Katherine: It’s late in the month and I’m looking back thinking “What have I written with the most this month?” and the winner, hands down, is this funky combination of a Pelikan with a custom urushi finish by Bokumondoh and a Straits Pen custom ink. Honestly, the Pelikan (originally a M200) holds so much ink that I’m getting a little sick of this purple-ish blue. It’s a lovely color… but after staring at it week after week, I’m ready for something new (good thing May is just around the corner!).
Before we hop into my birthday month, here are some quick thoughts on April’s pen and ink —
First, the pen. I sent this M200 to Bokumondoh despite her warnings that this particular finish ends up pretty thick. I love the beige and black polka dots, and the sparkle of the raden. It came back about a month later, and the finish is, as promised, quite thick — but the serendipitous thing is that now I can use my M200 as a slip cap. Game changer! I can still thread the cap if I need to, but the barrel is now thick enough that I use it as a slip cap 90% of the time.
Second, the ink. This is a custom ink that the folks over at Straits Pen cooked up — it’s a wonderful shade of purple-blue that flows well and dries reasonably quickly. I hope to see it in production soon. Perhaps at the SF Pen Show?
Pam: Thank you Anderson Pens for your ink match up giveaway. I was a lucky winner of the Pilot Iroshizuku Tsuya-Kusa, a new blue (for me.) I will admit that I have been lax in my admiration of the Pilot Iroshizuku inks as of late, however I plan on rectifying that. Starting with pairing this beautiful cornflower blue ink with the Brute Force Design Writer in Sea Glass. The beautiful and deep blue of Tsuya-kusa is deeper and more nuanced than a turquoise or sky blue. (That’s right, I said it. I like it better than Iroshizuku Kon-Peki.) It’s also a warmer blue with more red tones based on my amateur comparison.
Creator in Chief behind Brute Force Design, Troy, is a wonderful artist in pairing metals and woods in his signature pen designs. I chose a lighter version of the Writer model due to the beautiful transparency and seafoam green tint of the material. The nib of choice for Brute Force is a Bock nib. The one I have here is really wet and very well displays the color and depth of Tsuya-kusu to the fullest extent.
Bring on the spring/summer, world! My inked pens, allergy meds and I are ready for you.
Franz: For the month of April, I thought of inking up my Ryan Krusac Legend L-16 with the limited edition Montlbanc Antoine de Saint-Exupéry ink. I haven’t used the L-16 ever since our review of the pen and I also inked it for two main reasons. First reason is to mark the pen’s first year anniversary with me since I got it at the Atlanta Pen Show in April 2017. Second, the broad cursive italic is very nice to practice my italic calligraphy writing. I’ve been using this pen to write some quotes and post them on instagram. If you’re interested, you may check out #FTDquotes tag on Instagram. =)
As for the MB Saint-Exupéry ink, this was my first time inking a pen with it and the burgundy color is quite rich and has purplish tones. I don’t have many burgundy inks and I find this ink to possess some beautiful shading, and the broad nib brings out the saturation very well. There is no sheen that I can see in the writing which is fine and the flow is very wet. Even if the ink does not match the cocobolo finish of the pen, the ink color complements it well.
What pens and inks have you written with lately this month?
Katherine: I love the materials and finish of this pen. The warm, rich wood paired with a turquoise finial is a beautifully organic pairing! However, I think the pens proportions are a weeee bit off? The barrel looks a little too long to me. But, I do tend to prefer stubbier pens.
Pam: This is one big pen. Even for someone who loves the Pelikan M800 and the Sailor King of Pen. The craftsmanship on this pen is obvious. From the warm and super smooth finish of the wood, the subtly engraved Ryan Krusac logo, and the turquoise inset, you can see the care that has been put into this pen. It’s a work of art.
Franz: The Legend L-16 is quite impressive in the hand as it is the largest in Ryan Krusac’s Legend pen line. The L-16 denotes that the barrel’s diameter is 16mm and then another size is the L-14 which is 14mm. Ryan had also announced the L-15 size (15mm) but that is still unavailable at the time of this review. The Legend pen can either be ordered from his website or at any pen show that he attends. I happen to have snagged this Legend in Cocobolo from Ryan at the 2017 Atlanta Pen Show. The dark Cocobolo finish is complemented by the turquoise inlays on the cap and barrel.
Being a wood pen, the Legend gets warmer while writing as well as the ebonite section. I must mention that Ryan pays attention to details with each pen he creates. When you are writing with the Legend, the best looking grain of the wood faces you as you write and also, the cap and barrel aligns perfectly each time. Smart move to make it a single thread!
