I thought Melon Tea would be tastier than it is… But I guess at the end of the day, it’s just ink. It is a nice brown though, not too red — it leans a little green/grey. (But hey, aren’t dogs colorblind? Why are you asking me…)
It flows well in different pens, and has no issues with flexing — I had it in my Pilot FA for a few weeks and it kept up well and had no flow issues. Like most inks, it does smudge after drying.
I really like the color though — it feels different from most of the brown inks I’ve tried. Many of the brown inks I’ve seen and used have tended toward rich golden browns or red browns, whereas Melon Tea tilts toward the cooler green/grey type of browns which feels much more organic to me.
Disclaimer: No dogs were harmed in the making of this review. He didn’t actually lick the ink, and his paws were washed well after being used for the paw prints. He also got lots of treats for his cooperation for this review.
Disclaimer: Katherine has published a partial review — but not all of Franz’s reviews are complete. If you have small hands, we hope this review will be helpful anyway & Franz will catch up when he has time! (But life comes first, sorry!)
Hand Over That Pen, please!
Katherine: The Lamy Nexx ain’t my thing. It looks like a cheap disposable pen to me… and while it’s relatively cheap for this “hobby”, I think most of the “uninitiated” would still think $10+ (depending on the source) is pretty steep for the pen. But… I guess if you think of it as a cute school pen, maaaaaybe?
Pam: The Lamy Nexx holds a special place in my heart. It was one of the first pens I owned and the first German nib I used at the start of my journey down the pen rabbit hole. I was drawn to the price, quality of the nib that you hear so much about as a newbie, and the bright color of the design. I found the design to be relatively “cute” by Lamy standards. It’s eye catching and a reliable writer. Not a bad combination for a newbie’s pen.
Franz: This pen has an interesting shape and silhouette! I like how the Nexx tapers from the cap to the barrel. And that bright green cap just pops.
Roz: At first glance, the Lamy Nexx looks so different compared to the Aion and 2000! The shape and colors are cute and fun; the pen itself is also very light compared to its more serious looking siblings. I am, however, a little nervous about the Nexx’s triangular body and grip.
The Business End
Katherine: I found the Lamy Nexx a little too smooth, as I tend to do with Lamys. If smooth and wet is your thing, this pen may be a fit — but I prefer a bit more tooth and character to my nibs.
Pam: I do enjoy the Lamy Nexx has the same nib as the Lamy Safari. I find the “larger” nib sizes like the M and B are super smooth. The EF can provide minimal feedback but not typically. The Lamy ink can seem to run a bit dry and boring, particularly the blue or blue-black from my recollection which does make a marked difference in writing experience with cheaper office paper. The EF nib doesn’t seem to glide as well with drier inks whereas the M nib is effortless.
Franz: The nib on the Nexx is
Roz: As always, I’m starting to notice, Lamy’s nibs are amazing. I was concerned the triangular grip would dictate too much the angle I wrote at, and impact the ink flow as a result – but I was worried for nothing! It doesn’t matter at what angle I wrote, the ink is always consistent and there is little to no scratchiness.
Write It Up
Katherine: Overall, it’s a pretty comfy pen. The rubberized triangular grip fit my hand well, and I had no issues writing with it for long stretches.
Pam: I have no issues with triangular grip and found it be comfortable for long writing session. It was a pleasurable experience and the bright color was a bit of a welcome distraction for me. I preferred to write with this pen capped, like the good ol’ days. I liked the extra weight as little as it was. It was an overall light pen. That being said, the plastic isn’t very impressive to write home about. I felt the other plastic pen from Lamy, the Safari has a much better feel for the body.
Roz: This is where I expected the triangular grip to really impact my writing experience. But the grip – combined with how light the Nexx is – was not as intrusive as I thought it would be. Posted or unposted, the Nexx was comfortable to work with and left almost no impression – even after long writing sessions.
Katherine: It’s a great EDC pen if you don’t mind your coworkers thinking you’re using a kid’s pen. It’s cheap, seems very durable (I didn’t throw it at anything, but it looks like it would hold up) and it’s easy to spot in a crowded backpack.
Pam: I really enjoyed using it at work because the snap cap was so convenient to use. The older version of the pen had a loop on the cap that allowed for it be tied into a lanyard for fast deployment. This iteration doesn’t have that feature which isn’t much of a loss given the lack of practicality. I prefer the clip which seems a bit flimsy.
