recommended to a colleague who asked for a fountain pen that would tolerate being dropped.  (A happy ending for my colleague: No Pelikans have since been harmed with the use of the Lamy 2000, sparing the Pelikans a tragic and heartbreaking fate of cracked bindes and weeks of repairs.)  I have been thanked for this recommendation for the last year and a half.  It’s often his favorite fountain pen within his collection.

 

        Final Grip-ping Impressions

Katherine: I was surprised at how light this pen is. It’s a fairly comfortable pen when I hold it correctly, but because of the hooded nib and the way the pen looks (no obvious “up”) sometimes I pick it up funny and end up trying to write at a silly angle. The pen is long enough that I didn’t even think of posting it. Was I supposed to post it?

I really enjoy the look of this pen — so slick and modern! But, the nib on this pen is a deal breaker for me. I’d consider buying one used perhaps in a Fine or Medium nib and having it ground.

Franz: The Lamy 2000 is a nice sized pen and I do recommend this for almost every hand size. My large paw does not get uncomfortable journaling with this pen as long as it’s posted. Unposted, it is still comfortable for quick notes and signatures. I love the ink capacity of piston-filled pens and this isn’t any different. I can go for days, or even a full week without refilling.

This is a solid choice for pen enthusiasts or even just for a person who wants a fountain pen for utility. The pen’s shape, the brushed black makrolon material, and the nice nib section, are just a few features that for me makes it an “iconic” pen. Iconic is a subjective term so let me define what it means to myself. For me, an iconic pen means it is a well-known, great quality pen that is recommended for one to have in their collection. I may get some flak for saying this but in my humble opinion, I think that the Lamy 2000 can be called a modern-day Parker 51 because of how utilitarian and iconic of a pen it’s been. There. I said it.

If you have never held, or written with this pen before, give it a try and you just might like it. It’s been a pen model manufactured by Lamy since the mid-1960’s. I think they’ve done something right.

Pam:  Many state that this pen is a great “first gold nib” pen or “upgraded $100+ pen.”  For me, this was THE pen.  Not only was it a simply beautiful and classic design, but the material is unique, the finish is immaculate and did I mention the hooded nib that is wonderfully smooth and consistent?  I have since accumulated other “grail” pens, but the Lamy 2000 is a special kind of favorite, no matter what else is in my collection.  (You can’t really choose a favorite child… or can you?)

 

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Closed pen from left to right: Parker 75, Franklin-Christoph Model 20, Edison Beaumont, Lamy 2000, Pelikan M805, and Lamy Safari

 

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Posted cap from left to right: Parker 75, Franklin-Christoph Model 20, Edison Beaumont, Lamy 2000, Pelikan M805, and Lamy Safari

 

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Unposted/Open from left to right: Parker 75, Franklin-Christoph Model 20, Edison Beaumont, Lamy 2000, Pelikan M805, and Lamy Safari

 

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Review: Franklin-Christoph Model 45 (Fine Cursive Italic)

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Hand Over That Pen, please!

Pamela: The Model 45 is a sexy panther of a pen.  The lines of the pen are soft, curvy and sleek. The shape and the size reminds me a lot of the Pilot Prera, which is one of my favorite pens to use.

Katherine: It’s a clean, sleek pen. It’s not too flashy, but it looks like someone put some thought into designing it. I know a lot of people wanted to wait and see what others colors came out post-IPO, but of the prototypes I saw, the only one I liked more than the black was the Bronze. So, I got the black. (And at $110, it’s a pretty good deal!) One nit (which is hopefully uncommon) is that my pen showed up with a pretty scuffed nib. There’s an obvious scuff between the slit and the logo, and about half the gold-coloring on the nib is gone. I’m guessing this is a remnant of the nib being hand-ground, but it was a little disappointing anyway. Thankfully, it doesn’t affect writing quality at all — just gives me pen a little more “character”.

Franz: The Franklin-Christoph Model 45 XLV may be a simple looking pen but it has some elegance and the term aerodynamics come to mind. There are a number of different color acrylic prototypes of this pen floating around from the past few pen shows, but similar to Katherine, the black features the shape well.

In the Hand: F-C Model 45 (posted)
In the Hand: F-C Model 45 (posted)
In the Hand: F-C Model 45 (unposted)
In the Hand: F-C Model 45 (unposted)

The Business End

Pamela: It’s a Mike Masuyama nib.  Need I say more?

The nib alone is well worth the price of the pen.  Not only are cursive italic nibs typically only available after a custom grind from a nibmeister, this is a cursive italic grind completed by one of the best nibmeisters available.  The CI nib is smooth and crisp.  I have read that CI is usually less forgiving when it comes to finding and maintain a “sweet spot” but I don’t find that to be case with this particular nib.

Katherine: As Pam mentioned, it’s a crisp and smooth nib. But, magically, its very forgiving and I’ve never caught paper with it. It does run a little drier than I’d prefer — but that makes it great on cheap paper.

Franz: The Model 45 sports a No. 5 size nib which for me seems small, but it works out in the design and for the pen’s small size. Similar to the ladies above, I found the fine cursive italic nib quite smooth and seemed to have a wider sweet spot than I expected. The supplied blue ink cartridge may have been the issue but I found that the flow was too dry for my liking. I think that if I used a better flowing ink, I would have been happier with it.

Pam writes like a font. 
Pam writes like a font.
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A writing sample in Katherine’s messy handwriting. (Pilot VP fine for comparison)
The 45 hanging out on a coffee table in Katherine's office. Notice the scuffs on the nib.
The 45 hanging out on a coffee table in Katherine’s office. Notice the scuffs on the nib.