The Business End
Katherine: The pen fits a Jowo #6 nib. The nib on this one had a nice BCI, unlike many of Franz’s other BCIs, this one had a little bit of tooth. It’s unlike most of the Masuyama grinds I’ve used, but it was a perfectly usable nib with some character. Would borrow (from Franz) again!
Pam: It’s a great CI. I find the nib to be crisp and wet. It is pretty toothy, but I greatly appreciate the feedback. It makes for a unique writing experience. It did show off the sheen of Pelikan Turquoise fantastically.
Franz: When you buy a pen from Ryan, you have a choice of steel nibs or 18-karat gold nibs. I opted for a broad steel nib with the intention of having it ground by Mr. Mike Masuyama at the same pen show. Needless to say, the juicy broad nib was transformed into a crisp, juicy cursive italic. The broad nib can go through ink quite fast but the included standard international cartridge/converter does its job as it should. Also, I really love Ryan’s logo on the nib as it makes a “generic” Jowo nib match the pen.
Write It Up
Katherine: This pen is quite long for me… but surprisingly light. As a result, it’s a very comfortable pen for me to write with despite its size.
Pam: I am surprised how comfortable I found this pen. The length and width/girth of the pen is similar to the Sailor King of Pen. The Krusac is lighter for me. Due to the width of the pen, it’s quite comfortable to hold in the tripod grip. However, for those with the iron fist grip, the step and the threads are right below where I would place my thumb. No thread imprints for the win.
Franz: The Legend fits my hand very well and my journaling of about 15 minutes was very enjoyable. We may have taken a hand comparison photo of the pen with the cap posted but neither of us wrote in that mode. Reason being? I don’t believe this pen was made to be posted as the cap threads can mar the wood finish. Also, the cap only touches less than half an inch of the barrel which makes for a very long unwieldy pen, and the cap is unsecured and can wiggle off while writing. Unposted, this pen is plenty long even for my bear paw.
Katherine: The lack of a clip or rollstop makes this one a bit of a danger to EDC… I imagine it doesn’t do well when hitting the ground. (Don’t worry Franz, I didn’t test that!) Additionally, it takes a full three turns to uncap — so I found this pen was a suboptimal EDC. But a lovely home desk-living pen!
Pam: Honestly, it didn’t occur to me to try out the EDC-ness of this pen other than have it live in the Nock Sinclair. My hesitation was that it didn’t have a clip and I can’t imagine dropping this pen out of my coat pocket, especially since it’s not mine to drop. This is a “savor the journaling moment” pen where one would enjoy the finer things and slower moments in life. Keep it at the desk or in a case is my recommendation.
Franz: I do echo the ladies above that the Legend pen being clipless is a risk for ROFY. (Rolling-On-Floor-Yikes!) So I’m a bit more conscious when I am using this pen at work and avoid walking around with it. I do enjoy writing with it while I’m at my desk during a call or something else that doesn’t require me to move around.
And because the pen is single-threaded to maintain the cap and barrel alignment, the trade-off is taking 3 full turns to uncap for use. Not really the best for on-the-go purposes.
Final Grip-ping Impressions
Katherine: If the proportions of this pen were a little bit different, I think this would be love. But, thankfully for my wallet, they’re not, and while it’s a nice pen, it’s not aesthetically balanced to me. Despite that though, it’s very usable even for my small hands — light and comfortable!
Pam: If you appreciate the craftsmanship and the beauty of natural materials like wood, I would highly recommend this pen to you. For many, it’s a worthy grail pen to covet. If this pen is too big for you, the good news is that Ryan Krusac has other sizes available! Be sure to check Ryan Krusac out at your nearest pen show to see what works best for you.
Franz: As I started my review above, the Legend L-16 is an impressive pen — size-wise as well as aesthetics-wise. Anyone who is interested in this pen must try it out and see if it’s for you. Ryan is currently based in Georgia so he will always be at the Atlanta pen show but he travels to several U.S. pen shows including the Los Angeles pen show, and the San Francisco pen show.
One of the best parts of buying a pen from Ryan is that you get a handmade pen sleeve by his two daughters, Zoe and Sylvia. They even have their own handmade brand, zoia.co. The grey and black pen sleeve pictured above was included when I got the Legend in Atlanta.
What else can I say about the Legend L-16? I like it… a lot! So much that when Cary (Fountain Pen Day), and Ryan collaborated on a pen to raise funds for Shawn Newton, I jumped on the opportunity to get the FPD Legend pen in the L-16 size as well. The limited edition pen is made with Gaboon Ebony wood (pictures below).