Roz: I kept the Nexx with my planner mostly and it did very well in my Hobonichi’s pen loops. I carry my planner with me every day and I’m not gentle on it either! I throw it in to my backpack, rummage around for it when I have a moment to brain dump or work on it whenever I have time at the office or on the train – so it really mattered to have a pen paired with my planner that could keep up with all that which the Nexx did with flying colors.
Final Grip-ping Impressions
Katherine: It’s a solid writer, and if the cap wasn’t so bulbous I’d consider giving these as gifts to friends and family who are new to the world of fountain pens. However, instead I worry that they’ll think I got them a disposable pen and I’ll stick to an Eco, Metro or maybe even a Safari (my least favorite of the three).
Pam: I really like the Lamy Nexx for nostalgic reasons. However, there are better priced options for starter pens. If you are looking for brightly colored, almost cute pen, with a well functioning Safari nib for the youth in you or in your life, the Lamy Nexx isn’t a bad choice. Alternatively, if you want a finer line and something comparable, I would choose the Pilot Kakuno instead.
Roz: I think it’s safe to say I am solidly a Lamy fan girl. Between the Lamy 2000, Aion, and now the Nexx, I have truly enjoyed being able to try them all. The Nexx seems to have found a great role to fill within the Lamy line; it’s light and fun, and even at the end of this review the Nexx is sitting in my line of sight and I still want to pick it up and write with it!
Pen Photos (click to enlarge)
We received this pen free of charge for the purposes of this review. We were not compensated monetarily for our review. Everything you’ve read here is our own opinions.
Hello, it’s Katherine again. In my LA Pen Show Recap I promised I’d do an overview of my haul… so here it is! As I mentioned, there doesn’t seem to be a US show quite like LA for urushi hunting — so, as you can probably guess, I picked up some of that. But, I also picked up a handful of inexpensive flex nibs and a vintage Italian pen.
I’ve put the urushi pens toward the bottom of the post, but a quick warning — there is some, uh, artistic nudity (carved into a pen) further on down. If this ain’t your thing, please skip this post!
I had a lot of luck hunting for flex among dealer’s cheaper trays and even the pens for parts. The first three pens in the photo were all from the same dealer, but I did pass up quite a few other “cheap” flex pens where I wasn’t excited by the exterior. I chose to take these ones home because I thought that, in addition to fun nibs, they looked neat.
Unfortunately, they all have fairly small nibs (part of what makes them inexpensive) so none of them fit a #5 nib unit. Some may fit a Kaweco Sport, but I don’t have a spare Sport to try them with.
While we’re on the topic of fun nibs — I bought this ridiculous 1.9mm Parker 51 stub from Greg Minuskin on Saturday. Just when I thought I was done buying, I realized he had a couple of these fatties left, so one came home with me. I’ve shown it here with the already-juicy factory stub as a point of comparison.
Mine installed with no issues, but I have heard that the hood may need to be filed a bit to accommodate for the enormous tipping — so if you do get one, go slow and carefully when installing! If you tighten the hood and it pushes the tipping, you’re at risk of breaking the tipping off. Oh no!
My one Italian pen for the show — an Electa in Grey (or Platinum) Arco. The pen has some cosmetic damage (see the smudge marks on the barrel right below the cap?) but I’m confident I can buff most of it out. Additionally, the pen sports a semi-flex nib. I love the nibs on vintage Italian pens!
(And ignore the yellow markings, they’ll rub off — I just haven’t gotten around to do it. I think it’s Letizia’s system for keeping track of her pens)
In addition to the barrel damage there is crazing on the end of the blind cap. Did you know that Arco pens could craze? I didn’t either — but now I’ve got proof. Letizia and I noticed the crazing as I was fiddling around with the pen, and she was horrified — the price went down and she included a solid black blind cap so I didn’t have to use (or keep) the damaged one. I chose to keep it, but I won’t store the pen with it.
If you’re unfamiliar with “crazing”, there’s plenty of helpful reading on the web, I found this article particularly helpful. And this one, specific to pens. The TLDR is that celluloid is unstable, and can break down over time. Some celluloids are known to do it, and for some it’s less common. It’s common with certain Wahl Dorics, and the Omas Royal Blue pens are known to do it (first they turn a gorgeous shade of purple, then pink… then disintegrate). This is the first time I’ve seen Arco craze, but apparently it’s not unheard of. Womp.
Bring on the urushi! I joked that there weren’t enough women at pen shows… so I bought some.