Write It Up (20-minute writing experience)

Pamela:  Posted, the pen is well balanced and rests perfectly in my pixie size hands.  The girth of the pen is just wide enough for the traditional tripod grip to be comfortable for a relatively long writing session.  I am not used to the traditional grip so my hand tends to cramp up with any pen with a stub or CI nib.  I experience fatigue with this pen, but taking a quick break to shake it off is easy enough.

Due to the nature of the grip (the traditional tripod grip) and the nib, my writing speed is decreased to ensure that the CI nib really shines through with it’s crisp, clean lines and edges.

The results from the pen is well worth the extra time and effort.

Franz: I had to write with this pen posted the whole time and it was fairly comfortable. Journaling with it’s cursive italic nib was very nice and pleasing but after an A5 size page of writing, the pen’s size made my hand tired. The longer I wrote with it, my hand seemed to squeeze on the pen tighter.

Katherine: For longer writing sessions, I tend to prefer this pen posted. It stays comfortable in the hand and I like to think the cursive italic helps me keep my hand writing even and (marginally) nice looking. Additionally, putting the threads on the end of pen is an awesome touch — even if I move my grip around (my lazy hand cramps sometimes) I don’t worry about holding threads.

In my small hands, this pen is totally usable unposted, but it feels pretty light. (I have eczema, pls ignore. :<)
It’s a better balanced pen when posted.

EDC-ness

Pamela: I don’t use the model 45 at work since I have other pens that are better suited for the quick deployment like the Pilot VP. I also don’t feel comfortable carrying this in my white coat without a clip or using it on the patient units without a roll stop.  On the flip side, it’s a great opportunity to get creative and customize this pen.

I reserve the Model 45 for the reflective/contemplative writing sessions.  Using this pen is almost meditative for me as I slow my pace and be more intentional with my writing.  Watching this pen in action brings me a sense of joy and ease as I practice a little slice of mindfulness.

Katherine: The 45 uncaps quickly, which is nice for jotting down quick notes. And the dry nib makes taking notes on mediocre work paper a possibility. Perhaps because of the dryness of the pen, it doesn’t seem to spit into its cap as I drop it and throw it in my backpack or pocket. The only downside is the lack of a cap or rollstop — so if I’m not careful with where I put it, the 45 can easily roll away.

Franz: I brought this pen to work for one day and it was actually very good for writing quick notes. Just like Katherine, I appreciated the quick uncapping capability. However, being a clipless pen made it difficult to store in my jacket pocket, or even in my shirt pocket. I found that I was having to “fish” it out of the pocket each time I needed it. So, it just stayed on my desk and only used it when I got to sit down.

Grip-ping Impressions

Pamela: I was initially apprehensive about the Model 45 given how small it is that it would feel too insubstantial and well, plastic-y.  I am pleasantly surprised that the material is sturdy and has great acoustics.  Yes, acoustics.  The sound of the cap separating and meeting the body of the pen is satisfying and even enjoyable for me.  (It’s really the little things in life right?)  It takes less than a full turn for me to get the cap off the pen for fast and easy deployment when needed.

Posted, the pen is the perfect length for comfort and is well balanced. Despite the small size of the pen, it’s really comfortable for me to hold in the traditional tripod position for the optimal use of the wonderful CI nib. Writing a couple sentences with it is easy, breezy and beautiful.

I can’t think of a better way to express my appreciation for a pen than with a purchase! The review is was a very convenient rationale.  I know, the sacrifices we have to make…

Just be aware that between both our pens, our fine CI nibs were on the dry side out of the box.  My writing pressure is significantly heavier than Katherine so a small tweak was all it took for me.

Katherine:  I tried Dan’s (hello Dan! Do you have a website?) 45 before purchasing my own — I was wow’d by how comfortable it was to hold, posted or unposted, and by how smooth the F CI nib is. So I got my own, and it hasn’t disappointed. I tend to use it unposted (I’m that lazy), but it’s equally comfortable either way for me.

Overall, I think this pen is great value for $110 (we’ll see what the post-IPO price looks like!). It’s a small pen (it easily fits in my skinny jeans’ pockets) that is comfortable to write with even for long durations. It’s a solidly built writer with an interesting nib that transitions well from my workday to my before-bedtime journaling.

Franz: I feel that the Model 45 is a very good pen for people with small to average sized hands. With my larger hands, I can say that the 45 is not for me. I was only able to use the pen posted unlike Pam and Katherine. This is coming from a person who owns and enjoys writing with a Franklin-Christoph Model 66. But that’s probably reserved for another review.

Since pens are a very personal and tactile experience, I do recommend everyone interested to try out and hold this pen to see if it’s right for them.

Large hands notwithstanding, I do like the pen’s appearance, build quality, and nib variety. I also feel that it’s a very good value for the money. Thanks for letting me use your pen Katherine!

 

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Closed pens from left to right: Pelikan M805, Edison Beaumont, Pelikan M200, Franklin-Christoph Model 45, Parker 75, and Lamy Safari

 

Posted cap from left to right: Pelikan M805, Edison Beaumont, Pelikan M200, Franklin-Christoph Model 45, Parker 75, and Lamy Safari
Posted cap from left to right: Pelikan M805, Edison Beaumont, Pelikan M200, Franklin-Christoph Model 45, Parker 75, and Lamy Safari

 

Unposted from left to right: Pelikan M805, Edison Beaumont, Pelikan M200, Franklin-Christoph Model 45, Parker 75, and Lamy Safari
Unposted from left to right: Pelikan M805, Edison Beaumont, Pelikan M200, Franklin-Christoph Model 45, Parker 75, and Lamy Safari
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