All three are carved urushi, with motifs of women in various stages of bathing (and nudity). I’d never seen pens like this, and another vintage dealer suggested that they were likely made after the war, as souvenirs for GIs. All three sport steel nibs and fill via a Japanese eye dropper system. They likely weren’t expensive pens based on the nibs and quality of the carving.
And the rest of my urushi haul. The top (left) three pens are from unknown makers — the first two involve gold and lacquer of some sort. The third may be urushi, and may not be — the dealer I bought it from, Lawrence Prenton, thinks it’s urushi, but it’s so even that I’m not 100% sure. Either way, it has a very nice red glow. The bottom/rightmost pen is likely a ban-ei pen based on the nib.
Ban-ei pens usually weren’t signed, but the nib bears the imprint that identifies it as a “GK” nib. There’s much more to read about Ban-ei & the nib maker (master?) Kabutogi Ginjiro, but that’s a rabbit hole all on it’s own. I own two other pens with nibs by him — but this is the first one I’m comfortable using daily, the other two are more elaborate kamakura-bori pens that I have a tendency to baby.
All the vintage urushi pens are Japanese eyedroppers (like most that are sold) none of them are restored except the black Ban-Ei. If you’re not familiar with Japanese eyedroppers, the mechanism is similar to the Opus 88, where there’s a seal at the back of the pen and a rod that shuts off flow when the blind cap is tightened. The big downside to these pens, as gorgeous as they are, is that very few people restore the mechanisms once the seal goes bad. To my knowledge, no US repairer takes them on — and the only restorer I know of who does it is based in Europe and doesn’t take pens from the US because of customs dues. That said, some people do the repair themselves at home (such was the case with the Ban-Ei), but if buying a pen that’s restorable is key for you — these likely don’t fit the bill.
And, that’s it folks! Did you find what you were looking for at the LA Pen Show?
In August 2018, the Taccia Pen Company released their ink line and currently consists of 13 colors. These inks are manufactured in Japan by the Nakabayashi Co., Ltd. At the 2018 San Francisco Pen Show, Taccia brought the full line and had some bottles for sale. A lot of the show attendees definitely checked them out, HOTP crew included.
For full disclosure purposes, we purchased the Sora and Murasaki bottles with our own funds and the bottle of Ebi was graciously provided to us free of charge by Ms. Shu-Jen Lin of Taccia. Thank you Shu-Jen!
With that, the opinions in this review are always of our own and we were not compensated monetarily for our review.
Katherine: I found these inks very well behaved and pretty. I particularly love Ebi, though I thought ebi means shrimp… and this seems like an awfully maroon/purple leaning shrimp. Either way, shrimp are delicious and the ink is a beautiful purple-maroon-pink. The inks aren’t waterproof, but do have some water resistance, you have to do some repeated wiping (or maybe soaking?) to get them off paper. I haven’t tested this extensively, but I’d be comfortable using this on envelopes when it’s raining (unlike some inks that just waaaaash cleanly off).
Pam: I am a big fan of the Taccia inks. All three colors are well behaved and easy to clean. No real staining of the hands! I really appreciate the range of colors. My favorite was the Murasaki, the cool purple color. It’s closer to a purple with blue undertones. It is similar to the Colorverse Hayabusa which I greatly enjoyed previously. It does have more shading than the more saturated Hayabusa and doesn’t have the gold sheen. It’s such a well behaved ink and preformed well in all of my pens, although I would recommend at least a Japanese F nib to show off this ink’s color. Broader nibs will show off the shading better.
Franz: My favorite of the three inks in review is the Murasaki. The color is in between violet and lilac which provides a feeling of royalty. Or perhaps it’s just me.
To concur with the ladies above, these Taccia inks are great inks to use and very easy to clean out of pens. Their wetness is at a medium level and has great flow. Both the Ebi and Murasaki demonstrated high level of saturation even with a fine nib. As for the Sora, it maintained its low-to-medium saturation even with a triple broad nib. With the dip nib/flex writing, both the Ebi and Murasaki caused feathering on Rhodia 80 gsm and Tomoe River 52 gsm papers. The Sora did not feather at all.
Overall, I was pleasantly surprised to see this new ink brand perform so well. I do recommend these inks for every day use and with the 13 colors, I’m inclined to say that there’s at least one for you.
This was my first time attending the LA Pen Show. I’d heard a lot about it (good and bad) and was excited to make the trip. I flew in on Thursday morning, and upon arriving the show hotel, was immediately looking through vendors trays and binders — a great Thursday morning!
Then we drove to Magal for Korean BBQ. To be honest, this was a big part of why I made the trip, I’d heard so much about it after every LA show… and it lived up to the hype. Would eat again. (But this isn’t a food blog, so let’s move on…)
Pen-wise, I went into the show focused on vintage urushi, I don’t see a lot of it in the US, and even at the SF Show, there historically hasn’t been a lot. There are a couple of vendors who only go to LA — so I came to them.
And they did not disappoint. Above is a tray of vintage maki-e, but those weren’t even their “high end” pens.
I was severely tempted by this beautiful maki-e cuttlefish. It’s a 1920s hard rubber Japanese eyedropper with modern maki-e, done by a third generation artist. I’ll post a video to Instagram one of these days.
This is maki-e on a Platinum 3776, it wasn’t for sale, but look at how cute it is! The owner of the pen says that it was done for a pen club in Japan.
This pressed celluloid dragon was also pretty cool — I ultimately didn’t purchase it though. (Self control or something)
And, before I move on to non Japanese pens, look at this Pilot White Stripe Myu! I’m told the price was on the high side, but nonetheless it sold quickly. I was excited just to see one.
In addition to Japanese pens, there was also Japanese ebonite! I picked up a couple rods for a friend who turns pens. The ebonite was sold by Eboya, who also had their own pens on display — beautiful and simple Japanese ebonite pens.
And no show is complete without the stunning materials (not for sale) and pens of Classic Pens.
And binders of loose nibs! It’s always fun digging through these. Also, a lot of the vintage vendors had some very reasonably priced flex nibs if you were willing to dig.
And some crazy pens. This one was made by Twiss (I think) — a custom ebonite body around a Sheaffer Triumph nib. I love the look of Triumph nibs, so this was a seriously tempting custom pen…
A neat Wahl slider — apparently this was the last generation of sliders. And, speaking of interesting nibs —
A Montblanc quadruple broad. Wow. I forgot to take a picture of my writing sample, but it’s wider than most of my highlighters. Super cool though I do wonder what people do with this nib other than show it off.
And, as expected, there were trays and binders of pens everywhere. I don’t see much LeBoeuf or Chilton online, but there were quite a few at the show.
And this crazy tray of custom pens by Rossi, Twiss and maybe some other artists. Wow.
I had a chance to meet Pierre of Desiderata Pens and tried out his pens — very nice! And look at that mechanism, I loved how the pieces aren’t made out of boring black materials.
I’m not a kid, but the Pen Collectors of America ran a scavenger hunt for kids — with adorable shark pens! I also (finally) signed up to be a member of the PCA, and picked up my last year’s worth of issues. It made for great reading on the way home, especially the chart on what to look for when shopping for Waterman pens, including size ranges and prices.
I was also lucky enough to get grinds from both Masuyama (left) and Gena. Gena is new to the show circuit — she used to do many of the inhouse grinds at nibs.com, but has recently branched out on her own. Review to come!
And here’s a friend trying to photograph the “super sharp” italic Masuyama put onto a Vanishing Point. He suggested that we try cutting paper with the edge of the nib.
Speaking of friends… I got to meet so many internet pen-friends! It’s always great putting faces to names, and going to a show other than SF means there’s a whole new set of folks to meet!
And some people who you don’t get to make friends with, but are awesome anyway.
All in all, I had a great time — it was my first time traveling for a pen show, and I’d definitely do it again. LA has a very strong vintage pen community, and an unparalleled selection of vintage Japanese pens. However, as many others have said, it isn’t the smoothest show logistically.
Here’s the view from the Straits Pen table (where I was helping out) at 9:45am on Sunday, before the show opened to the public:
And here it is about 30 minutes after opening.
Sunday was packed — there was barely space to walk through the aisles for a few hours, and a handful of thefts were reported. I don’t imagine any vendor can keep an eye on all the pens on their table. For next year, I’ll likely attend the LA Show again, but totally skip Sunday if the schedule and fee structure stays the same.
My wallet barely survived, but I had a great time. I saw a huge variety of pens, ate some great food, hung out with friends new and old and even bought a few pens.
P.S. Another post to come on my haul. Pictures still need to be taken.
Hello! It’s Katherine, and no surprise, I’ve bought another faceted pen…
The PenBBS 380 is (I think? I’m not an expert) one of their newer models — it’s a sleek, aluminum pen that comes in silver and black* (which is anodized), with gold or silver color trim. As soon as I saw this show up on Instagram, I knew I wanted one — I’m a fiend for facets, and at PenBBS’s usual price range, how could I say no? My 380 ended up stuck in customs for a week (thanks to the government shut down, I guess?) — but was otherwise shipped super promptly and made it to me in 2 weeks total, despite me not paying for expedited shipping.
Shipped, the pen cost me $38 from Etsy, but the pen seems to be in an out of stock and more expensive on eBay. It’s a great deal — a solid pen and the nib is smooth and wet, though on the broad side (I’d compare it to a Platinum Broad or a Pelikan Medium). It’s smooth enough that most people would probably consider it glassy, but it’s not the nails-on-chalkboard smoothness I hate with some nibs (ahem, Lamy) but a much more pleasant velvety feeling.
The build quality is solid, but there are little bits to the fit and finish that giveaway the pen’s cheapness — the beveling on the end of the barrel isn’t centered (some corners are more beveled than others, and you can see how it’s off center) and the top of the cap isn’t beveled at all. However, what’s most obvious is that the corners on the clip are really sharp. I’m pretty sure you could snag a sweater or scratch yourself with them (except it’s a clip, so it doesn’t stick out a lot, so that’s not too big of a worry). I ended up sanding mine down slightly with a nail buffer.
The design is very reminiscent of the Nakaya Decapod Twist — so I’ve chosen to show them side by side. The two are almost identical in hand, even down to the flare of the sections, though the facets do twist in opposite directions. The biggest difference (aside from the nibs, more on that later) is that the 380 is heavier — inked up, the decapod twist (just the body, no cap) is 16 grams, the 380 is 21. In hand, the aluminum is cool, and the weight is comfortable. Urushi, in contrast warms to your hand and almost has an organic softness (roundness?) that is all it’s own.
As for the nibs, the 380’s nib is perfectly decent, though a bit broad for me out of the box. If PenBBS made more sizes available, or you were to get the pen ground down (even then, the pen would be $700+ cheaper than it’s urushi counterpart) it could be a fantastic writer. Or… maybe you just love broads.
Here’s an obligatory hand picture. For comparison, a picture of my hand with a Decapod Twist is here.
All in all, if you love facets like me, the PenBBS 380 is a great buy. My only gripe is that the clip edges are so sharp and metal in general is hard enough that I’m not comfortable putting this pen side by side with my other pens without a barrier of some sort. (Yes, I usually let my pens touch.)
* A last note on the black finish, a friend has one and has dropped his — it seems that the finish is pretty permanent, I was worried it would chip off or show where the pen gets damaged, and he reports that that wasn’t the case!
Let’s start this year off right and do a giveaway! The folks over at Goldspot Pens provided us with an Opus 88 Koloro fountain pen to review last year… click here for review just in case you missed it. We wanted to do a giveaway a while back. Things happen… people forget… and well, that’s all in the past now!
It’s a New Year Giveaway y’all! Who’s ready?!! Many, many thanks again to Goldspot Pens for providing this pen!
While taking a shower and considering which pens would make the cut for my “Top 5” for 2018, I realized that I’ve gone pretty deep on a couple new (to me) makers/brands this year. It’s about time I branched out! It’s well known in the addict enthusiast community that I’m a bit Nakaya obsessed (see our 2017 Wrap-up for proof) so I’m excited to be diversifying.
Run by a husband & wife team, Stylo Art is well known for their beautiful wood, urushi and wood & urushi pens. Kazuno-san (Mr. Stylo Art, I guess?) turns the pens himself out of ebonite or interesting woods, including some less common Japanese species. The pens are then fitted with Pilot nibs (and often sections). I’ve admired their pens from a distance for a couple years, but this year I went from zero… to three. (And I have my eye on a fourth, but that’s for 2019)
The three I have are all in the “Asama” shape, the only one available for most of the urushi finishes. All three are fitted with Pilot #15 nibs, an FA, WA and PO from top to bottom. The Pilot nibs (and Kazuno-san’s tuning) make them all fantastic writers. Paired with unique and gorgeous finishes, what more could an urushi fangirl like me ask for?
Like the Stylos, I’d admired the Kasama pens before I owned one, but… also before Kasama became a brand. I’d seen a handful of prototypes during a FPN-Ph mini meet and loved the chunky, short shape and the interesting materials. Several months later, Kasama was born and my brother gifted me my first one for my birthday.
I tend to prefer the look of short pens, and the Kasama Una (the shape of all their pens so far) is short, but not narrow. To make matters worse, they’ve continued to experiment with models and color combinations… so I constantly find myself fighting the urge to collect them like Pokemon. (I’m not sure I’m winning) And, of course, it doesn’t hurt that they’re made in the Philippines — I love the idea of putting my thoughts to paper with an implement that is hopefully the start of a new niche, craft and tradition in my (kind of) home country.
Urushi Studio Bokumondoh is made up of a single artist, Hiroko. She’s not a pen person herself, but she’s more than happy to do custom urushi work on pens you send her (the one caveat is that she can’t get under a clip, so either send pens with removable clips, or pick a design that leave the clip area plain). For my first order, I sent her one pen, for my second, I sent four.
I’ve had a fantastic time working with her on my pens — I had specific for some, and for others I asked her to do what she thought would be interesting. The results have been great all around. I’m currently thinking about sending her a third round, but I haven’t decided what should be in it. Perhaps a pen from Kasama? (She did do a couple pens with Stylo Art that were sold at the SF show this year)
What did you discover in 2018? What are you excited to carry forward into the New Year?
Franz: Another fantastic year has come and gone and 2018 has been an interesting year for me in terms of refining my pen focus. I believe I can categorize this year as both the Custom/One-Off Exploration, and the Vintage Search/Education type. I’ve actually bought less pens this year against any other year however it has been more deliberate and selective. This may be an influence from Katherine. Haha!
And here are my Top 5 Pens for 2018. This isn’t my greatest pens of all time however these are the pens that have been acquired within the year and has been inked up ever since I got it. Also a quick note, one of my invaluable stationery finds for the year is the Musubi pen case (pictured above). This has been a daily carry case for me at work and it secures my pens well.
Newton Pens Moody (Fine M800 Cursive Italic Nib) – I got the chance to be on Shawn’s wait list and it took me a while to figure out what I wanted. I supplied the M800 nib to Shawn, I asked him for a longer section, and also found this fantastic material. I got this early on in the year and it’s been a favorite ever since.
Pelikan M800 (Medium Nib) – I got this from the LA Pen Show from one of the trusted vendors. He said that this was a one-off and it took a long time for him to decide on selling this pen. He dubbed it “Pelimatic” even if the material in the binde used was from a Visconti Wall Street celluloid. I found it on Thursday night but I did not buy it until Friday afternoon. So I know that this pen was for me.
Pelikan M805 (Broad Nib) – This is sort of a cheat. This pen was a Black M805 and has been with me since 2014. However this year, the pen took a trip to Japan around September and came back in November with new clothes! =) The entire barrel and cap was customized with urushi lacquer by Hiroko of Bokumondoh. The technique/finish is called Ginpaku (silver leaf). I love everything about it!
Pilot Custom (Broad Nib) – Here’s a vintage pen that’s always been on my list. I love the Pilot MYU Black Stripe but I found that posting and unposting wasn’t the best for work. Now this Custom Black Stripe is pretty much a perfect Every Day Carry pen for me. A snap-cap, smooth juicy nib, and a simple aesthetic.
Parker Vacumatic Oversize – Hello Parker! =) Parker Vacumatics have always been a pen model that I love. I started getting into Vacumatics even way before I got into Pelikan. But I’ve always had the Major/Demi models which are quite small for my hand. I then decided on just getting the Maxima/Oversize models. This Burgundy Oversize model was an unexpected find while helping out with Mr. Rick Propas’ new website photos. I couldn’t stop ogling and fondling… er… admiring the pen while photographing it. So… this pen eventually found its way to my hands during a pen posse meetup. Aside from the pen itself, the nib is so good as well. Nib was customized to an italic and was provided to have some flex to it. #lovethispen
However, the biggest find for me in 2018 are my Pen Friends! I was lucky enough to be able to once again attend both the San Francisco and Los Angeles pen shows and was able to meet new people either just from the show or via online. The San Francisco Bay Pen Posse pen group has also grown and I’ve met great people whom I see at least once a month. I really love that there is an active pen group that is local to me as it lets me talk to like-minded people in this hobby. So here’s to 2019 for more pen adventures, more learnings, and more fun! Thank you for your readership dear friends!
Katherine: It’s been a crazy year for me — both personally and in terms of pens. In 2018 I discovered a couple new brands and makers (a post about this to follow!) and hoarded acquired more pens than was probably responsible. Whoops.
For my top 5 I’ve chosen a mix of both interesting and super-functional pens: Nakaya ao-tamenuri decapod mini, Japanese vintage (kamakura-bori), Nakaya heki-tamenuri dragon thingy, Parker 51 with ishime by Bokumondoh & Stylo Art Saiun-nuri.
All of them are reliable and solid writers, but honestly some are more practical than others. The Saiun-nuri sports a fantastic PO nib that’s great for my small handwriting and all sorts of paper. On the other end of the spectrum, the carved floral pen is a lever filler, a decent writer but not a pen I’d choose to EDC any time soon. (Though some of that is due to how uncommon it is, I’ve never seen another one like it… nor has anyone I know)
They’re also from a variety of sources, which adds to the fun. The Dragon Nakaya was from my July trip to Singapore for the Aesthetic Bay Nakaya fair. The floral kamakura-bori was muled from LA by a friend who sent me a picture of a dealer’s case, which I zoomed in on and fell in love, and Paypaled them the money… all while brushing my teeth. The funniest story is the Ao Decapod Mini’s — it had been a grail pen of mine for a while, and one day I woke up to a message “This is really silly, but I think I’ve had your grail pen in a drawer all this time, do you want it?” (Clearly, the answer was YES OMG HOW MUCH DO YOU WANT FOR IT… then I ran around my parents house squeeing for a while while my brother’s corgi chased me. Yep, that’s my life.)
I’m excited to see what 2019 brings, and how my hoard evolves! And, I think it goes without saying, if you happen to find a decapod mini in your drawer and want to send it to a new home, you know how to reach me! ♥
Pam: 2018 was a year of big changes for me, which included in less acquisitions (darn adulting!) and exploring what was already in my collection. At least, that’s what my top 5 pens are reflecting to me as we wrap up 2018.
Pilot Custom 823, F nib. I haven’t explored Pilots more expensive pens despite my love of the Pilot Prera. I have become a bit addicted to using this pen when it comes to a writing experience. It’s such a comfortable and smooth writer. It’s also my first vac! Now, if only I could find it’s one true ink pairing…
Lamy 2000, needlepoint grind by Mottishaw. An oldie but a goodie. You know you love a pen when you part with it only to buy it again. I parted with my original Lamy 2000 with the EF nib to a friend who loved it more than I did, only to miss it. I was fortunate enough to find someone at the SF pen show who was willing to part with the needlepoint Lamy 2000 that I coveted since the 2017 SF pen show. It was fated! Yes, I absolutely inked it with Sailor Yama-dori.
Sailor Blue Cosmos, MF nib is a bit of a surprise to me in terms of how much I enjoyed writing with the pen despite it’s broader, relatively speaking, nib size. It is currently paired with my new blue obsession, Iroshizuku Tsuya-Kusa. I can’t get enough of this warm blue which reminds me of bright summer skies. The MF nib shows off the color beautifully. This is my favorite pen and ink pairing in 2018.
Platinum 3776, UEF nib was a gift by the infamous Thomas Hall who is also known for his tiny “hantwriting.” From one tiny handwriting person to another, I am so grateful for this pen. It has been inked with Pilot Blue Black, my ode to Thomas Hall himself. Platinum is a brand that I was introduced to through Katherine who has a bit of a Nakaya obsession and now, I definitely understand why so many love the Platinum nibs as much as they do. I greatly appreciate how different the nibs of the big 3 Japanese brands feel and how they distinguish themselves. I find that to be particularly true in the super fine and extra fine sized nibs. The difference may appear to be minute, but when nib hits the paper, it’s a whole new world.
Brute Force Pequeno with Montblanc 144 nib became one of my favorite SF pen show memories this year and resulted in one of my favorite pens of 2018. I loved the body of the Pequeno but found the standard nib to be lackluster. I really wanted to write with the Montblanc 144 nib more, but hated the skinny body. Claire came to my rescue by notifying me that the 144 nib would fit a Jowo housing if I could acquire one. The hunt was on at the SF pen show! It resulted in trips down memory lane for both Troy and me as I showed him the new improved Pequeno. I paired with with Sailor Rikyu-cha because the broader, wetter Montblanc nib showed off the green-brown color so well. I am still intrigued and mesmerized with this ink color.
2018 was the year of me getting over the Sailor limited edition FOMO. It was a tough year for resisting temptation! It also is making me reconsider parts of my collection that I don’t use out of fear of losing or damaging the pen, particularly when it comes to the vintage fountain pens. In 2019, we are going to fix that! I am going to start rotating in my vintage collection and continue to fine tune my collection. To more inky and pen adventures in the upcoming year!
Katherine: Oooh stripes! And blue! And a hint of sparkle. And pointy ends! All the things I love in a pen. The shape is heavily reminiscent of the Nakaya Piccolo, and as with that pen, I love the clean lines and the small touches on this pen, like the gentle taper and conical ends. Franz’s example is particularly close to my heart because it’s both blue and striped, but I’m sure it comes in a variety of materials depending on one’s taste.
Pam: The Edison Pearl is a great flagship pen and a great example of their work. They take pride in their craftsmanship from nib to pen material. They were one of the first companies that I was made aware of as a newbie fountain pen addict that broke the mold using beautiful and unique acrylics. This particular material that Franz selected is absolutely stunning. The blue and gray stripes is a great compliment to this simple shape.
Franz: Fountain Pen Day 2013. Yep. That’s what I call this pen because I got this from Edison Pen Co.‘s current inventory offering on FPD. I never held an Edison Pearl before but c’mon! With the shape and the blue… I mean, the material, how can one go wrong? =) The Edison Pearl is part of Brian and Andrea Gray’s Signature Line of pens and you purchase one either by checking out their Current Inventory, or emailing them and ordering a custom one for yourself.
The Business End
Katherine: It’s a Jowo holder, but Brian Gray tunes the nibs quite nicely. Franz has this one paired with a smooth wet Fine nib, but think of all the other fun nibs it could house!
Pam: The fine nib is very smooth for its size and I find it touch glossy. A great compliment to Brian Gray’s tuning work. This is a great pen for those who would want to swap nibs.
Franz: Originally, this pen came with a medium 0.9mm cursive italic customized by Mr. Brian Gray and I love that nib. For this review, I just swapped it with a fine nib from another Edison Pen of mine. As with any well tuned nib, this fine is quite fine to write with. And I love how the nib (logo) within a nib looks!
Write It Up
Katherine: The Pearl is comfortable, but the “waist” on the section is a little deeper than I’d prefer. With narrower sections like this, my thumb tends to creep “forward” as I write, and eventually I end up in a Pam-like coma-grip (probably still not a vise-like).
Pam: I find the width of the Pearl to be quite comfortable. Alas, the threads fall right at where I would grip. The threads are not too sharp, but I am reminded that they are there if I grip too hard. I don’t have too much contact with the waist of the section, and the section does widen to the width similar to the pen body.
Franz: Like Katherine, I found the section’s concave design a little too thin so I always gripped it by the threads. The Pearl may have a girthy barrel but the length is a little short when the cap is unposted. Unfortunately, the cap does not post securely and it makes it a bit too long. You can definitely see that in our hand comparisons above.
But nevertheless, using the Pearl unposted, I’ve written a couple of letters and lots of pages in my journal. The shorter length definitely gives me some fatigue but it’s fairly adequate for my bear paw.
Katherine: The Pearl takes one and three fourths turns to uncap, and has a solid clip. Overall, no complaints from me on carrying this pen daily.
Pam: This pen is a great pen to for regular carry with a small number of rotations to uncap and a professional looking clip. I think this would be a very adventurous pen in the office!
Franz: I’ve used the Pearl for journaling, as well as in the office setting. The original 0.9mm cursive italic and the fine nib currently installed writes nicely on cheaper copier paper. My personal every day paper is Tomoe River and I enjoy the fine line for practicing some tiny writing.
Final Grip-ping Impressions
Katherine: Section aside, this pen is reminds me a lot of a Nakaya Piccolo, except in a much wider range of fun materials and lots of nib choices. Additionally, since the Pearl is part of Edison’s Signature line, it’s customizable — so you could get one at a Piccolo length, or a longer one if you have oversize hands. As with any customizable pen, it all comes down to your preferences — but as a base, the Pearl has great (to me!) shape and is very well made and immaculately finished.
Pam: I love custom pen makers. In a world where we obsess over the perfect shade of ink, the feel of nib and line widths; a customizable pen is ideal. I would recommend this pen for those discerning individuals who enjoy building their own pen from a great maker.
Franz: The Edison Pearl is a fantastic example of Edison Pen’s quality of pen making. I’ve had this pen for five years now and even though it’s not a pen always inked up, I keep it in mind when rotating pens.
After the Pearl, I discovered and liked the longer pens that the Edison Pen Co. creates. The Huron and the Glenmont are pens that I currently favor more due to the length. Both have flat end designs. The Pearl seems to have a more unique shape among their line and perhaps I’d want one customized to be a little longer. Ahem…maybe next year? =)